Three Legendary Ladies

At the 2015 The Kennedy Center Honors on Tuesday, December 29, 2015, three great ladies–Carol King, Cicely Tyson and Rita Moreno were among the five honorees.

Cicely Tyson, at 90 looks as elegant as ever.  She is best known for her role in The Autobiography of Miss Jane Pittman.  She was born in Harlem, New York City and raised by deeply religious, West Indian parents from Nevis, St. Kitts.  Her mother was a domestic and her father was a carpenter. Cicely was discovered by a fashion editor and she became a model.  She took the fashion industry by storm, quickly rising to the top.  She began acting in 1957 in off-Broadway productions before she was cast in feature films.  Her first major role was Portia in The Heart is a Lonely Hunter in 1968.  She was nominated for an Academy Award for Best Actress for her amazing performance in Sounder.  She has appeared in Roots, King and a Woman Called Moses.  Cicely is a seasoned and hugely talented actress who portrayed strong and positive black women.

I don’t condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You’re the reason I became an actress, that lets me know I made the right decision – Cicely Tyson

We applaud Cicely for standing by her convictions.  Our choices can not only affect us but they can affect others.

Carol King wrote tons of songs such as “Will You Love Me Tomorrow” for the Shirelles, “Run to Him” (#1 and #2 hits for Bobby Vee in 1961), “Crying in the Rain” (The Everly Brothers, #6 in 1962), “The Loco-Motion” (Little Eva, #1 in 1962), “Up on the Roof” (The Drifters, #5 in 1962), “Chains” (The Cookies, #17 in 1962, The Beatles in 1963), “One Fine Day” (The Chiffons, #5 in 1963), “Hey Girl” ( Freddy Scott, #10 in 1963, also Bobby Vee and The Righteous Brothers), “I’m Into Something Good” (Herman’s Hermits, #13 in 1964), “Just Once in My Life” (written with Phil Spector for The Righteous Brothers, #9 in 1965), and “Don’t Bring Me Down” (The Animals, #12 in 1966) and You Make Me Feel which has become the song most associated with Aretha Franklin.

The songs I identify most with Carol are “You’ve Got a Friend” which became a no.1 hit when it was recorded by lifelong friend, James Taylor and “It’s Too Late”.  Carol is the most renowned song-writer in pop music.   She has the distinction of having 400 of her compositions recorded by over 1,000 artists, resulting in 100 hit singles.  In 1987 she was inducted into the Songwriters Hall of Fame and in 1990 she was inducted into Rock and Roll Hall of Fame.

At the age of 70 this remarkable songwriter, performer, author and environmentalist is still going strong. Beautiful–The Carole King Musical which tells the inspiring true story of King’s remarkable rise to stardom won two Tony Awards in 2014 and a Grammy in 2015 for Best Musical Theater Album.  Her music continues to thrill us.

It’s about connections. I want to connect with people; I want to make people think “Yeah, that’s how I feel”. And if I can do that, that’s an accomplishment – Carol King

We are grateful to Carol King for her music which still resonates with us.

Rita Moreno has starred in three great musicals–Singin’ In the RainThe King And I and West Side Story for which she earned an Academy Award.  She has the distinction of being one of the very few and the first performers to win an Oscar, an Emmy, a Tony and a Grammy.  She was born Rosita Dolores Alverío in Humacao, Puerto Rico to seamstress Rosa María (Marcano) and farmer Francisco.  She and her mother moved to New York City where she began her career.

Unfortunately for Rita, she was typecast as a Hispanic pepper pot or another “exotic”.  In Father Knows Best, she was cast as an exchange student from India.  She considered the roles she was given degrading. It wasn’t until the ’70s that she was given better roles.  It was during that time that she won a Grammy Award for her contribution to “The Electric Company”‘s soundtrack album, a Tony Award as Best Featured Actress in a Musical for “The Ritz” and Emmy Awards for The Muppet Show and The Rockford Files.  In 2004, she received the award of the Presidential Medal of Freedom by President George W. Bush.  It is said that when her star was unveiled on the Hollywood Walk of Fame, she fell on top of it, openly and uncontrollably weeping, later commenting, “I had been dreaming of this day since I was six!”.

We admire Rita who came from humble beginnings to where she is now.  She is a reminder that childhood dreams can come true.

Bigger than life is not difficult for me. I am bigger than life – Rita Moreno

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Notes to Women salute these amazing women for their well deserved honors and recognition for their work in music, film and stage.

Sources: IMDb; Brainy Quote; Carol King Website; Think Exist; IMDb;

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Dame Angela Lansbury

I still watch Murder, She Wrote because I like the show and the character Jessica Fletcher played by the great Angela Lansbury.  My 7 year old son is also a fan of Jessica Fletcher’s.  Before taking on the role of a mystery writer in one of the longest running detective drama series in television history, Angela was a silver screen movie star.  My husband thought she was hot then.

