Love at the Library

The moment he walked into the library, he had her attention.  She had seen him a couple of times before.  He would sit at a particular table and spend the next couple of hours reading the same book.  One evening when he left the table for a brief moment, she walked by on the pretense of going over to one of the bookshelves nearby.  She paused beside the table and looked down at the book.  It was a reprint of German Atrocities:  A Record of the Shameless Deeds.   She went back to her table  and sat down just minutes before he returned to his.

One evening when she went to the library he was already there.  She saw him look up and their eyes met before she turned and went over to the book shelf nearby. She skimmed through the shelves until she found the book she wanted.  She took it out and went over to a table.  She placed her handbag on the floor beside her and opened the book.  She tried to read it but couldn’t concentrate.  Unable to resist, she raised her eyes and was startled when she saw him staring at her.  He had removed his reading glasses and they dangled from his hand.

This was a critical moment.  Everything was banking on her response.  And there were two ways she could respond.   She could quickly look away which would give him the wrong message that she wasn’t interested or she could return his stare. Summoning up all the courage she had, she held his gaze.  Something told her to smile and she did.

It seemed that this was all the encouragement he needed.  He closed his book, put his glasses in his shirt pocket and got up from the table.

As she watched him approach, her heart began to pound.  He was so gorgeous.  She couldn’t believe that he was joining her.  All these weeks, she had watched him, daydreamed about him and now here he was standing in front of her with his hand extended.  He was smiling.  “Paolo Cinelli.”

She stared into his dark brown eyes as his fingers closed around hers in a firm handshake.  “Jessica Williams.”

He pulled out the chair opposite her and sat down, placing his book on the table.  He didn’t open it.  He was looking at her.  “For a long time I have wanted to come over and talk to you but you always seemed so engrossed in what you were doing.  I didn’t want to disturb you.”

She closed her book.  It was pointless keeping it open now.  “I didn’t think you noticed me,” she said.  “You were always so absorbed in this book.  Is it very interesting?”

He glanced down at it.  “It is.  I like to read books and watch documentaries about World War II.”

“I won’t mind borrowing it when you’re done with it.”

“You can, on one condition” he said.  “Have dinner with me tomorrow.”

She stared at him.  “So, this book belongs to you?”

“Yes.  I like to read it here in the library because it’s quiet and it gives me a chance to relax after a busy day.”

“I can understand that.”

“So, will you have dinner with me tomorrow?”

“Yes.”  She wrote down her address and number on a sheet of paper and gave it to him.

“I’ll pick you up at seven.”

The library was filling up now and a couple of people sat down at the table with them.  He leaned over and asked in a low voice, “Let’s go somewhere else where we can talk and enjoy the fresh air at the same time.”

“That’s a good idea.”  She got up and put the book back on the shelf.  She grabbed her handbag and they left the library.

It was a beautiful evening.  The sun was still high in the sky and there was a gentle breeze.  He turned to her, “Let’s grab something to eat and find a spot nearby. They stopped in a nearby fast food restaurant and got a couple of burgers and milkshakes. They retraced their steps back to the library and sat down at one of the tables outside to eat.

They spent the next few hours talking and getting to know each other.  The time went quickly and when it started to get dark, that was when they decided that it was time to go.  “May I give you a ride home?” he asked.

She nodded.  “Yes, thank you.”

“Thank you for a lovely evening,  Jessica,” he said.  “I had a good time.”

“Me too.”

“I am looking forward to our date tomorrow night.”

“Me too.”  She smiled as she fell into step beside him.   Yes, she was looking forward to their dinner date tomorrow.  What a glorious day this turned out to be.

 

 

Source:  British Library

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Ingrid Bergman

I just read in the Stabroek News that the 68th Cannes Film Festival unveiled its official poster featuring legendary actress Ingrid Bergman in a tribute to what would have been her 100th birthday this year.  I think that’s wonderful.  She was an actress I truly admired and appreciated.  She had gentle beauty and an air of quiet refinement.  She was very classy.  I remember her in films like Casablanca, Gaslight, Anastasia and For Whom the Bells Toll.  She acted with some of Hollywood’s A list male stars–Humphrey Bogart, Gregory Peck, Cary Grant and Gary Cooper.  It would have been interesting to see her star opposite Clark Gable, Jimmy Stewart and Burt Lancaster.

