The Studio

“You don’t have to be a genius to see that this relationship will not last,” commented Marie as she and Caitlin sat in the corner of a trendy restaurant in the fashionable district of Chelsea.  It was celebratory dinner party for the opening of Ava’s boutique in the area.  She had invited Marie, her sister-in-law who had in turn invited Rachel.  They were sitting having non-alcoholic drinks after a delicious dinner while the others were on the dance floor.

Marie’s remark was directed at Ava and her boyfriend, Reid, a businessman/artist.  They had been dating for less than a year now.  They were dancing but he seemed a bit uncomfortable.   Clearly, he didn’t like the public display of affection but Ava didn’t seem to care.  This was her way of letting the other women know that he was not available.

As Rachel watched them, she couldn’t deny that they made a very attractive couple.  Ava had thick dark brown hair that tumbled down in unruly waves down her tanned back.  She looked absolutely stunning in the strapless fuchsia dress.  Several male eyes were on her but she only had eyes for Reid.  Rachel’s gaze shifted to Reid.  He was tall and very attractive.  He looked amazing in the navy blue striped suit, navy blue shirt and matching tie.  His thick dark brown hair was neatly combed as usual.

She remembered the first time she met Reid.  It was at a mutual friend’s place.  It was early autumn and as she came out of the cottage to go for a walk in the gardens, she noticed him standing among stalks of wheat which seemed rather out of place to her.  She expected the grounds to be covered in green grass and surrounded by trees with changing colors.  He was wearing a blue sweater over a checkered shirt and dark blue trousers.  He didn’t notice her at first as she stood there just staring at him and thinking that he was drop dead gorgeous.  Then, he turned his head slightly to the right and their eyes met.

Then, he went over to her, his eyes never leaving her face.  She was wearing a black and white striped shirt and black pants.  She hoped her hair looked fine.  He held out his hand.  “Hello, I’m Reid,” he said.

She smiled as he clasped her hand.  “Rachel.”  After he released her hand, she folded her arms.  She saw the way his eyes slipped over her before they settled on her face again.

“Do you have a jacket?” he asked.  “It’s a bit cool today.”

“It’s inside with my handbag,” she said. “I came out to go for a walk and forgot how cool it was.  I’ll go quickly and get it.”  She went back to the house and when she went back, he was standing where she had left him.

“Do you mind if I join you?” he asked.

She shook her head, smiling.  “I would like the company,” she said.

“Did you come alone?”

“Yes,” she turned to look at him as they headed for the gardens.  “Did you?”

“I came with Ava.”

“Ava Parker?”

“Yes.”

“Do you know her?”

“Not very well.  She’s my friend Marie’s sister-in-law.”

“Yes, I have met Marie.  A very pleasant woman.”

As they walked he asked her questions about herself.  She learned that he met Ava at a gallery where his artwork was on display.  She suddenly stopped and stared at him.  “Are you Reid Faulkner?” She asked.

He nodded with a smile.

“I’ve seen some of your paintings and they are amazing.  They are so real.  My favorite so far is of the homeless young girl.  You did it in black and white.  It was beautiful and haunting at the same time.  It’s now hanging in the National Portrait Gallery in London.”

“I like to paint about current issues,” he said.  “I’m more into realism than the other forms of art like impressionism and romanticism.”

“You captured the sadness in her eyes, the dirty fingernails and the hopelessness of her situation.  Whatever became of her?”

“She’s in a homeless shelter for the youth now.  When she learned that her portrait was in the gallery, she was over the moon.”

“That’s great.  How do you do it—your painting, I mean?”

“I sketch and then, I paint.  I don’t have to have the person pose for me.”

They continued walking and then they decided to head back to the cottage.  When they got there, Ava was waiting in front and as soon as she saw them, she hurried over to Reid.  “There you are,” she exclaimed, slipping her arm in his.  “I was wondering where you had gone off to.  Oh, hello, Rachel,” she said, her green eyes shifting to her and pursing her lips.  The displeasure on her face was unmistakable.  She tugged gently on Reid’s arm.  “There’s someone I’d like you to meet.  Excuse us, Rachel.”

Reid barely got to give Rachel a backward glance before he was whisked away.  They hadn’t had a moment alone after that.  Ava saw to that.  However, she couldn’t prevent them from looking at each other every opportunity they got and on her way home, Rachel couldn’t stop thinking about Reid and how much she wanted to see him again.  And couple months later, here they were in a Chelsea restaurant.

She turned now to Marie who was looking at her.  “You were somewhere else for a bit,” she said.

“I was just remembering something,” she said evasively.  “Why don’t you think their relationship will last?”

“She’s too clingy and men don’t like that.  They don’t like to be smothered.  Besides, I don’t think he’s as into her as she’s into him.  It’s all in the body language, my dear.  Look at him.  The dance is over and he looks relieved.  Why don’t we invite them to join us?”  She waved at the couple as they parted and were heading back to their table.