Angela is a versatile actress, easily portraying an unlikable and cheeky maid in Gaslight opposite Ingrid Bergman and Charles Boyer to the music hall singer who, unfortunately and tragically, falls in love with the protagonist, Dorian Gray in the movie, The Picture of Dorian Gray to the frightening and domineering mother in The Manchurian Candidate.  Her performance as Mrs. John Iselin in The Manchurian Candidate is ranked #21 in the American Film Institute’s 100 Years…100 Heroes and Villains for villains.

Angela was born to an upper middle class family on October 16, 1925 in Regent’s Park, central London. Her mother, Moyna Macgill, was a Belfast born Irish actress and her father was the wealthy English timber merchant and politician Edgar Lansbury.  He was a member of the Communist Party of Great Britain and former mayor of the Metropolitan Borough of Poplar.  Her paternal grandfather was the Labour Party leader and anti-war activist George Lansbury.  Angela was in awe of him and to her, he was “a giant in my youth”.  Angela had an older half-sister, Isolde from her mother’s previous marriage.  When Angela was four, her mother gave birth to twin boys, Bruce and Edgar, prompting the Lansburys to move from their Poplar flat to a house in Mill Hill, North London.  In the weekends, they went to a rural farm in Berrick Salome, Oxfordshire.

She was nine years old when her father died from stomach cancer.  To cope with her loss, she played characters, describing the event as “the defining moment of my life.  Nothing before or since has affected me so deeply.”  Faced with financial difficulty, her mother got engaged to a Scottish colonel and moved into his house in Hampstead.  Angela attended South Hampstead High School from 1934 to 1939.  She considered herself to be largely self-educated, learning from books, theatre and cinema.  She became a “complete movie maniac”, going regularly to the cinema and imagining herself as certain characters.

Angela’s grandfather died in 1940 and with the onset of the Blitz, her mother, Moyna took her and her brothers to the United States.  Her half-sister, Isolde remained in Britain with her new husband, actor Peter Ustinov.  Angela’s mother got a job supervising sixty British children who were evacuated to North America aboard the Duchess of Athol, arriving with them in Montreal, Canada in mid-August.  From Montreal they went by train to New York City where Moyna was sponsored financially by a Wall Street businessman and moved in with his family at their home in Mahopac, New York.  Angela got a scholarship from the American Theatre Wing which allowed her to study at the Feagin School of Drama and Radio.  There she appeared in performances of William Congreve’s The Way of the World and Oscar Wilde’s Lady Windermere’s Fan.  By the time she graduated, she and her family had moved to a flat in Morton Street, Greenwich Village.

Moyna got work in a Canadian touring production of Tonight at 8:30.  Angela joined her mother who got her first theatrical job as a nightclub act at the Samovar Club in Montreal.  She lied about her age to get the job and earned $60 a week.  She returned to New York city but her mother had moved to Hollywood to revive her cinematic career.  Angela and her brothers joined her.  After moving into a bungalow in Laurel Canyon, Angela and her mother got Christmas jobs at the Bullocks Wilshire department store in Los Angeles but unfortunately, Moyna got fired for incompetence.  The family had to live on Angela’s wages of $28 at week.

Angela met John van Druten at a party hosted by her mother.  He recently co-authored a script for Gaslight.  He suggested that Angela would be perfect for the role of Nancy Oliver, a conniving cockney maid and she accepted the part although at the time she was only 17.  A social worker had to accompany her on the set.  She got an agent and was signed to a seven-year contract with MGM, earning $500 a week.  She adopted “Angela Lansbury” as her stage name.  The movie received mixed reviews although Angela’s role was widely praised.  It received six Academy Award nominations, one of which was for Best Supporting Actress for Angela.

Following Gaslight, Angela starred in a supporting character in National Velvet which was a major commercial hit.  Angela developed a lifelong friendship with co-star Elizabeth Taylor.  I remember that the two friends appeared together in Agatha Christie’s The Mirror Crack’d with Angela in the role of the endearing Miss Marple.

Angela next starred in The Picture of Dorian Gray with Hurd Hatfield, George Sanders, Donna Reed and Peter Lawford.  Surprisingly, at least to me, the film was not a financial success.  However, it garnered Angela her second Best Supporting Actress nomination.  She lost to her National Velvet co-star Anne Revere.

Angela married Richard Cromwell, an artist and a decorator.  When I saw a photo of him, I recognized him as the brother of Henry Fonda’s character in the marvelous movie, Jezebel.  Angela’s marriage to Richard was a trouble one.  She would later disclose that he was gay, something she was not aware of until after their separation.  The marriage ended in less than a year and Angela filed for a divorce.  They remained friends, however, until his death.

