National Native HIV/AIDS Awareness Day

national-native-hiv-aids-awareness-day

Courtesy:  Indian Country Today

It was just few days ago when I learned that March was designated as Women’s History Month.  Well, today, an identical thing happened to me which prompted me to put this post together in a hurry.  I found out just a few minutes ago that today is National Native HIV/AIDS Awareness Day.  I also discovered that my ignorance of the day is not surprising given that it is a little known observance day.  NNHAAD is a day geared toward drawing attention to and building support for HIV prevention, testing, treatment and care among American Indian, Alaska Native, and Native Hawaiian populations.  Here are some facts, according to the Centers for Disease Control (CDC):

  • Among American Indians and Alaska Natives (AI/AN), women account for 29% of the HIV/AIDS diagnoses. 
  • For Native Hawaiian and Pacific Islander (NH/PI) populations given a diagnosis, 78% were men, 21% were women, and 1% were children (under 13 years of age) in 2005.
  • From 2007 to 2010, new HIV infections among AI/NA populations increased by 8.7% (CDC).

While these percentages may seem low, one must remember to take into account the size of these populations compared to more populous races and ethnicities in the U.S. For example, according to the CDC, in 2005 American Indians and Alaska Natives ranked 3rd in rates of HIV/AIDS diagnosis, following blacks and Hispanics. To put this into numbers, the rate of new HIV/AIDS infections in 2008 per 100,000 persons were:

  • 73.7 Black/African American
  • 25.0 Hispanic/Latinos
  • 22.85 Native Hawaiians and Pacific Islanders 
  • 11.9 American Indian and Alaska Native 
  • 8.2 Whites
  • 7.2 Asians

Given that many of these populations live in rural areas, access to health care services can be difficult. Not to mention other roadblocks to obtaining needed services such as language and cultural barriers. Native communities have some of the shortest survival times after diagnosis of HIV/AIDS of all race and ethnicity groups in the U.S.

The report also showed that Native communities are not accessing the much needed care and attention after being diagnosed with HIV.  I also learned that about 26% are living with HIV and don’t even know it.  So, this means that since they don’t know that they have it, they wouldn’t seek medical help.  On the other hand, those who know that they have it, take steps to protect their health and take action to prevent spreading the virus to others.

Thankfully, there are public services like the IHS (Indian Health Service), an agency whose mission is to raise the physical, mental, social, and spiritual health of American Indians and Alaska Natives to the highest level.  Our goal is to assure that comprehensive, culturally acceptable personal and public health services are available and accessible to American Indian and Alaska Native people.  The IHS operates within Department of Health and Human Services.

The IHS National HIV/AIDS Program is committed to partnering with communities to create lasting change in the HIV/AIDS epidemic. We provide programs to assist individuals, families, communities, and health care providers to:

  • Understand how HIV is spread, and share knowledge about HIV with others
  • Get tested for HIV
  • Put policies and procedures in place to offer a HIV testing as a routine part of all health care
  • Improve access to care, treatment, and prevention services needed by people living with HIV and AIDS

IHS providers throughout the country are offering screening more often, collaborating with communities to increase education, and offering care or referrals where direct care is not available. We can all help to reduce the stigma within our culture and among health care providers regarding HIV/AIDS.

I was shocked to learn that March 20, 2016 was the tenth anniversary of this annual awareness day.  I wonder how many people out there who even know that it exists.  Awareness, education and access are key.  And I applaud the many dedicated organizations that are currently working hard within the Indigenous communities to break down barriers and to promote HIV/AIDS prevention and treatment.   

The theme for 2016 was:  “Hear Indigenous Voices: Uniting the Bold Voices of American Indians/Alaska Natives (AI/AN) and Native Hawaiian/Other Pacific Islanders.” Last year’s was:  theme is “Unity in CommUnity, Stand Strong to Prevent HIV.” On this day, we recognize the impact of HIV/AIDS on American Indian, Alaska Native, and Native Hawaiian communities.  The theme this year is “Unity in CommUNITY: Stand Strong for HIV Prevention.

It is my hope and prayer that long after this year’s National Native HIV/AIDS Awareness Day passes, that more people will find ways to stand strong for the Native communities.  We have heard the Indigenous voices, stood with them as we recognized that they are impacted by HIV/AIDS and now we must stand strong for prevention.  We have heard the voices, now it is time to be united in the fight to change the tide in this epidemic which discriminates against no one.  The HIV/AIDs is not one group’s or community’s fight but everyone’s fight.