Rachel’s eyes went immediately to Reid and her heart began to beat fast.  She smoothed her hair down and rubbed the palms of her hands on the skirt of her blue elastic waist dress.  Reid’s gaze went first to Marie and then to Rachel where they remained.  Ava noticed and said, “Why don’t we go over to the bar and sit there or outside on the terrace where it’s a lot cooler?”

At that moment, Marie got up from her seat and said to Ava, “Why don’t we go and freshen up?” and she grabbed her arm and escorted her away before she could object.

Alone, Reid sat down beside Rachel.  “It’s good to see you again,” he said quietly.  “I was hoping that we would meet again.  How have you been?”

She smiled and tried to act calm although she was nervous.  He was staring at her, his expression was intense.  “It’s good to see you again, too,” she admitted, sounding a bit breathless.  “I’m happy to see you and I’ve been doing well.”

“Are you busy tomorrow afternoon?” he asked.

“No.”

“I’d like you to come over to my studio,” he said.  He took out his wallet and removed a business card.  He scribbled something at the back of it and handed it to her.  As she read the name and address of the studio, he added, “I’d like to paint you.”

She glanced up in surprise.  “Paint me?” she exclaimed.  “But why should you want to paint me?”

“You’re beautiful,” he said simply.  “I want to capture that beauty.”

“I’m not sure,” she said, suddenly feeling very self-conscious.  “I’ve never had such a proposition before.” He thinks I’m beautiful.

“Think about it.  I will look out for you tomorrow.  If I don’t see you, I’ll know that you decided not to do it and although, I will be disappointed, I will understand.”

“Thank you,” she said and she put the card in her handbag.  She didn’t feel pressured now.

“If you like, you can still come to my studio just to see my work.”

“I’d like that,” she said.

He smiled and just then, Ava and Marie joined them.  Ava’s eyes flashed at Rachel.

Marie said to Rachel, “I think we should leave now,” she said.  “It’s getting late and I have a busy day tomorrow with the hubby and kids.  Ava, congratulations on your new business venture.  I’ve no doubt that it will be a great success.  Reid, as always it is a pleasure to see you.”

Rachel got up and came round the table so that she was standing next to Reid.  She could feel his eyes on her.  She said goodnight first to Ava whose expression was hostile and then she turned to Reid, holding out her hand.  He took it and her pulse raced when she felt him squeeze it gently.  Their eyes held for a brief moment and then she turned and walked away.

On their way to her car, Marie remarked, “There’s something going on between Reid and you.  I sensed it and I know Ava did too, that’s why she didn’t want to leave the two of you alone.  So, what did he say to you?”

“He invited me to go to his studio tomorrow.  He wants to paint me.”

“Wow, that’s a great compliment.  I wish I had an artist ask to paint me.  Well, are you going to do it or not?”

“I’m not sure…”

“I think you should do it.  It might be fun and besides, it gives the two of you a chance to be alone.”

“But, what about Ava?”

“Ava’s history.  I won’t be surprised if he breaks up with her tonight.”

“I don’t want to be the cause for their breakup.”

“It would have happened even if you weren’t in the picture.  Don’t feel bad about it.  Ava’s not the right woman for Reid.  And that’s a fact that’s clear to everyone, except her, unfortunately.”

Rachel sighed.  “She already doesn’t like me and now I’m giving her a good reason to hate me.”

“Don’t worry about Ava,” Marie advised her.  “She’ll get over Reid in time.”

Rachel thought about it as she lay in bed that night and by morning, she had decided that she would go to the studio.  It was on a quiet street and located on the second floor of a warehouse.  The door was open and she went in.  There was an easel with a blank sheet of paper on it.  Framed paintings stacked against the walls.  Bright light effused the spacious room.  She could smell the paints and she smiled as she looked around.  It was such a treat being in an artist’s studio and seeing his work.  There were a couple of floor lamps, chairs, a stool and a table with the paints.

As she was studying and admiring the paintings on the wall adjacent to the windows, Reid came in.  He smiled when he saw her.  “Hello,” he said.  “I’m glad you came.  I hope you didn’t have any trouble finding the place.”

She turned toward him, thinking how sexy he looked in the black shirt and blue jeans.  “No, I didn’t have any trouble finding it.  It’s a really nice with lots of natural light.  I was just admiring your work.  Some of them, I recognized.  Has Ava ever been here?”

“Once.  Would you like something to drink?”

She shook her head.  “Not right now, thanks.”

“So, what have you decided?”

“I’ve decided to let you paint me.”

He grinned, rubbing his hands together.  “Splendid.  Now, all you have to do is sit on the stool over there and try not to move.  You can set your handbag and jacket on the chair over there.  Thanks for agreeing to do this, Rachel.”

She did as he instructed and climbed up on the stool.  As she sat down, she was glad that she had worn jeans instead of the long black skirt with the side slit.  She watched as he mixed the paints and then stood behind the easel and got to work.  After two hours of not moving, she was relieved when he set his brush down and stepped from behind the easel.

“We’re done for today,” he said.

She slid down from the stool and stretched.  “How long will it take to complete?” she asked.