Angela met her second husband, Peter Pullen Shaw at a party held by her former co-star Hurd Hatfield.  Hurd would later be a guest star on Murder She Wrote.  Peter was an aspiring actor also signed with MGM and had recently left a relationship with Joan Crawford.  He and Angela became a couple, living together before she proposed marriage.  They wanted to get married in Britain but the Church of England refused to marry two divorcees.  So, they wed at St. Columba’s Church which was under the jurisdiction of the Church of Scotland in Knightsbridge, London.  They had their honeymoon in France.  They returned to the United States and settled in Angela’s home in Rustic Canyon, Malibu, each becoming naturalised U.S. citizens with dual British citizenship.

Angela’s contract with MGM ended in 1952.  She was miscast, playing older and often villainous women.  Earlier in her career, MGM loaned her to United Artists for The Private Affairs of Bel Ami in 1947 and then to Paramount for Samson and Delilah (1949).  Unhappy with the roles MGM was giving her, Angela instructed her manager to terminate her contract.  At the time she was pregnant with her first child, Anthony whom she gave birth to that year.  Soon after he was born, she joined the East Coast touring productions of two former Broadway plays, Remains to be Seen and Affairs of the State.  In 1953, Angela gave birth to her daughter, Deidre Angela.  Angela’s husband, Peter had a son by a previous marriage and had legal custody of him.  He brought the boy to California to live with the family.  They moved to a larger house in Santa Monica.

In the mid-fifties Angela entered the world of Broadway theatre.  In 1957 she debuted in Hotel Paradiso, a French burlesque set in Paris, at the Henry Miller Theatre.  Although the play ran for only 15 weeks, earning her good reviews, she later stated that had she not appeared in the play, her “whole would have fizzled out”.  Next she appeared in A Taste of Honey, playing Helen, a boorish and verbally abusive absentee mother of Josephine played by Joan Plowright who was only four years younger.  Angela became friends with Joan and Laurence Olivier, Joan’s lover.  It was from Angela’s rented apartment on East 97th Street that Joan and Laurence eloped to get married.

Angela didn’t feel comfortable in the Hollywood social scene.  She chalked this up to her British roots. “In Hollywood, I always felt like a stranger in a strange land.”  In 1959, the family moved to Malibu where they settled into a house on the Pacific Coast Highway where she and Peter were able to escape the Hollywood scene and send their children to state school.

In 1962, Angela starred opposite Lawrence Harvey in The Manchurian Candidate, playing his manipulative mother even though she was only three years older than him.  The role earned her her third Best Supporting Actress Award nomination.  It bothered her that she didn’t win.  Angela starred in several movies in the 1960s but although her performances were well received, the kind of roles she wanted evaded her and she became dissatisfied with the minor roles she was getting, feeling that none of them allowed her to explore her potential as an actress.

I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said ‘I’ve been doing enough gardening, I’ve cooked enough good dinners, I’ve sat around the house and mooned about what more interior decoration I can get my fingers into.’ It’s a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn’t that a miracle? – Angela Lansbury

In 1966 Angela took on the title role of Mame Dennis in the musical Mame, the musical adapted from the novel, Auntie Mame.  The director’s first choice for the role was Rosalind Russell who played Mame in the non-musical adaptation but she declined.  Theatre critics were surprised that Angela was chosen for the role, believing that the role would go to a better known actress.  Angela was forty-one at the time and this was her first starring role.  She trained extensively for the role which involved over twenty costume changes throughout the play and ten songs and dance routines.  Auntie Mame opened on Broadway in May 1996, gaining Angela rave reviews.  She received her first Tony Award for Best Leading Actress in a Musical.  Following her success as Mame, Angela appeared in Dear World, the musical adaptation of The Madwoman of Chailott, as a 75 year old Parisian eccentric.  Angela found the experience “pretty depressing” but received positive reviews for her performance and her second Tony award.   The show, however, received critical reviews and ended after 132 performances.  After Dear World, Angela played the title role of the musical Prettybelle, based on Jean Arnold’s The Rape of Prettybelle, set in the Deep South.  It was a controversial play because it dealt with issues of racism with Angela as a wealthy alcoholic who seeks sexual encounters with black men.  It opened in Boston to poor reviews and was cancelled before it even reached Broadway.  Angela would later say that the play was a “complete and utter fiasco.”  She felt that her performance was awful.