Acting was something Ingrid always knew she wanted to become.  Her father, a Swedish artist and photographer wanted her to become an opera star and had her take voice lessons for three years.  She wore her mother’s clothes and staged plays in her father’s empty studio.  He documented all of her birthdays with a borrowed camera.  He died when she was thirteen.  Her German mother had died when she was two years old.

After her father’s death, Ingrid was sent to live with an aunt who died just six months later from a heart disease.  She moved in with another aunt and uncle who had five children.  Her aunt Elsa was the first one who told Ingrid when she was 11 years old that her mother may have “some Jewish blood”, and that her father was aware of this long before they got married.  Her aunt cautioned her about telling others about her possible ancestry as “there might be some difficult times coming.”  This reminds me of Queen Esther who was intially cautioned by her uncle not to let anyone know that she was a Jew.

In 1932 when she was 17, Ingrid had only one opportunity to become an actress by entering an acting competition with the Royal Dramatic Theatre in Stockholm.  For Ingrid it was a terrible moment.  She recalled:  As I walked off the stage, I was in mourning.  I was at a funeral.  My own.  It was the death of my creative self.  My heart had truly broken…they didn’t think I was even worth listening to, or watching.”

This couldn’t have be further from the truth as she soon learned after meeting one of the judges who told her, “We loved your security and your impertinance.  We loved you and told each other that there was no reason to waste time as there were dozens of other entrants still to come.  We didn’t need to waste any time with you.  We knew you were a natural and great.  Your future as an actress was settled.”  What a thrill and relief that must have been for the aspiring actress.  She received a scholarship to the state-sponsored Royal Dramatic Theatre School where Greta Garbo had earned a similar scholarship just years earlier.

Ingrid’s dream was now a reality.  She was given a part in a new play and over the summer break, she was hired by a Swedish film studio which led to her departure from the Royal Dramatic Theatre a year later to work full-time in films.  She starred in a dozen films in Sweden, including En kvinnas ansikte which was later remade as A Woman’s Face, starring Joan Crawford.  Ingrid made one film in Germany in 1938.

Then it was off to Hollywood…Thanks to David O. Selznick, she starred in Intermezzo:  A Love Story, her first acting role in the United States.  It was a remake of her 1935 Swedish film, Intermezzo.  Ingrid didn’t plan to stay in Hollywood.  She thought she would complete this film and return home to Sweden to be with her husband, Dr. Peter Lindstrom and their daughter, Pia.

Selznick had concerns about Ingrid.  “She didn’t speak English, she was too tall, her name sounded too German, and her eyebrows were too thick.”  However, Ingrid was accepted without having to modify her looks.  Selznick let her have her way because he understood her fear of Hollywood makeup artists who might turn her into someone she wouldn’t recognize.  He told them to back off.  Besides, he believe that her natural good looks would compete successfully with Hollywood’s “synthetic razzle-dazzle.”

Selznick, who was filming Gone With the Wind at the same time, shared his early impressions of Ingrid in a letter to William Hebert, his publicity director :

Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture … She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture. She never for a minute suggests quitting at six o’clock or anything of the kind … Because of having four stars acting in Gone with the Wind, our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life … All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity … so that her natural sweetness and consideration and conscientiousness become something of a legend … and is completely in keeping with the fresh and pure personality and appearance which caused me to sign her.

Not surprisingly, Intermezzo was a huge success and resulted in Ingrid becoming a star.  She left quite an impression on Hollywood.  And Selznick’s appreciation of her uniqueness made he and his wife Irene remain important friends to Ingrid throughout her career.

Before making Casablanca, Ingrid made one last film in Sweden and appearing in three moderately successful films, Adam Had Four Sons, Rage in Heaven and Dr. Jekyll and Mr. Hyde.  According to her biographer, she felt guilty that she had misjudged the situation in Germany.  She had dismissed the Nazis as a “temporary aberration, ‘too foolish to be taken seriously.’ She didn’t believe that Germany start a war because the good people of the country would not allow it.  Sadly, she was wrong.  She felt guilty for the rest of her life and when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocitites of the Nazi extermination camps.

In 1942, she starred opposite Humphrey Bogart in Casablanca, a movie famous for its wonderul lines and the famous song, “As Time Goes By”.  I was surprised to read that Ingrid did not consider it to be one of her favorite performances.  She said, “I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart.”  I thought she and Bogart were great together.