“Two weeks.  You don’t have to sit every time because I know you’re busy.  I have a sketch that I can work from.”

“I can come in the evenings after work,” she offered.

“That would be great.  Are you hungry?”

She nodded.

“There’s a bistro around the corner where we can have something to eat or we can order take out delivery and eat here.  Which would you prefer?”

“Take out.”

They had Thai food delivered to them and they sat cross legged on the floor, eating and talking.  It was dark outside by the time they left the studio.  Before they parted, they arranged to meet again at the studio the following day.  For two weeks, she went to the studio and sat for two hours as he painted her.  Finally, the day came when she would see the finished painting.  Excited, she let herself into the studio and closed the door.

She went over to the chair to put her jacket on it when Reid came into the room.  She turned and her breath caught in her throat when she saw that he was not wearing a shirt.  It was in his hand.  He stopped short when he saw her.  “You’re early,” he commented as he pulled it on but didn’t button it.  He went over to where she stood.  Flustered, she turned away.

She felt his hands on her shoulders turning her around to face him.  Their eyes met and what she saw in his made her mouth go dry.  Desire shone in their depths.  “Rachel,” he muttered huskily.  “You must know by now how I feel about you.”

The feelings churning inside her were on her face.  “What about Ava?” she asked, trying not to look at his chest.

“I ended my relationship with her that night at the restaurant.  She blamed you.  She saw the attraction between us that night.  I told her that I would have ended our relationship even if you and I had not met.  I told her that we were not right for each other.  I felt badly about it but I couldn’t continue pretending that everything was fine when it wasn’t.”

“I feel sorry for her but, I can’t say that I’m sorry that you’re available now…”

“Oh, Rachel…” he moaned before he lowered his head and kissed her.  She kissed him back, her arms going around his neck as she pressed against him.  The sunlight flooded the room, bathing them in its warmth as they exchanged passionate kisses.  “I love you,” he murmured against her lips.

“I love you too,” she whispered.  She had loved him that day when she saw him standing there among the wheat, looking like he just had stepped out of the pages of GQ.

Several hours later, he unveiled the painting and her mouth dropped open when she saw.  Moved to tears, she said, “It’s beautiful.”

His eyes were tender as he looked at her.  “That’s how I see you,” he said quietly. “You’re beautiful within and without.  This painting is going to be for my private viewing.  It’s not going to be placed in any gallery.”

“Good,” she said, putting her arms around his waist.  “I don’t relish the idea of hanging in public for everyone to gawk at me.  Both the painting and I are for your eyes only.” And with that, she reached up and kissed him.

woman and man in standing

Sources:  End Youth HomelessnessReitman’s; Social Lifestyle Magazine; Albert’s Club

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Women Beggars in India

The Bible has told us that we are to love our neighbor as we love ourselves.  In fact, Jesus said that one day He will say to those who helped those in need, ‘Come, you blessed of My Father, inherit the kingdom prepared for you from the foundation of the world: for I was hungry and you gave Me food; I was thirsty and you gave Me drink; I was a stranger and you took Me in;  I was naked and you clothed Me; I was sick and you visited Me; I was in prison and you came to Me’ (Matthew 25:34-36).

It is hard to go to a place like India and see a woman on the streets, begging with a child in tow and not do something about it.   She is dressed shabbily, perhaps bare feet, her face dirty and in her arms is a sleeping infant or a toddler with a dirty face, runny nose and big eyes looking at you as his mother holds out a thin, dirty hand for money.  Your heart melts and you reach into your handbag or your money belt to take out some money to give her.  It’s impossible for you not to help this mother and her child.  You give her the money and she takes it and goes way.  Your heart feels light.  You have done a great thing.

 

It’s a common sight in India to see a dirty looking woman carrying a child in her arms.  If you are driving, you see them at the traffic light and when you stop, they come to your car and bang on the window. Sometimes it’s a little boy with a runny nose.   You will find them in the railway stations, metro stations, tourist attractions, in temples and in areas where there are crowds.  People who see them are moved to give them money.  Sometimes they shoo them away.

 

It is perfectly normal for people to beg in a country where there is so much poverty.  In fact, begging has become one of the most serious social issues in India in spite of rapid economic growth.  This has led to the growth of beggars in the country.  Most of them come from Bangladesh and some are from India. The problem is that not all of the beggars are legitimate.  The few who are real are those who are handicapped because they are unable to work, they are old or blind or they need money for basic needs.  Many live far below the poverty line and have been forced to beg in order to survive.

 

There are entire families who are begging on the streets and in temples because their income is not enough.  The children are unable to go to school.  Poverty is very real in India and begging is the only way the people can earn their livelihood.  Unfortunately, begging has become a big scam in India. Travel India Smart warns people who plan to visit India that if they are approached by a women carrying a baby and begging for money not to give her any money.  These women make the babies look pathetic to appeal to the public’s sympathy.