Sources:  Humanitas Global Development; Indian Country Today; Indian Health Service

Hattie McDaniel

I never knew about Hattie McDaniel until I saw her in Gone With the Wind.  She made history when she won an Oscar for playing Mammy in the Academy award winner for best picture.  She was the first African American to do so.  In her acceptance speech, she said, “I sincerely hope that I shall always be a credit to my race, and to the motion picture industry.”  Well, Ms. McDaniel, you are and will always be a credit to your race because you have opened doors for stars like Sidney Poitier, Whoopi Goldberg, Halle Berry, Denzel Washington, Morgan Freeman, Monique and most recently Octavia Spencer.

McDaniel has two stars on the Hollywood Walk of Fame in Hollywood: one for her contributions to radio at 6933 Hollywood Boulevard, and one for motion pictures at 1719 Vine Street. In 1975, she was inducted into the Black Filmmakers Hall of Fame and in 2006 became the first black Oscar winner honored with a US postage stamp.

In addition to having acted in many films, McDaniel was a professional singer-songwriter, comedian, stage actress, radio performer, and television star. Hattie McDaniel was in fact the first black woman to sing on the radio in America. Over the course of her career, McDaniel appeared in over 300 films, although she received screen credits for only about 80. She gained the respect of the African American show business community with her generosity, elegance, and charm.

Hattie McDaniel was born June 10, 1895, in Wichita, Kansas, to former slaves. She was the youngest of 13 children. Her father, Henry McDaniel, fought in the Civil War with the 122nd USCT and her mother, Susan Holbert, was a singer of religious music. In 1900, the family moved to Colorado, living first in Fort Collins and then in Denver, where Hattie graduated from Denver East High School. Her brother, Sam McDaniel (1886–1962), played the butler in the 1948 Three Stooges’ short film Heavenly Daze. Another acting sibling of Hattie and Sam was actress Etta McDaniel.

In McDaniel’s time, America was segregated in virtually every respect in terms of race. In the South, blacks were barred by law from attending school with whites and subjected to segregation in all other public places Even outside the South, many restaurants and hotels refused to accept black customers. Job opportunities were limited. Custom or restrictive covenants kept blacks from living in “white” neighborhoods. Marriage between blacks and whites was illegal in most states of the United States. The United States military required blacks to serve in all-black regiments. Black Americans also faced the terrorism of lynch mobs without the assurance of federal or state protection. Indeed, in 2005, the U.S. Congress issued an apology for the federal government’s failure to enact lynching legislation to protect blacks in that era.  I will never forget the scene in the movie about Dorothy Dandridge, starring Halle Berry, where the pool at the hotel where she was staying was drained because she dipped her foot in the water.  And insult to injury, African American men were the ones cleaning the pool.  How hurtful that must have been for Dorothy.

The field of entertainment emerged as a profession in which blacks were allowed to reach white and black customers. Still, however, the success of black entertainers and their ability to rise into ownership and management was limited by racial restrictions. Often, many of the same places that allowed blacks to be on stage, did not allow them to sit in the audience as patrons.  State laws allowing discrimination and requiring segregation assured that black entertainers were not allowed the same benefits and opportunities as white ones. Black actors were cast repeatedly in menial roles and were consistently required to speak in contrived stereotypical “Negro dialects.” If black actors did not know how to speak that way, they had to learn to in order to succeed in Hollywood. Movie houses often hired white dialect coaches to teach the so-called “Negro dialect.”

I hated the way the blacks talked in movies.  It degraded them and made them seem ignorant.  And they were always bowing and shuffling and their eyes wide open as if they were having a fright.  Here are a few examples of words considered “Negro dialect”: ah for I, poe for poor, hit for it, tuh for to, wuz for was, baid for bed, daid for dead, mah for my, ovah for over, wha for where, ifn for if, fiuh or fiah for fire, yo’ for you, cot for caught, kin’ for kind, cose for ’cause, and tho’t for thought.  What?!?

I learnt that the competition to play Mammy in Gone with the Wind (1939) had been almost as stiff as that for Scarlett O’Hara. Eleanor Roosevelt wrote to film producer David O. Selznick to ask that her own maid, Elizabeth McDuffie, be given the part.  McDaniel did not think she would be chosen, because she was known for being a comic actress. One source claims that Clark Gable recommended the role go to McDaniel; when she went to her audition dressed in an authentic maid’s uniform, she won the part.  Clark Gable and Hattie McDaniel became very good friends.

When the date of the Atlanta premiere approached, all the black actors were barred from attending and excluded from being in the souvenir program as well as southern advertising for the film. David Selznick had attempted to bring Hattie McDaniel, but MGM advised him not to because of Georgia’s segregationist laws. Clark Gable angrily threatened to boycott the Atlanta premiere unless McDaniel was allowed to attend, but McDaniel convinced him to attend anyway.  Hattie and her escort were seated at a segregated table for two, apart from her Gone with the Wind colleagues and her colleagues in the motion picture industry, a painful reminder of how far the industry and the country had yet to go in overcoming racism.