In the early 1970s Angela turned down several cinematic roles, including the role of Nurse Ratched in One Flew Over the Cuckoo’s Nest which went to Louise Fletcher who won the Oscar for Best Actress.  In 1970 Angela appeared as the middle-aged English witch in the Disney film, Beadknobs and Broomsticks, her first lead in a screen musical.  1970 was a traumatic year for the Lansbury family.  Peter underwent a hip replacement, their son Anthony suffered a heroin overdose and went into a coma and the family’s home in Malibu was destroyed in a bush fire.  They bought a farmhouse constructed in the 1820s located near the village of Conna in rural County Cork.  It was there Anthony was taken to receover from his drug addiction after he quit using cocaine and heroin.  He enrolled in the Webber-Douglas School, his mother’s alma mater and became a professional actor before becoming a television director.  Angela and her husband did not return to California, instead, they divided their time between Cork and New York City.  They lived opposite the Lincoln Centre.

Angela returned to theatre in 1972, performing in the Royal Shakespeare Company’s theatrical production of Edward Albee’s All Over in London’s West End.  Although reviews of the play were mixed, her performance was widely praised.  She did a revival of Mame which was touring the United States at the time.  She returned to the West End to play Rose in the musical Gypsy.  Initially, she turned down the role because she didn’t want to be in Ethel Merman’s shadow.  Ethel had portrayed the character in the original Broadway production.  Eventually, Angela accepted the role and she received a standing ovation and rave reviews.  Not at all in anyone’s shadow, she was in demand among the London society, having dinners in her honour.  When Gypsy went to Broadway, it was a critical success, earning Angela her third Tony Award.

Eager to move on from musicals, Angela decided to tackle a production of one of William Shakespeare’s plays and landed the role of Gertrude in The National Theatre Company’s production of Hamlet.  The play received mixed reviews.  Angela later admitted that she hated the role because it was too restrained. To make matters worse, she learned that her mother had died in California. Angela had her mother’s body cremated and her ashes scattered near to her own County Cork home.

Angela appeared in Edward Albee’s Counting the Ways and Listening.  Her performance was praised.  She followed this with another revival tour of Gypsy.  She appeared in the revival of The King and I musical at Broadway’s Uris Theatre.  After seven years, she starred in her first cinematic role in Agatha Christie’s Death on the Nile, opposite her brother-in-law Peter Ustinov and Bette Davis who became a close friend. Of Bette, she had this to say, “She is an original. There has never been anyone, before or since, who could touch her.”

In 1979 she earned her fourth Tony Award playing Nellie Lovett in Sweeney Todd:  The Demon Barber of Fleet Street.  In 1982 she played an upper middle class housewife in A Little Family Business which also starred her son, Anthony.  The movie was panned and accused of racism by the Japanese-American community.  She co-starred with friend Bette Davis in the film made for television, Little Gloria…Happy at Last.  She appeared in other television movies, one of which was BBC’s A Talent for Murder which she jumped at the chance to take in order to work with co-star Laurence Olivier.

Then in 1983, Angela was offered two television roles–one was in a sitcom and the other was in a detective series.  She was unable to do both so her agents advised her to accept the sitcom role but she decided to accept the other role.  And we are thrilled that she did!  Angela described her character Jessica Fletcher as “an American Miss Marple”.  It’s interesting that she said that because she played Miss Marple in The Mirror Crack’d.  She played the sleuth the way Agatha Christie described the her unlike Margaret Rutherford who made the role famous.  The role of Jessica Fletcher had been offered to Jean Stapleton first but she turned it down.  I must say that I am happy that she did because I can’t imagine anyone else playing the part.  Angela was the perfect choice.

Angela took her role as Jessica Fletcher very seriously and had creative input over the character’s costumes, makeup and hair.  Network executives wanted to put the character in a relationship which Angela strongly rejected, believing that the character should remain a strong single female.  She changed any script which did not fit Jessica’s personality.  She saw Jessica as a role model for older female viewers and praised her “enormous, universal appeal” and admitted that, “It was an accomplishment I never expected in my entire life.”  Murder, She Wrote was described as a television landmark in the U.S. for having an older female character as the protagonist, paving the way for series like The Golden Girls, another show I enjoyed tremendously.  “I think it’s the first time a show has really been aimed at the middle aged audience,” Angela said.  It was the most popular show among senior citizens but it gradually gained a younger audience.  By 1991, a third of the viewers were under fifty.  It gained high ratings throughout most of its run.

I know why [Murder, She Wrote was a success]. There was never any blood, never any violence. And there was always a satisfying conclusion to a whodunit. The jigsaw was complete. And I loved Jessica’s everywoman character. I think that’s what made her so acceptable to an across-the-board audience – Angela Lansbury, 2014.