 

In an article, Travel India Smart says that when one woman takes a rest, she hands the baby over to other women who continue to walk the streets in the hot sun, carrying the baby.  Babies are rented out from beggar to beggar.  As a mother, I can’t imagine how a mother could allow her baby to be used like this.  Maps of India says that sometimes the babies are drugged for the entire day so that they look sick and can be easily carried from one area to another by the young women beggars.

 

These beggars want money.  One beggar said that the baby she was carrying had just been fed and she would prefer money.  In Mumbai, a child or a woman beggar approaches a visitor, wanting some powdered milk to feed a baby.  The woman would take the visitor to a nearby stall or shop which happens to sell tins or boxes of the milk.  The milk is pricey and if the tourist hands over the money for it, the shopkeeper and the beggar split the proceeds between them.  The beggars rent babies from their mothers to make them look credible and they carry these sedated babies who are draped limply in their arms and claim that they don’t have any money to feed them.

 

When confronted by a woman beggar and a child, what do we do?  In an article written in Go India, Sharell Cook, suggests that it is best to ignore the beggars.  It may sound harsh but by not giving them what they want, you are taking the necessary step toward abolishing beggary.  It is something that has become a menace to society.  It is exploiting the compassion of those who want to help those in need.  It is making it difficult for the real beggars.  Babies and children are being exploited.  And gangs are profitting from begging.  Some beggars have gone as far as deliberately maiming and disfiguring themselves just to get more money.

 

Something has to be done to stop this epidemic.  One suggestion is that charitable organizations use their clout with governments to ban beggars from using babies.  Another suggestion is that the Indian government continues with its measures to alleviate poverty.  For our part, people can help to stop this problem by not giving money to these beggars.  Instead, they are encouraged to visit a temple and give alms to the beggars there.

 

Tips for giving to Beggars are:

  • If you really want to give to beggars, give only 10-20 rupees at a time and give them when leaving a place not when you arrive or you will be mobbed.
    • Try to give to those who perform a service, such as small children who dance or sing
    • Give to those who are elderly or crippled.

 

God wants us to show compassion to those who are in need but He doesn’t expect us to help those who would take advantage of our charity and exploit others for their greedy gains.

 

Avoid giving to women with babies because the babies are usually not theirs.  The best thing you can do is to not give anything to the beggars.  If everyone were to stop giving, then these gangs and all those who are profitting from begging will be put out of business.  They will have no choice to work and earn an honest living.  And visitors can enjoy a hassle free vacation.

 

indian_beggar_woman

Sources:  Map of IndiaTravel India SmartGo India

Sojourner Truth

Empowered by her religious faith, the former slave worked tirelessly for many years to transform national attitudes and institutions. According to Nell Painter, Princeton professor and Truth biographer, “No other woman who had gone through the ordeal of slavery managed to survive with sufficient strength, poise and self-confidence to become a public presence over the long term.”
(Painter, Sojourner Truth: A Life, A Symbol, page 4)

In celebration of Black History Month, Notes to Women salutes Sojourner Truth, a devout Christian, abolitionist and Women’s Rights activist.  She was reputed to be the most famous African American woman in America in the 19th century.

For over forty years she traveled around the country, passionately and forcefully speaking for the abolition of slavery, women’s rights and suffrage, the rights of freedmen, temperance, prison reform and the termination of capital punishment.  She changed her name from Isabella to Sojourner Truth, a seeker after truth, becoming a traveling itinerant preacher so that she could tell the truth and crusade against injustice.  She was not intimidated by convention or authority.  She was known for her sense of humour which she used to squash self-righteousness.  She once derided some of the women social activists who wore frivolous clothing, saying to them, “What kind of reformers be you, with goose-wings on your heads, as if you were going to fly, and dressed in such ridiculous fashion, talking about reform and women’s rights?” (Narrative, Book of Life, p.243).

She made her most famous address, Ain’t I a Woman at a Women’s Rights Convention in Akron, Ohio where she asserted that women deserved equal rights with men because they were as equally as capable as men.  She testified, “I have plowed and reaped and husked and chopped and moved, and can any man do more than that?”  She concluded her speech saying, “And how came Jesus into the world?  Through God who created Him and the woman who bore Him.  Man, where was your part?” (Anti-Slavery Bugle, June, 1851).

Watch this video of this remarkable woman.

We celebrate the “world’s oldest lecturer” who, as a woman of faith could not keep silent when those created in God’s image were denied their human rights and equality.  Her memory lives on in the many local memorials and tributes established in her honor in Battle Creek.  In 1997, a year long celebration marked the 200th anniversary of Sojourner’s birth.  One day was not enough to celebrate this special lady.  She has left behind a legacy survival, strength, courage and the passion to transform attitudes and and institutions.  She inspires us to speak out against injustice, inequality and oppression and to stand up for truth and to act instead of talk.

If women want any rights more than they’s got, why don’t they just take them, and not be talking about it.

Truth is powerful and it prevails.

Religion without humanity is very poor human stuff.