I think I only saw For Whom the Bell Tolls once but really liked it.  My sister and I liked how she looked with her short, blond, curly hair and a “sun-kissed complexion”.  I read that Ernest Hemmingway wanted her to play the part of Maria.  When he met her, after studying her, he exclaimed, “You are Maria!”  When Ernest told Ingrid that she would have to cut her hair to play the part, she was quick to respond, “To get that part, I’d cut my head off!”

For Whom the Bell Tolls, was the film that saved the song, “As Time Goes By” from being removed from Casablanca.  Warner Brothers wanted to substitute the song and planned to re-shoot some scenes with Ingrid but thanks to her hair-cut, they had to drop the idea as there would be a problem with continuity even if she wore a wig.

A year later, Ingrid won the Academy Award for Best Actress for Gaslight.  It was a gripping and suspenseful movie of a wife being driven to madness by her husband, masterfully played by Charles Boyer.  She next starred as a nun in The Bells of St. Mary opposite Bing Cosby, garnering her third consecutive nomination for Best Actress.   She came in a succession of Alfred Hitchock movies, Spellbound, Notorious and Under Capricorn (I never heard of this one).

During her marriage to Lindstrom, Ingrid had a brief affair with Gregory Peck.  This affair was kept private until five years after Ingrid’s death, when Gregory revealed in an interview with Brad Darrach of People, “All I can say is that I had a real love for her (Bergman), and I think that’s where I ought to stop…. I was young. She was young. We were involved for weeks in close and intense work.”

Unlike her affair with Gregory Peck, the one with the Italian film director, Roberto Rossellini was a very public one.   Although Ingrid received another Best Actress nomination for Joan of Arc in 1948, the film was not a hit, partly because news of her affair with Rossellini broke while the movie was still in theatres.  It was her admiration for Rossellini which had led Ingrid to write him a letter, expressing her admiration and suggesting that she make a film with him.  She was cast in his film, Stromboli and during production, she fell in love with him and they began an affair.  She became pregnant with their son, Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe (“Robin”) Rossellini and this affair caused a huge scandal in the United States.  She was denounced on the floor of the United States senate and Ed Sullivan chose not to have her appear on his show despite a poll showing that the public wanted her there.  However, Steve Allen had her on his equally popular show, noting, “the danger of trying to judge artistic activity through the prism of one’s personal life.” 

The scandal drove Ingrid back to Italy, leaving her husband and daughter.  She went through a very public divorce and custody battle for their daughter.  She and Lindstrom divorced a week after her son was born and she married Rossellini in Mexico.  In 1952, Ingrid gave birth to twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.  Five years later she divorced their father and the following year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family.  That marriage lasted until 1975 when they divorced.

In 1956, Ingrid starred in the movie, Anatasia. It was her return to the American screen and her second Academy Award for Best Actress which her best friend Cary Grant accepted for her.  She made her first appearance in Hollywood since the scandal when she was the presenter of the Academy Award for Best Picture at the 1956 Academy Awards.  She received a standing ovation after being introduced by Cary Grant.  In 1969, she starred opposite Walter Matthau and Goldie Hawn in the hilarious and delightful movie, Cactus Flower.  It was nice seeing Ingrid take a turn in a light romantic comedy.

In 1972, US Senator Charles H. Percy entered an apology in to the Congressional Record for Edwin C. Johnson’s attack on Ingrid 22 years ago.  In 1974 she won her third Oscar for Murder on the Orient Express, earning her the distinction of being one of the few actresses ever to receive three Oscars.  Her final role was as Golda Meir in A Woman Called Golda.   She was offered the part because, “People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people.”  This interested Ingrid and the role was greatly significant for her because she still carried the guilt of misjudging the situation in Germany during World War II.  Ingrid was frequently ill during the film although she hardly showed it or complained.  She was a real trooper.  Four months after the film was completed, on her 67th birthday in London, Ingrid died of breast cancer.  Her daughter, Pia accepted her Emmy.

Ingrid was a  woman of grace, natural beauty who brought realism and dignity to her roles.  She was a star with no temperament, making her a delight to work with, unpretentious, unique, hard-working, “a great star” who “always strove to be a ‘true’ woman.”  She was not a saint but a woman with real emotions.   She was not afraid to speak out against racism.  During a press conference in Washington, D.C. where she was promoting, Joan of Lorraine, she protested against the racial segregation she witnessed firsthand at the theatre where she was performing.  This drew a lot of publicity and some hate mail.  In a news column in the Herald-Journal, she is reported as saying, “I deplore racial discrimination in any form.  To think it would be permitted in the nation’s capital of all places!  I really had not known that there were places in the United States–entertainment places which are for all the people–where everybody could not go.”