As the show went on Angela assumed a larger role behind the scenes with her own company, Corymore co-producing the show with Universal.  After a while, though she began to get tired of the series, especially of the long working hours and said that the 1990-1991 would be the show’s last season.  However, she changed her mind after she was appointed executive producer for the 1992-1993 season, which made it far more interesting for her.  For the seventh season, the show’s setting moved to New York where Jessica had taken a job teaching criminology at Manhattan University in an attempt to attract younger viewers.  Angela encouraged this move.  The show aired on Sunday where its ratings improved in the early 1990s.  People had gotten used to tuning in every Sunday night to see what murder mystery Jessica Fletcher would be solving so it was unfortunate when CBS executives got the bright idea to move it to Thursdays opposite NBCs new sitcom, Friends with the hope of drawing a larger audience.  Not surprisingly, Angela was angry at this move, believing that it ignored the show’s core audience.  The show’s final episode aired in May 1996 and ended with Angela voicing a “Goodbye from Jessica” message.  The role of Jessica Fletcher would prove to be the most successful and prominent of Angela’s career.  It must have been hard saying goodbye to Jessica Fletcher for Angela and the faithful viewers.  All good things must come to an end.  Sigh.

After the end of Murder, She Wrote, Angela returned to the theatre.  Fast forward to March to June 2014 when Angela reprised her 2009 Tony winning Broadway performance as Madame Arcati in Blithe Spirit at the Gielgud Theatre in London’s West End, marking her first London stage appearance in nearly 40 years.  She picked up her first Olivier award, Britain’s most prestigious prize a the age of 89 for Blithe Spirit.  It’s worth mentioning that Angela received an Academy Honorary Award for her lifetime achievement at the Governors Awards on November 16, 2013 and received the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre on November 16, 2015.

I read a few interesting things about Angela.  I will just mention a few.  In the late 1940s, MGM planned to cast her as the female lead in a film entitled “Angel’s Flight” with Clark Gable but the project never came through because Mr. Gable disliked the storyline, so the studio had to squash the entire project.  She was considered for the role of Miss Caswell in All About Eve (1950), but Marilyn Monroe was cast in the role instead.  Frank Sinatra wanted Lucille Ball for the role of Mrs. Iselin, the manipulative mother in The Manchurian Candidate but Angela got the part and played it convincingly.  I don’t know if Lucille Ball would have pulled it off.  Angela is a staunch Democrat and a solid supporter of Barack Obama.  She was very close friends with Bob Hope.  She gave a speech at his memorial service on August 27, 2003.  Her nephew David Lansbury was married to actress Ally Sheedy, The Breakfast Club.

Angela was self-professed homebody who preferred spending quiet evenings inside with friends to the Hollywood night live.  She is a supporter of the United States Democratic Party and the British Labour Party.  Notes to Women celebrate this remarkable woman who is a staunch supporter of charities such as Abused Wives in Crisis which combated domestic abuse and those who worked toward rehabilitating drug users.  She supported charities dedicated to fighting against HIV/AIDs.  She was a chain smoker early in life but gave up the addiction cold turkey in the mid-1960s.  We congratulate her on her promotion to Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to drama and to charitable work and philanthropy.  Last year she was made a Dame by the Queen at Windsor Castle.  This honour couldn’t have happened to a more deserving lady.  Dame Angela, we applaud you for the work you have done in movies and in theatre and most importantly, your charitable deeds.

The older I get, the more I realize how much I have missed because I was so busy entertaining that audience and so busy pursuing a career.
I just went along for the ride. It was a God-given gift. It is. So you can’t say well, you wasted your life because you spent all of it acting, but I think gosh, I’ve never been to China, I’ve never been to Japan. I’ve never been to Yellowstone Park.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, “Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award.” I was in the back of this car, and I said, “Oh,” and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it’s been worth hanging around all these years.
I honestly consider that the greatest gift to me, is the reaction that I get from my work. That is a given which I never, ever take for granted. But to be given that by audiences, individuals, on the street, in the theater, is an extraordinary feeling.
My mother was one of the most beautiful women, I have to say, of her generation. She was absolutely lovely. She was a very, extremely sensitive, Irish actress. She came from Belfast, Northern Ireland, and she came to London, and she was sort of discovered by several people.
~Angela Lansbury~

Sources: azquotes; Wikipedia; IMDB; Hollywood Reporter; Deadline Presents

 

Mary Ann Shadd Cary

Mary Ann Shadd Cary was the eldest of thirteen children.  She was born on October 9, 1823 in Wilmington, Delaware.  Her great-grandfather was Hans Schad, alias John Shadd, who served as Hessian soldier with the British army during the French and Indian War.  Her father, Abraham Doras Shadd was trained as a shoemaker and owned a shop in Wilmington and later in the nearby town of West Chester, Pennsylavania.  In these two places, he was a conductor on the Underground Railroad and involved in other civil rights activities.  He was an active member of the American Anti-Slavery Society and in 1833 he was named President of the National Convention for the Improvement of Free People of Colour.

