Resistance is Futile

After a few moments into the movie, she switched off the television.  No use in wasting time watching a film that didn’t synchronize with the sound.  Besides, she was distracted. She couldn’t stop thinking about Jude Beresford.

When they first met, she couldn’t stand him.  He oozed a sensuality that was palpable. While it got her pulse going, it made her blood boil.  She couldn’t stand men who knew that they were gorgeous and flaunted it.  She was determined that she wasn’t going to fall for his charm or his looks.  She had a visceral dislike of men like him.

So, when her friend Brooke brought him and his brother over to meet her, she was considerably cool toward him but very friendly toward Crispin.  She ignored the fact that when they shook hands and his eyes met hers and his lips parted in a disarming smile, her heart skipped a beat.  She wanted to leave him in no doubt that she was not taken in by him.

When she and Brooke were alone, her friend asked her, “What’s up with you ?” she asked.  “You weren’t very friendly to Jude.  He’s a really nice man once you get to know him.”

“He seems conceited to me,” she said, casting a look of disdain in his direction.  “And it’s disgusting to see how women throw themselves at him.”

“You are wrong about him.”

“I don’t think so,” she insisted and her friend dropped it.  It was no use arguing about it.

She couldn’t avoid seeing him.  He was Brooke’s friend and she invited him to every event and social that she invited her to.  She sincerely hoped that Brooke wasn’t trying to set them up.  It was a waste of time. She was not interested in him.  Not wanting to be rude, she would engage in conversations with him, though she always made it clear to him that she was not attracted to him.   What that must do to his ego, she thought each time they were together, especially when she made a point of asking him about Crispin.  She noticed that it nettled him.

Crispin was not at all like his older brother.  He was fairly handsome but more reserved. There was no resemblance between the two men.  Jude was tall, slender with jet black hair and dark brown eyes while Crispin was blond with green eyes and shorter.   He was not as charming as Jude but she liked him.  She felt safe and completely relaxed with him unlike Jude who troubled her more than she cared to admit.

Last night after having the dinner which Brooke had spent all day preparing, Deana went out onto the terrace, gazing at the twinkling lights of the city in the distance. Crispin joined her.  “Deana, forgive me if I am being presumptuous,” he said, apologetically.  “but how long are you and Jude going to pretend that you don’t like each other?”

His question startled her and for a moment, she was at a loss for words.  Then, she said, “I can’t speak for him, but I’m not pretending.”

“I have seen the way you look at each other when you think no one is noticing.  It’s obvious to me that you are attracted to each other.  Don’t you think it’s time to stop playing games and admit how you feel to–?”

Just then, Jude came on to the terrace.  Deana’s heart lurched.  Their eyes met and then she rushed past him.  Shortly after that, she went home.

Stirring herself from her reverie, she got up from the sofa and went to the window.  It was early evening.  She wondered if she should go for a walk.  She could do with some fresh air. It would clear her mind.  She turned away and was about to head to the washroom to freshen up when the doorbell rang.

She went to the door and peered through the keyhole, her eyes widening when she saw Jude standing there.  At once, her heart started to pound.  She was tempted to keep him standing out there but she opened the door, her eyes wary as they met his.  “I didn’t expect to see you,” she said, unable to prevent her eyes from travelling over his tall frame.  He looked incredible in the dark grey suit and the white shirt and tie.  He must have just left his office or perhaps he was on his way out but for some reason, decided to stop by here first.  She told herself that she didn’t care.  She was going to wrap this up as quickly as possible and send him on his way.

“Perhaps you were expecting to see Crispin instead,” he said, his expression darkening.  The glint in his eyes startled her.

“Why would I be expecting Crispin?” she asked, stepping aside so that he could go in. After she closed the door, she turned to face him.  She could see the displeasure in his features.  Then it dawned on her.  “Do you think I am interested in Crispin?”

“Yes.”  The word was like a hiss.  “Every time we see each other you ask me about him.  I get the impression that you would prefer his company over mine.”

“I like Crispin, yes, but—”

“I saw you with him last night on the terrace.  As soon as I came you left.  I asked him what you and he talked about but he didn’t tell me.  He told me to speak to you.  Tell me the truth, Deana, is there something going on between Crispin and you?”