“Does not God love colored children as well as white children? And did not the same Savior die to save the one as well as the other?” (Sabbath School Convention, Battle Creek, June 1863)

Sources: YouTube;  Sojourner Truth; Brainy Quotes

 

 

 

 

Street Children

Leave your fatherless children, I will preserve them alive – Jeremiah 49:11

Usually before I retire for the night, I check on my son.  I make sure he’s nicely tugged in.   He has a home.  He has his own room.   He doesn’t have to take the bus to school.  His Dad drives him there.  He doesn’t have to worry about anything.  He is well cared for.  In fact, he has a lot to be thankful for.  He is living a life of luxury compared to other children.  There are children out there who would gladly trade places with him.  These children are “street children”.  Who are they?

gospel for asia street kid2

Street children are minors who live and survive on the streets. They often grow up in public landfills, train stations, our under the bridges of the world’s major cities – Humanium

gospel-for-asia-street-children

Why do they live on the streets?  There are several reasons such as family, poverty, abuse and war.  Economic, social and political factors can also play a role.

Children end up on the streets for a number of reasons, many of which are rooted in family instability and poverty.  In the region where we work, children most often leave home because they are fleeing instability or have been rejected and abandoned by their families for various reasons (disabilities, disease or disobedience).  Many of the children we have worked with have left their homes to flee domestic violence, abusive relatives or neglectful families.  Others have done so because their families live in severe economic distress, either in rural villages or city slums, and are unable to care for them – The Street Child Project

Life on the street is fraught with danger for these children. They are vulnerable to abuse, trafficking and sexual exploitation.  Some of them end up in gangs.  This is heartbreaking because all these children want is a better life–something they didn’t have at home.

…the most vulnerable are those who actually sleep and live on the streets, hiding under bridges, in gutters, in railway stations.  While they may have small jobs such as shoe-shining or market-selling to pull through, may also end up dying on the pavement, victims of drugs, gang rivalry and disease.  Without some form of basic education and economic training, the future is bleak for these street children and their life expectancy terrifyingly low – Unesco

Poor nutrition is another problem street children face.  They can’t get food because they don’t have money.  And those who can buy something to eat, they choose unhealthy foods such as ice cream, cakes.  Since they don’t have access to sanitary facilities they are often dirty and infested with fleas.  Lack of hygiene makes them susceptible to diseases.

wish I had my mother or father with me, Nandi thought, weeping in the corner of the room. They would have never allowed anybody to beat me like that.

Nandi is a little boy who never knew his real parents.  He was adopted but his adoptive parents treated him like a servant and beat him.  They got angry when he called them “mother and father”.  I can’t begin to imagine what life must have been like for this child.  He longed for his real parents, believing that they would never allow anyone to mistreat him.  He longed for their love and protection.  As parents, we are responsible not only for raising our children, teaching them and disciplining them but we are supposed to love and protect them.  They should feel safe at home.  Nandi didn’t experience love, protection or security.  All he knew was unkindness, abuse and forced labor.  Unable to take the abuse any longer, he decided to run away and boarded a train to a big city.

We know that a big city is no place for a child.  Not surprisingly, Nandi soon ended up begging at the roadside all day long.  Like Oliver Twist, Nandi met his Fagan.  This man took the money Nandi got for begging and in exchange, gave him little food.  When Nandi didn’t want to do this any more, the man became incensed and beat him.  The next day when Nandi again refused to beg, the man beat another boy in front of him.  His will broken and gripped by fear, Nandi obeyed.  God would have to intervene and He did in an unexpected way.

Nandi was crossing the street one night when a car ran over his foot.  A police officer rushed over to where the injured boy was and took him to a hospital.  Nandi stayed in the hospital for more than six months, recuperating.   He had a visitor–a woman who asked him if he wanted to go to a children’s home.  Initially, Nandi refused because he was afraid .  New people and places intimidated him. However, when he saw how kind she was, he changed his mind and she took him to Gospel for Asia’s home for abandoned and runaway boys.

It took a while for Nandi to get used to being there.  During his first days there, he was overwhelmed by the new faces and structured lifestyle.  He broke down in tears and was comforted by the staff members. They assured him, “Don’t worry, because we are here like your mother and father.”  What a change from the life he had known before then.  While he had been with his adoptive parents, he had craved parental love and here he was receiving it from strangers.  The women brought him food and medicine when he wasn’t able to move around much because he was still recovering from his operation.  They stayed with him at night when he couldn’t sleep.  Much like a mother stays with her child until he or she falls asleep. The love of these people touched this little boy’s heart.  Maybe a mother or father would do the same things these sisters are doing, he thought.  Through the loving care of these women, God revealed Himself to a child who had been starved of love all his life.

That accident was God’s way of getting Nandi off the streets and putting him in a place where he would be cared for and receive a good education and learn about Jesus.   Now, Nandi wants to serve Jesus by singing.