Notes to Women salute this remarkable woman and actress who won our hearts and deepest admiration with her grace and courage.  We celebrate one of the greatest leading ladies that ever graced the silver screen.  She once said, “I am an actress and I am interested in acting, not in making money.”  Dear Ingrid, we are so very thankful that you chose acting over opera.

I have no regrets. I wouldn’t have lived my life the way I did if I was going to worry about what people were going to say.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn’t choose acting. It chose me.

I don’t think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.

Time is shortening. But every day that I challenge this cancer and survive is a victory for me.

If you took acting away from me, I’d stop breathing.

ingrid-bergman

Sources:  Stabroek News ; Wikipedia; IMDB; Brainy Quotes; Herald-Journal

Eleanor Gehrig

Just recently I watched the movie, Pride of the Yankees and was touched by the wonderful love story of baseball great Lou Gehrig and his wife Eleanor.

Lou and his wife were married for nine years.  They met in Chicago.  Eleanor was from a well to do family,  She met Lou in Comiskey Park and married him after a long-distance courtship.  They lived in New Rochelle and then later in Riverdale.  They travelled a lot but their life was centred on Yankee Stadium where Lou teamed with Babe Ruth, Lefty Gomez, Tony Lazzeri, Bill Dickey and later Joe DiMaggio.

The Gehrigs’ lives were turned upside down when Lou was forced to retire in 1939 with the disease that later came to be known as “Lou Gehrig’s disease”.  I remember the scene in the movie when Lou was in the locker room, untying his shoe laces and he toppled right over.  Eleanor Gehrig later said that she never told her husband that he was suffering from a fatal illness.  In the movie, he knew that it was fatal but he tried to hide the truth from his wife.

Eleanor cheered him up at home with gatherings, parties and impromptu performances. He died two years later at the young age of 37.  Eleanor said that she never intended to play the role of a professional widow to a celebrity although for years, she and Mrs. Ruth were greeted as “the great ladies” of the Yankees.

In the movie, Pride of the Yankees, I saw the love that these two people shared for each other just jump off the screen.  It was heartbreaking to see their happiness ripped away by a disease that claimed his life at such a young age.  My favourite scene was when Lou gave Eleanor a bracelet, which was among the items, Mrs. Gehrig had lent to be used in the film, to add realism.  And I liked how she kept a gigantic scrapbook of Lou.
Gehrig_wife_Eleanor

I felt that Gary Cooper was the perfect choice to play Lou Gehrig and it seemed like Eleanor felt the same.  Of Cooper, she remarked, “Gary studied every picture of Lou’s.  He had every one of his mannerisms down to a science and he is so like my husband in the picture that there were times when I felt I couldn’t bear it.”

Eleanor felt that Teresa Wright was too young to play her. Barbara Stanwyck, Jean Arthur or another actress with more experience would have been preferable.  Eleanor later said, “But now I know that no one could do better, or even as well as little Teresa. Of course she’s prettier and younger but then no woman could object to that, could they?”  Of course, the movie was a success and grossed over $3 million and was one of the top ten films of 1942.  It earned eleven Oscar nominations, including ones for Gary Cooper’s and Teresa Wright’s performances.

Eleanor sold war bonds during World War II, raising over $6 million by auctioning off Lou’s memorabilia.  She joined the local Red Cross, chauffeuring the disabled for which she received Presidential recognition.  She worked for the All American Football Conference as a secretary-treasurer and then was promoted to Vice President after she resigned due to the fact that she couldn’t even balance her own bank account.

Eleanor’s greatest achievement was her tireless efforts to promote ALS research.  She partnered with the Muscular Dystrophy Association, testifying before Congress to fund research in various debilitating paralytic diseases.  She eventually will most of her estate to the cause.

Sadly, Eleanor’s relationship with her in-laws never improved.  In the past, she never felt comfortable in their home.  They would converse in German which she didn’t understand.  And as portrayed in the movie, Lou’s mother, Christina was frequently clashing with Eleanor.   The elder Mrs. Gehrig’s relationship with her son was a bit overbearing, smothering.  She was one of those mothers who wouldn’t have approved of any woman her son showed an interest in.  Not surprisingly, she had broken up his previous relationships.  I remember in the movie, how she reacted when Lou first brought Eleanor home. Eleanor quickly picked up on her coldness toward her.  I resented her interference in their lives.  She tried to impose her decorating tastes on Eleanor, even going as far as putting up her own wall paper and moving in a chest of drawers much like the one Lou had in his old room.  Lou had to step in and make it clear to his mother that Eleanor was the mistress of their home, not her.