It’s not surprising that the Shadd family moved to Pennyslavania when it became illegal to educate African American children in the the state of Delaware.  In Pennyslavania, Mary attended a Quaker school.  In 1840 Mary Ann returned to West Chester where she established a school for black children.  She taught in Norristown, Pennsylvania and New York City.  Three years later, Abraham was forced to move his family to Canada, settling in North Buxton, Ontario.  The reason of this move was the passage of the Fugitive Slave Act of 1850.  The law threatened to return free northern blacks and escaped slaves into bondage.   In 1858, Abraham D. Shadd became the first black man to be elected to political office in Canada.

Mary Ann founded a racially integrated school in Windsor with the support of the American Missionary Association.  She ran The Provincial Freeman, an anti-slavery newspaper which made her the first female editor in North America.  Her brother, Isaac managed the business affairs of the newspaper and at his home he hosted meetings to plan the raid on Harper’s Ferry.

Mary Ann traveled around Canada and the United States, an advocate for full racial integration though education and self-reliance.  She promoted emigration to Canada amongst freemen.  In 1855 when she attempted to participate in the Philadelphia Colored Convention, the assembly debated whether or not to even allow her to sit as a delegate.  She was viewed as a controversial figure becuase of her advocacy for emigration.  By 15 votes she was admitted and according to Frederick Douglass’ Paper, although she gave a speech advocating for emigration, she was so well received that the delegates voted that she be given ten more minutes to speak.  Unfortunately, her presence at the Convention was omitted from the minutes most likely because she was a woman.  How sad.  Here we have blacks who know what it’s like to be discriminated because of color and yet they were discriminating against Mary Ann because she was a woman.  How difficult it was to be a black woman in those days.  She faced prejudice because of her color and prejudice because of her gender.

In 1856 Mary Ann married a Toronto barber named Thomas F. Cary who was involved with the Provincial Freeman.  They had a daughter and a son.  After Thomas died in 1860, Mary Ann and their children returned to the United States.

During the Civil War, at the request of abolitionist, Martin Delany, she served as a recruiting officer to enlist black volunteers for the Union Army in the state of Indiana.  After the Civil War, she went back to teaching.  She taught in the black schools in Wilmington before she moved to Washington, D.C. where she taught in public schools and attended Howard University School of Law.  In 1883, at the age of 60, she graducated as a lawyer, becoming the second black woman in the United States to earn a law degree.  Age didn’t slow this remarkable woman down.  Not only was she writing for newspapers such as National Era and The People’s Advocate but she organized the Colored Women’s Progressive Franchise.  She joined the National Woman Suffrage Association where she worked alongside Susan B. Anthony and Elizabeth Cady Stanton for women’s suffrage.  They testified before the Judiciary Committee of the House of the Representatives.

Mary Ann Shadd died in Washington, D.C. on June 5, 1893.  She was interred at Columbian Harmony Cemetery.  She left behind her a great legacy.  Her former residence in the U Street Corridor was declared a National Historic Landmark in 1976.  In 1987 the National Women’s History Project designated her a Women’s History Month Honoree and Canada honored her by designating her a Person of National Historic Significance.

Like her father, Mary Ann was an advocate for civil rights –the right to freedom and education among blacks.  She was an anti-slavery activist, journalist, teacher and lawyer.  She was a wife and mother.  She was a wonderful example to her children.  She taught them that everyone is entitled to life, liberty and the pursuit of happiness.  No one should have their freedom and right to education taken away from them.

Notes to Women salute this amazing woman who showed us that the things we sometimes take for granted are to be cherished.  Freedom and education are two things we should fiercely guard.  There are some countries in the world where human rights are violated.  Women are treated as second class citizens or worse, girls are denied education and Christians are denied the freedom to worship.  Be thankful for the freedoms you currently have.

“Self-reliance Is the Fine Road to Independence.”

 

220px-Mary_Ann_Shadd

 

Sources:  http://en.wikipedia.org/wiki/Mary_Ann_Shadd;

http://www.womeninhistoryohio.com/mary-ann-shadd-cary.html

Lena Horne

In celebration of Black History Month, Notes to Women are going to celebrate a few notable women.  We begin with singer, actress, Lena Horne.

Lena Mary Calhoun Horne was born in Bedford-sTuyvesant, Brooklyn.  Her father, Edwin Fletcher Horne left the family when she was three years old.  Her mother was the daughter of inventor Samuel R. Scottron.  She was an actress with a black theatre troupe and travelled extensively.  Lena was raised by her grandparents.  When she was five, she was sent to Georgia to live.  For seeral years she travelled with her mother.  For two years, she lived with her uncle who would later serve as an adviser to President Franklin Delano Roosevelt.