The Twelfth Academy Awards took place at the Cocoanut Grove of the Ambassador Hotel in Los Angeles. It was preceded by a banquet in the same room. Louella Parsons, an American gossip columnist, wrote about Oscar night, February 29, 1940:

“Hattie McDaniel earned that gold Oscar, by her fine performance of “Mammy” in Gone with the Wind. If you had seen her face when she walked up to the platform and took the gold trophy, you would have had the choke in your voice that all of us had when Hattie, hair trimmed with gardenias, face alight, and dress up to the queen’s taste, accepted the honor in one of the finest speeches ever given on the Academy floor. …

Hattie did look wonderful and she was deeply humbled.  She said, “Academy of Motion Picture Arts and Sciences, fellow members of the motion picture industry and honored guests: This is one of the happiest moments of my life, and I want to thank each one of you who had a part in selecting me for one of their awards, for your kindness. It has made me feel very, very humble; and I shall always hold it as a beacon for anything that I may be able to do in the future. ”

Hattie was also known for her community service work.  During World War II. She was appointed the Chair of the “Negro Division” of the Hollywood Victory Committee, providing entertainment for soldiers stationed at military bases. (The military was segregated and black entertainers were not allowed to serve on white entertainment committees.) She asked her friend actor Leigh Whipper and other well known black entertainers to join her Negro Division Victory committee. She also put in numerous personal appearances to hospitals, threw parties, performed at United Service Organizations (USO) shows and war bond rallies, to raise funds to support the war, on behalf of the Victory Committee.  Bette Davis also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, that also included Lena Horne and Ethel Waters.  She was also a member of American Women’s Voluntary Services.

She joined actor Clarence Muse, one of the earliest black members of the Screen Actors Guild, for an NBC radio broadcast to raise funds for Red Cross relief programs for Americans, who had been displaced by devastating floods. She gained a reputation for generous giving, often feeding and lending money to friends and stranger alike.

Hattie was married four times.  When she was married to James Lloyd Crawford, she happily informed gossip columnist Hedda Hopper in 1945 that she was pregnant. McDaniel began buying baby clothes and setting up a nursery. Her plans were shattered when the doctor informed her she had a false pregnancy; McDaniel fell into a depression. She never had any children. She divorced Crawford in 1945, after four and a half years of marriage. She said he was jealous of her career and once threatened to kill her.  Hattie befriended several of Hollywood’s most popular stars, including Joan Crawford, Tallulah Bankhead, Bette Davis, Shirley Temple, Henry Fonda, Ronald Reagan, Olivia de Havilland and Clark Gable (as I mentioned earlier).

Hattie died at age 57 from breast cancer, in the hospital on the grounds of the Motion Picture House in Woodland Hills, on October 26, 1952. She was childless and was divorced from her fourth husband. She was survived by her brother, Sam McDaniel. Thousands of mourners turned out to remember her life and accomplishments. In her will, McDaniel wrote: “I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery”.

The Hollywood Cemetery on Santa Monica Boulevard in Hollywood was the resting place of movie stars such as Douglas Fairbanks, Rudolph Valentino, and others. Hollywood Cemetery refused to allow her to be buried there, because it, too practiced racial segregation. It did not accept the bodies of black people. Her second choice was Rosedale Cemetery, where she lies today. 

Notes to Women celebrate and remembers this resilient woman, gifted actress and beacon of hope for other African Americans.  She left behind two legacies–her contributions to radio and the movie industry.   She was not opposed to playing menial roles.  She reportedly said,”Why should I complain about making $700 a week playing a maid? If I didn’t, I’d be making $7 a week being one.”  We thought it fitting to end Black History Month by celebrating the life and achievements of this model of off-screen courage and great, show-stealing onscreen performances.

A woman’s gifts will make room for her.

Faith is the black person’s federal reserve system.

I did my best, and God did the rest.

I don’t belong on this earth. I always feel out of place – like a visitor.

I am loathe to get married again. I’ve been married enough; I just prefer to forget it.What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.Hattie McDaniel

Sources:  http://en.wikipedia.org/wiki/Hattie_McDanielhttp://www.imdb.com/name/nm0567408/biohttp://www.popmatters.com/tv/reviews/b/beyond-tara.htmlhttp://www.mahoganycafe.com/hattiemcdaniel.html; http://voices.washingtonpost.com/postpartisan/2010/01/harry_reid_could_use_a_lesson.html