As one whom his mother comforts, so I will comfort you – Isaiah 66:13

Manjulika’s life was much different from Nandi’s.  She knew her parents.  She and her sisters lived with them.  One day, Manjulika’s world was turned upside down.  She woke up to learn that her mother was dead.  She had died in the hospital.  From that moment on, Manjulika became a mother to her younger sisters.  Their father worked long hours as a rickshaw driver.  He would go home drunk and sometimes he beat them.   As Manjulika struggled to raise her siblings, she thought of her mother and how she had done so much for them.   She missed her.  She missed her mother’s love and care, especially as she and her sisters didn’t receive any love from their father.  In fact, he had no problem letting the government take them to a Gospel for Asia home for at-risk girls. The girls would soon come to know another Father. One who loves them.

The moment Manjulika walked into Gospel for Asia’s home for abandoned girls, she knew that she was in the right place.  This was a place where she would receive love and care.  She was no longer burdened with the responsibility of raising her siblings.  She had help.  The staff was there to provide for their needs.  They got food, school supplies and clothes.  And most importantly, they received the kind of love they had once received from their mother.   The staff was like a mother to the girls.  They sat with Manjulika whenever she got sick and helped her to eat.  They celebrated her birthday.  Manjulika had never had a birthday party before.  The staff enrolled her in a good school and helped her with her homework.  Things were looking up.

Manjulika thinks about her mother again but this time it is without sadness.  “These sisters care for us, and they meet all our needs.   If my mother were alive, she too would have done the same things the sisters are doing to me.”  She is again experiencing the kind of love she once had when her mother was alive and missed when she died.

He administers justice for the fatherless and the widow, and loves the stranger, giving him food and clothing – Deuteronomy 10:18

Today, Manujika wants to be a teacher and share her knowledge with children.  She also wants to tell others about Jesus.  She wants them to know that he loves them regardless of their background.

Nandi and Manujika had happy endings to their stories but there are children out there who are still living on the streets and in danger of exploitation, drugs, violence and premature death.  Please lift them up in prayer.  Pray that God will intervene in their lives as He did with Nandi and Manujika and take them off the streets.  Children are precious in His sight.  They deserve to have quality life.  They deserve to have a bright future.  They deserve to have love, protection, care, education and knowledge of Jesus.

Learn more about Gospel for Asia’s Street Children Ministry and how you can make a difference.

For in You the fatherless finds mercy – Hosea 14:3

Sources:  Gospel for AsiaWikipedia;  Humanium; The Street Child Project; Unesco

In the Driver’s Seat

Imagine waking up every weekday, going along the same route and meeting up with trouble. You are doing your job and following rules but you are disrespected, yelled at, called names and threatened. This is the kind of day *Susan has every week as she goes along her bus route.

On several occasions when I have ridden on the bus there have been problems. Students get on the bus and do not show proper id. They come up with all sorts of excuses and hold the bus up. The driver sticks by the rules. She refuses to budge even though the students are arguing with her and a few of the passengers are siding with them. One man even said, “Why don’t you let them on? It’s obvious that they’re students.”

Others grumble because they don’t want to be late for work. They fail to realize that it was not Susan who was delaying them. The students are unwilling to pay the fare. They refuse to abide by the rules. They want to have their own way.

Would they try this with another driver? They probably think that because Susan is a woman she would be lenient. When they realize that she is no push over, they resort to profanity, name-calling and then stomp out of the bus.

On the morning of November 3 when the bus pulls up and I see Susan behind the wheel, my heart sinks. I wonder what trouble lay ahead for this poor woman. I didn’t have to wait long to find out. About five minutes after we pull away from my stop we get to the third bus stop where Susan waits for a few minutes like the other bus drivers do.

After glancing at her watch, a woman decides to approach Susan. She leans over and says something to her. Gradually low voices are raised and pretty soon there is a shouting match. The woman is angry with Susan because she thinks she is running behind schedule. This is not the case.

The bus scheduled to come earlier was either late or simply did not show up. This has happened before. Susan tries to reason with the woman but to no avail. The woman returns to her seat and after a few more angry remarks, she simmers down. The bus moves off and the rest of the trip is uneventful.

When we get to the station I am impressed to go over to Susan. I say to her, “Don’t let them get to you.” She assures me that she wouldn’t and that she is simply doing her job. As I turn away, she calls out to me, “Thanks. I really appreciate this.” I tell her to have a good day and leave.

God wanted me to lift up this hard-working, dedicated public servant who has been put down too many times because she refuses to break or bend the rules.

A year has passed and I no longer see Susan. Maybe she had enough and asked to be put on another route. Please keep drivers like Susan in your prayers. And ask God to soften the hearts of the difficult people they have to deal with.

*Susan is not her real name.

 

bus

Ingrid Bergman

I just read in the Stabroek News that the 68th Cannes Film Festival unveiled its official poster featuring legendary actress Ingrid Bergman in a tribute to what would have been her 100th birthday this year.  I think that’s wonderful.  She was an actress I truly admired and appreciated.  She had gentle beauty and an air of quiet refinement.  She was very classy.  I remember her in films like Casablanca, Gaslight, Anastasia and For Whom the Bells Toll.  She acted with some of Hollywood’s A list male stars–Humphrey Bogart, Gregory Peck, Cary Grant and Gary Cooper.  It would have been interesting to see her star opposite Clark Gable, Jimmy Stewart and Burt Lancaster.