At the age of sixteen, Lena joined the chorus of the Cotton Club and became a nightclub performer before she moved to Hollywood.  In Hollywood she had small parts in movies, notably Cabin in the Sky and Stormy Weather.  She was never cast in a leading role because of her race and the films featuring her had to be re-edited for showing in states where theatres would not show films with black performers.  Interestingly enough, Lena was the first African American elected to serve on the Screen Actors Guild board of directors.

In 1951, Lena wanted to be considered for the role of Julie LaVerne in the MGM’s version of Show Boat but lost the part to her friend, Ava Gardner due to the Production Code’s ban on interracial relationships in films. Lena stated in the documentary, That’s Entertainment! III that MGM executives wanted Ava Gardner to practice her singing using Lena’s recordings. Both actresses were offended by this.

Not surprisingly, Lena was disenchanted with Hollywood and she began to focus more on her nightclub career.  She made two major appearances in MGM films in the 1950s, Duchess of Idaho and Meet Me in Las Vegas.  It was during this time that she was blacklisted for her political views.

After she left Hollywood, Lena made waves as one of the premier nightclub performers of the post-war era.  She headlined clubs and hotels throughout the U.S., Canada and Europe.  In 1958, she was the first African American woman to be nominated for a Tony Award for “Best Actress in a Musical”.  She appeared in variety shows on TV such as The Ed Sullivan Show, The Dean Martin Show and The Judy Garland Show and in 1969., she starred in her own television special, Monsanto Night Presents Lena Horne.

In 1970, she co-starred with Harry Belafonte in ABC’s show, Harry & Lena and in 1973 with Tony Bennett in Tony and Lena.  She toured the U.S. and U.K. with Bennett.  In 1981, she received a special Tony Award for her one-woman show, Lena Horne:  The Lady and Her Music.  In the 1990s she was active in the recording studio.

Lena was also a Civil Rights activist.  She was involved in the movement for years.  In 1941, she sang at Cafe Society and Paul Robeson, another blacklisted performer.  During World War II, Lena refused to perfom for segregated audiences or for groups where German POWS were sitting in front of African American servicemen.  The U.S. Army refused to have integrated audiences so Lena ended up putting on a show for a mixed audience of black U.S. soldiers and white German POWs.  When she saw that the black soldiers were forced to sit in the back seats, she walked off the stage to the first row where they were seated and performed with the German POWs behind her.  Way to go Lena!

She was a participant at an NAACP rally with Medgar Evers the weekend before he was assassinated and she met John F. Kennedy at the White House two days before he was assassinated.  She participated at the March on Washington where she spoke and performed on behalf of the NAACP, SNCC adn the National Council of Negro Women.  She also worked with Eleanor Roosevelt, another champion of civil rights, to pass anti-lynching laws.  She received the Spingarn Medal from the NAACP in 1983.

On a more personal note, Lena was married to Louis Jordan Jones.  They had a daughter and a son.  Sadly, their son died of a kidney disease.  In 1940, Lena and her husband separated.  They divorced in 1944.  In 1947, she remarried.  Her second husband was Lennie Hayton, Music Director and one of the premier musical conductors and arrangers at MGM.  In the early 1960s they separated but never divorced.  Lennie died in 1971.  In her biography, Lena, she recalled the pressures they faced as an interracial couple.  She admitted that she married him to advance her career and cross the “color line” in show business but had learned to love him very much.

Fame runs in the family.  Lena’s daughter, Gail, a best-selling author, was married to director, Sidney Lumet.  Their daughter, Jenny Lumet, a screenwriter, is known for her award winning screenplay, Rachel Getting Married.

On May 9, 2010, Lena Horne died in New York city of heart failure.  Among those gathered to pay their respects at her funeral were Leontyne Price, Dionne Warwick, Liza Minnelli, Jessye Norman, Chita Rivera, Cicely Tyson, Diahann Carroll, Leslie Uggams and Lauren Bacall.  At the 83rd Academy Awards ceremony held on February 27, 2011, actress Halle Berry presented a tribute to Lena.

Notes to Women salute this phenomenal woman who was not afraid to speak out against racism and was the first African-American actress to have a major studio contract with the stipulation that she would not have to play any demeaning, stereotypical roles.  In doing this, she paved the way for other African American actresses.

In my early days I was a sepia Hedy Lamarr. Now I’m black and a woman, singing my own way.

I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.

Always be smarter than the people who hire you

It’s not the load that breaks you down, it’s the way you carry it.

My identity is very clear to me now, I am a black woman, I’m not alone, I’m free. I say I’m free because I no longer have to be a credit, I don’t have to be a symbol to anybody; I don’t have to be a first to anybody. I don’t have to be an imitation of a white woman that Hollywood sort of hoped I’d become. I’m me, and I’m like nobody else.

You have to be taught to be second class; you’re not born that way.

I never considered myself a movie star. Mostly, I just sang songs in other people’s movies.