The Gehrigs never had children.  Eleanor may have had trouble conceiving.  They considered adoption but according to Lou, his mother, “wouldn’t have any of that. She said she didn’t want a grandson if it wasn’t a Gehrig.”

After Lou died, the relationship was forever marred when there was a dispute over the division of Lou’s estate.  He had left his entire assets to his wife but he bequeathed the interest he got from stock investments and monthly payments from a $20,000 life insurance to his parents. His parents believed that Eleanor was withholding these payments from them and they sued her.  The matter was privately settled but the discord between the two parties was never resolved.

Eleanor died on her eightieth birthday, leaving no survivors behind.  Surprisingly, the turnout to her funeral was not as large as the few mourners gathered expected.  Her body was cremated according to her wishes and her ashes placed with her husbands. According to George Steinbrenner, chief owner of the Yankees, Eleanor Gehrig was, “a great woman, and the Yankees have lost a dear friend.”

Notes to Women remembers this remarkable woman who loved her husband and stood by him and was a advocate for ALS, raising awareness and pushing for the funding of research.

I had the best of it.  I would not have traded two minutes of my life with that man for 40 years with another.

Sources:  http://www.imdb.com/name/nm0311798/bio; http://en.wikipedia.org/wiki/Lou_Gehrig; http://www.nytimes.com/1984/03/08/obituaries/eleanor-gehrig-79-widow-of-yankee-hall-of-fame-star.html

Donna Summer

I was shocked and saddened when I learned that Donna Summer was dead at the age of 63.   When you think disco, you think of the queen of disco who belted out songs like “I Need Love”, “Hot Stuff” and “Bad Girls”.  Of course, when you ask men which song they like best by her, the contender is more often than not, “Love to Love You, Baby”.  They love the groans and moans.  Not everyone was receptive.  In fact, some American and European radio stations, including the BBC, refused to play it.   “Love to Love You Baby” found chart success in several European countries, and made the Top 5 in the United Kingdom despite the BBC ban.  Among her other disco hits was the song she did with Barbra Streisand, “No More Tears (Enough is Enough)”.  Donna was a five-time Grammy Award winner and the first artist to have three consecutive double albums reach number one on the U.S.Billboard chart.  She also charted four number-one singles in the United States within a 13-month period.

She was born LaDonna Adrian Gaines  on December 31, 1948.  Donna Summer was her stage name.  She came from a Christian African American family.  She first became involved with singing through church choir groups before joining a number of bands influenced by the Motown Sound.  Donna was one of seven children.  Her father was a butcher and her mother a schoolteacher.  Mary Gaines later recalled that from the time she could talk, her daughter would often sing: “She literally loved to sing. She used to go through the house singing, singing. She sang for breakfast and for lunch and for supper.”

Donna made her singing debut in church at the age of ten when a vocalist failed to show up.  She recollects:   “I started crying, everybody else started crying. It was quite an amazing moment in my life and at some point after I heard my voice came out I felt like God was saying to me ‘Donna, you’re going to be very, very famous’ and I knew from that day on that I would be famous.”  

Later Donna auditioned for the role in the musical Hair but Melba Moore was cast instead.  Donna agreed to take the role in the Munich production and moved to Munich, Germany with her parents’ reluctant approval.  Donna became fluent in German, singing various songs in the language.  She lived there for several years before moving to Austria where she married Austrian actor Helmut Sommer, whose surname she adopted as her stage name.  They met on the set of Godspell.  The couple had a daughter, Mimi but the marriage ended as a result of her affair with German artist (and future live-in boyfriend) Peter Mühldorfer.  Donna kept Helmut’s surname but anglicized it to “Summer”.

Becoming known as the “Queen of Disco”, Donna Summer regularly appeared at the Studio 54 club in New York City.  Her music gained a particularly large following within the gay community, for whom she became a gay icon.  There was, however, some controversy surrounding comments she made which angered the gay community.  In the mid-1980s, she allegedly made anti-gay remarks regarding the then-relatively new disease, AIDS.  This had a significantly negative impact on her career and saw thousands of her records being returned to her record company by angered fans. At the time, Donna was a born-again Christian and was alleged to have said that AIDS was a punishment from God for the immoral lifestyles of homosexuals.  However, she denied that she had ever made any such comment and, in a letter to the AIDS campaign group ACT UP in 1989, she said that it was “a terrible misunderstanding. I was unknowingly protected by those around me from the bad press and hate letters… If I have caused you pain, forgive me.” She went on to apologize for the delay in refuting the rumours and closed her letter with Bible quotes (from Chapter 13 of 1 Corinthians).