Acting was something Ingrid always knew she wanted to become.  Her father, a Swedish artist and photographer wanted her to become an opera star and had her take voice lessons for three years.  She wore her mother’s clothes and staged plays in her father’s empty studio.  He documented all of her birthdays with a borrowed camera.  He died when she was thirteen.  Her German mother had died when she was two years old.

After her father’s death, Ingrid was sent to live with an aunt who died just six months later from a heart disease.  She moved in with another aunt and uncle who had five children.  Her aunt Elsa was the first one who told Ingrid when she was 11 years old that her mother may have “some Jewish blood”, and that her father was aware of this long before they got married.  Her aunt cautioned her about telling others about her possible ancestry as “there might be some difficult times coming.”  This reminds me of Queen Esther who was intially cautioned by her uncle not to let anyone know that she was a Jew.

In 1932 when she was 17, Ingrid had only one opportunity to become an actress by entering an acting competition with the Royal Dramatic Theatre in Stockholm.  For Ingrid it was a terrible moment.  She recalled:  As I walked off the stage, I was in mourning.  I was at a funeral.  My own.  It was the death of my creative self.  My heart had truly broken…they didn’t think I was even worth listening to, or watching.”

This couldn’t have be further from the truth as she soon learned after meeting one of the judges who told her, “We loved your security and your impertinance.  We loved you and told each other that there was no reason to waste time as there were dozens of other entrants still to come.  We didn’t need to waste any time with you.  We knew you were a natural and great.  Your future as an actress was settled.”  What a thrill and relief that must have been for the aspiring actress.  She received a scholarship to the state-sponsored Royal Dramatic Theatre School where Greta Garbo had earned a similar scholarship just years earlier.

Ingrid’s dream was now a reality.  She was given a part in a new play and over the summer break, she was hired by a Swedish film studio which led to her departure from the Royal Dramatic Theatre a year later to work full-time in films.  She starred in a dozen films in Sweden, including En kvinnas ansikte which was later remade as A Woman’s Face, starring Joan Crawford.  Ingrid made one film in Germany in 1938.

Then it was off to Hollywood…Thanks to David O. Selznick, she starred in Intermezzo:  A Love Story, her first acting role in the United States.  It was a remake of her 1935 Swedish film, Intermezzo.  Ingrid didn’t plan to stay in Hollywood.  She thought she would complete this film and return home to Sweden to be with her husband, Dr. Peter Lindstrom and their daughter, Pia.

Selznick had concerns about Ingrid.  “She didn’t speak English, she was too tall, her name sounded too German, and her eyebrows were too thick.”  However, Ingrid was accepted without having to modify her looks.  Selznick let her have her way because he understood her fear of Hollywood makeup artists who might turn her into someone she wouldn’t recognize.  He told them to back off.  Besides, he believe that her natural good looks would compete successfully with Hollywood’s “synthetic razzle-dazzle.”

Selznick, who was filming Gone With the Wind at the same time, shared his early impressions of Ingrid in a letter to William Hebert, his publicity director :

Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture … She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture. She never for a minute suggests quitting at six o’clock or anything of the kind … Because of having four stars acting in Gone with the Wind, our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life … All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity … so that her natural sweetness and consideration and conscientiousness become something of a legend … and is completely in keeping with the fresh and pure personality and appearance which caused me to sign her.

Not surprisingly, Intermezzo was a huge success and resulted in Ingrid becoming a star.  She left quite an impression on Hollywood.  And Selznick’s appreciation of her uniqueness made he and his wife Irene remain important friends to Ingrid throughout her career.

Before making Casablanca, Ingrid made one last film in Sweden and appearing in three moderately successful films, Adam Had Four Sons, Rage in Heaven and Dr. Jekyll and Mr. Hyde.  According to her biographer, she felt guilty that she had misjudged the situation in Germany.  She had dismissed the Nazis as a “temporary aberration, ‘too foolish to be taken seriously.’ She didn’t believe that Germany start a war because the good people of the country would not allow it.  Sadly, she was wrong.  She felt guilty for the rest of her life and when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocitites of the Nazi extermination camps.

In 1942, she starred opposite Humphrey Bogart in Casablanca, a movie famous for its wonderul lines and the famous song, “As Time Goes By”.  I was surprised to read that Ingrid did not consider it to be one of her favorite performances.  She said, “I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart.”  I thought she and Bogart were great together.

I think I only saw For Whom the Bell Tolls once but really liked it.  My sister and I liked how she looked with her short, blond, curly hair and a “sun-kissed complexion”.  I read that Ernest Hemmingway wanted her to play the part of Maria.  When he met her, after studying her, he exclaimed, “You are Maria!”  When Ernest told Ingrid that she would have to cut her hair to play the part, she was quick to respond, “To get that part, I’d cut my head off!”