 

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Sources:  http://en.wikipedia.org/wiki/Lena_Horne; http://womenshistory.about.com/cs/quotes/a/qu_lena_horne.htm; http://www.qotd.org/quotes/Lena.Horne; http://www.blackclassicmovies.com/Artist_Profile/lena_horne.html; http://www.biography.com/#!/people/lena-horne-9344086; http://www.imdb.com/name/nm0395043/bio?ref_=nm_ov_bio_sm

Pregnant Women And Jogging

This evening I was watching a news story about pregnant women and jogging and was surprised to learn that one of the women featured was nine months pregnant.  I couldn’t imagine jogging so close to having a baby.  At nine months I was waddling and anxious to give birth.  The woman on TV looked fantastic.  She was in great shape.  This was her ninth pregnancy.  Another woman received nasty comments because of a picture of her jogging while pregnant.  She was called “selfish” and one person went as far as saying that child services should be called.

Is it safe for to run during pregnancy?   I read on the Baby Centre website that it depends. If you ran regularly before getting pregnant, it’s fine to continue — as long as you take some precautions and first check with your doctor or midwife.

But pregnancy isn’t the time to start a running routine, according to Julie Tupler, a registered nurse, certified personal trainer, and founder of Maternal Fitness, a fitness program for pregnant women and new moms in New York City.

Pregnancy’s also not the time to start training for a marathon, a triathlon, or any other race, cautions Tupler. “The first trimester is when the baby’s major organs are forming, and overheating’s a real issue. If a woman’s core temperature gets too high, it could cause problems with the baby, so why risk it? Instead, train for the marathon of labor by strengthening your abdominals and pelvic floor muscles,” she says.

Whether you’re pregnant or not, running can be hard on your knees. During pregnancy, your joints loosen, which makes you more prone to injury. So unless you’re an avid runner, you should probably steer clear of this form of workout at least until after your baby arrives. For now, focus on exercises that are safe for pregnancy.

What are the benefits of running during pregnancy?

According to Zara Watt, who specialises in training for pre- and postnatal fitness, “Research and statistics show that women who exercise during pregnancy avoid unnecessary health risks to themselves and their unborn babies, and experience less labour pain because exercise has strengthened their muscles. They also have lower fat content and, more importantly, achieve a faster recovery following the birth of their baby. I’ve worked with pregnant women who also believe that regular exercise during pregnancy helped them with muscular tension, aches and pains, posture and circulation.”

On the Baby Centre website, the benefits of running during pregnancy are:

– It is a quick and effective way to work your heart and body, giving you a mental and physical boost when you feel tired.

– It’s easy to fit into your schedule.

They offer the following tips for each trimester:

First trimester tips

Follow the usual precautions, such as drinking lots of water before, during, and after your run. Dehydration can decrease blood flow to the uterus and may even cause premature contractions.

Wear shoes that give your feet plenty of support, especially around the ankles and arches. Invest in a good sports bra to keep your growing breasts well supported.

Second trimester tips

Your center of gravity’s shifting as your belly grows, leaving you more vulnerable to slips and falls. For safety, stick to running on flat pavement.

If you lose your balance, do your best to fall correctly, says Tupler: Try to fall to your side or on your behind, to avoid trauma to the abdomen. Or put your hands out to break your fall before your abdomen hits the ground.

Consider running on a track as your pregnancy progresses. Not only is the track surface easier on your joints, but you may feel safer running somewhere where you won’t get stranded in case of an emergency.

Third trimester tips

Be as careful as you’ve been during the first two trimesters. And remember: If you feel too tired to go for a run, listen to your body and take a break. Being sedentary is unhealthy, but pushing yourself too hard is also harmful.

Most avid runners find that their jogging pace slows down considerably during the third trimester — a fast walk may be a better choice as your due date approaches.

Warning signs

Never run to the point of exhaustion or breathlessness. Pushing yourself to the limit forces your body to use up oxygen that should be going to your baby.

Stop running or jogging immediately and call your doctor or midwife if you have any of the following symptoms:

  • vaginal bleeding
  • difficulty breathing, especially when resting
  • dizziness
  • headache
  • chest pain
  • muscle weakness
  • calf pain or swelling
  • preterm labor (contractions)
  • decreased fetal movement
  • fluid leaking from your vagina

In the news story, a medical doctor warned that if you are panting too hard, that means that the baby is not getting enough oxygen.  I suggest that you check with your doctor before jogging or doing any kind of activity.   If you don’t think it’s a good idea to jog during pregnancy, that’s fine but don’t judge a woman who decides that it’s something she wants to do.  It doesn’t make her selfish or unfit to be a mother.  She is trying to stay in shape and would never knowingly endanger her unborn child.

If you are interested in learning more about jogging during pregnancy, check out this site for guidelines.