Also in 1989, she told The Advocate magazine that “A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference.” A couple of years later she filed a lawsuit against New York magazine when it reprinted the rumours as fact just as she was about to release her album Mistaken Identity in 1991.

Donna remarried 1n 1980.  Her second husband Bruce Sudano.  The two met in 1978 while Donna was working on the hit track, “Heaven Knows” which featured Brooklyn Dreams member Joe “Bean” Esposito on vocals.  Bruce was a fellow member.  A year later, Summer gave birth to another daughter (her first child with Sudano),Brooklyn Sudano, named after Sudano’s group. (Brooklyn would grow up to star in the hit ABC production My Wife and Kids.) A year after that, Summer and Sudano had their second child, Amanda.  In 1994, Summer and her family moved from Los Angeles to Nashville, where she took time out from show business to focus on painting, a hobby she began in 1985. In 1995, Summer’s mother died.

Donna had a lot going for her in the 2000s.  She continued to score top ten hits on Billboard’s Dance Chart in the new millennium. In 2000, she also appeared on the third annual Divas special, dedicated to Diana Ross, though Summer sang mostly her own material for the show.  In 2004, Donna was inducted to the Dance Music Hall of Fame alongside the Bee Gees and Barry Gibb as an artist. Her classic song, “I Feel Love”, was also inducted that night.  On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of United States President Barack Obama. She was backed by theNorwegian Radio Orchestra.

Before becoming a born again Christian, Donna struggled with drug drug addiction and depression.  Diagnosed with lung cancer, Summer died on the morning of May 17, 2012, at her home in Florida after a battle with the disease.  Singers and music industry professionals reacted to Donna Summer’s death   Gloria Gaynor, a famous Disco performer during the late 1970s,  said that she was “deeply saddened” and that Donna was “a fine lady and human being”.  Speaking on the CNN Headline News, Gaynor said she was devastated by the death of her longtime friend, and that she had not known about Summer’s cancer.  Harry Wayne Casey of KC and the Sunshine Band said he and Donna “ran in the same circles and are part of the same generation”.   Barbra Streisand wrote on Twitter: “I loved doing the duet with her. She had an amazing voice and was so talented. . . It’s so sad.”  Quincy Jones, on Twitter, wrote that Donna’s voice was “the heartbeat and soundtrack of a decade”. Aretha Franklin said, “It’s so shocking to hear about the passing of Donna Summer. In the 70s, she reigned over the disco era and kept the disco jumping. Who will forget ‘Last Dance.’ A fine performer and a very nice person.”  Chaka Khan said: “Donna and I had a friendship for over 30 years. She is one of the few black women I could speak German with and she is one of the few friends I had in this business.”

President Obama expressed his sadness at the passing of such a great talent and icon, “Michelle and I were saddened to hear about the passing of Donna Summer. A five-time Grammy Award winner, Donna truly was the ‘Queen of Disco.’ Her voice was unforgettable, and the music industry has lost a legend far too soon. Our thoughts and prayers go out to Donna’s family and her dedicated fans.”  Fans paid tribute to the singer by leaving flowers and memorabilia on her star on the Hollywood Walk of Fame.

Notes to Women salute this amazing and talented woman whose legacy will live on.  Our thoughts and prayers are with her family.

Because I’m just an ordinary person that did some extraordinary things.

But I like to know that someone is stronger than I am. I want to be able to know that if I get tired, somebody is there to hold up the fort. I like knowing that I can’t pick a refrigerator alone. God did not make me strong enough to do that.

God had to create disco music so I could be born and be successful.

I don’t care if I’m beautiful; I don’t care what I am on the outside. It isn’t about the outside.

I don’t really try to predict what can and will happen with things. Sometimes you think something’s gonna be a huge success, and it isn’t. And sometimes you pay no attention to something whatsoever, and God just makes it into everything.

I want a private life, I truly do. I’m not just pretending to want one like lots of celebrities.

Donna Summer

Source:  http://en.wikipedia.org/wiki/Donna_Summer