For Whom the Bell Tolls, was the film that saved the song, “As Time Goes By” from being removed from Casablanca.  Warner Brothers wanted to substitute the song and planned to re-shoot some scenes with Ingrid but thanks to her hair-cut, they had to drop the idea as there would be a problem with continuity even if she wore a wig.

A year later, Ingrid won the Academy Award for Best Actress for Gaslight.  It was a gripping and suspenseful movie of a wife being driven to madness by her husband, masterfully played by Charles Boyer.  She next starred as a nun in The Bells of St. Mary opposite Bing Cosby, garnering her third consecutive nomination for Best Actress.   She came in a succession of Alfred Hitchock movies, Spellbound, Notorious and Under Capricorn (I never heard of this one).

During her marriage to Lindstrom, Ingrid had a brief affair with Gregory Peck.  This affair was kept private until five years after Ingrid’s death, when Gregory revealed in an interview with Brad Darrach of People, “All I can say is that I had a real love for her (Bergman), and I think that’s where I ought to stop…. I was young. She was young. We were involved for weeks in close and intense work.”

Unlike her affair with Gregory Peck, the one with the Italian film director, Roberto Rossellini was a very public one.   Although Ingrid received another Best Actress nomination for Joan of Arc in 1948, the film was not a hit, partly because news of her affair with Rossellini broke while the movie was still in theatres.  It was her admiration for Rossellini which had led Ingrid to write him a letter, expressing her admiration and suggesting that she make a film with him.  She was cast in his film, Stromboli and during production, she fell in love with him and they began an affair.  She became pregnant with their son, Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe (“Robin”) Rossellini and this affair caused a huge scandal in the United States.  She was denounced on the floor of the United States senate and Ed Sullivan chose not to have her appear on his show despite a poll showing that the public wanted her there.  However, Steve Allen had her on his equally popular show, noting, “the danger of trying to judge artistic activity through the prism of one’s personal life.” 

The scandal drove Ingrid back to Italy, leaving her husband and daughter.  She went through a very public divorce and custody battle for their daughter.  She and Lindstrom divorced a week after her son was born and she married Rossellini in Mexico.  In 1952, Ingrid gave birth to twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.  Five years later she divorced their father and the following year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family.  That marriage lasted until 1975 when they divorced.

In 1956, Ingrid starred in the movie, Anatasia. It was her return to the American screen and her second Academy Award for Best Actress which her best friend Cary Grant accepted for her.  She made her first appearance in Hollywood since the scandal when she was the presenter of the Academy Award for Best Picture at the 1956 Academy Awards.  She received a standing ovation after being introduced by Cary Grant.  In 1969, she starred opposite Walter Matthau and Goldie Hawn in the hilarious and delightful movie, Cactus Flower.  It was nice seeing Ingrid take a turn in a light romantic comedy.

In 1972, US Senator Charles H. Percy entered an apology in to the Congressional Record for Edwin C. Johnson’s attack on Ingrid 22 years ago.  In 1974 she won her third Oscar for Murder on the Orient Express, earning her the distinction of being one of the few actresses ever to receive three Oscars.  Her final role was as Golda Meir in A Woman Called Golda.   She was offered the part because, “People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people.”  This interested Ingrid and the role was greatly significant for her because she still carried the guilt of misjudging the situation in Germany during World War II.  Ingrid was frequently ill during the film although she hardly showed it or complained.  She was a real trooper.  Four months after the film was completed, on her 67th birthday in London, Ingrid died of breast cancer.  Her daughter, Pia accepted her Emmy.

Ingrid was a  woman of grace, natural beauty who brought realism and dignity to her roles.  She was a star with no temperament, making her a delight to work with, unpretentious, unique, hard-working, “a great star” who “always strove to be a ‘true’ woman.”  She was not a saint but a woman with real emotions.   She was not afraid to speak out against racism.  During a press conference in Washington, D.C. where she was promoting, Joan of Lorraine, she protested against the racial segregation she witnessed firsthand at the theatre where she was performing.  This drew a lot of publicity and some hate mail.  In a news column in the Herald-Journal, she is reported as saying, “I deplore racial discrimination in any form.  To think it would be permitted in the nation’s capital of all places!  I really had not known that there were places in the United States–entertainment places which are for all the people–where everybody could not go.”

Notes to Women salute this remarkable woman and actress who won our hearts and deepest admiration with her grace and courage.  We celebrate one of the greatest leading ladies that ever graced the silver screen.  She once said, “I am an actress and I am interested in acting, not in making money.”  Dear Ingrid, we are so very thankful that you chose acting over opera.

I have no regrets. I wouldn’t have lived my life the way I did if I was going to worry about what people were going to say.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn’t choose acting. It chose me.

I don’t think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.

Time is shortening. But every day that I challenge this cancer and survive is a victory for me.

If you took acting away from me, I’d stop breathing.

ingrid-bergman

Sources:  Stabroek News ; Wikipedia; IMDB; Brainy Quotes; Herald-Journal