She shook her head.  “No,” she admitted.  “There’s nothing between us.”

He raked his fingers through his hair in agitation.  “Then, why were you always throwing him in my face, making me think that you preferred him to me.”

“I wanted to deflate your ego,” she told him.  “You seemed conceited to me and I wanted to show you that I was not like one of those women who were literally throwing themselves at you.”

“You’re wrong about me, Deana.  I’m not conceited.  And I’m not interested in any woman except you.”

Now her heart was racing and she seemed to have trouble breathing.  He had stepped closer to her, his eyes capturing hers and holding them prisoner.  “You’re wasting your time if you think you can seduce me,” she said, sounding a bit breathless.

“I’m not trying to seduce you.”

She was pressed against the door as the space between them got smaller.  “Then, what are you trying to do?”  She wondered if the feelings that were churning inside her showed in her face.  Did he detect the panic in her voice?

“I’m trying to show you how I feel,” he said softly.  “How I’ve felt since the first time we met.”  Before she could say another word, he lowered his head and kissed her.

Instead of pushing him away or clamping her lips together, she responded.  Her defenses were completely gone.  Resisting now was pointless.  Try as she did, she could no longer deny that in spite of all her best efforts, she was hooked.

 

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Former First Lady Dies

Former First Lady Nancy Reagan died today of congestive heart failure at the age of 94.  She was gracious, fiercely protective of her husband President Ronald Reagan.  She was always by his side.  They were inseparable.  And whenever they were apart, they couldn’t wait to be together again.  It seems as if their love just grew stronger over the years.  It was such a thrill to see them always holding hands.  An image that will always stay with me of her was when she leaned her head against her husband’s casket.  It was a heartbreaking moment.  Theirs was a beautiful love story.  “My life really began when I married my husband,” she once said.  In various photos, she is seen gazing up at her husband in adoration.

Mrs. Reagan gave up her own career as a Broadway and film actress to raise a family and to support her husband’s political aspirations.  She was sharply criticised for this by feminists but she countered their attacks with this statement, “Feminism is the ability to choose what you want to do… I’ve really enjoyed the best of two worlds.”

Notes to Women bid farewell to this remarkable woman of strength, unwavering devotion.  Nancy Reagan will be remembered for her anti-drug campaign “Just Say No” , her work in raising awareness of breast cancer after her own diagnosis and of course, her devotion to her husband.  She was a feminist in her own right.  She showed that choosing family above career was within a woman’s right and a choice that should be respected not condemned.

Source:  Bustle

Dame Angela Lansbury

I still watch Murder, She Wrote because I like the show and the character Jessica Fletcher played by the great Angela Lansbury.  My 7 year old son is also a fan of Jessica Fletcher’s.  Before taking on the role of a mystery writer in one of the longest running detective drama series in television history, Angela was a silver screen movie star.  My husband thought she was hot then.

Angela is a versatile actress, easily portraying an unlikable and cheeky maid in Gaslight opposite Ingrid Bergman and Charles Boyer to the music hall singer who, unfortunately and tragically, falls in love with the protagonist, Dorian Gray in the movie, The Picture of Dorian Gray to the frightening and domineering mother in The Manchurian Candidate.  Her performance as Mrs. John Iselin in The Manchurian Candidate is ranked #21 in the American Film Institute’s 100 Years…100 Heroes and Villains for villains.

Angela was born to an upper middle class family on October 16, 1925 in Regent’s Park, central London. Her mother, Moyna Macgill, was a Belfast born Irish actress and her father was the wealthy English timber merchant and politician Edgar Lansbury.  He was a member of the Communist Party of Great Britain and former mayor of the Metropolitan Borough of Poplar.  Her paternal grandfather was the Labour Party leader and anti-war activist George Lansbury.  Angela was in awe of him and to her, he was “a giant in my youth”.  Angela had an older half-sister, Isolde from her mother’s previous marriage.  When Angela was four, her mother gave birth to twin boys, Bruce and Edgar, prompting the Lansburys to move from their Poplar flat to a house in Mill Hill, North London.  In the weekends, they went to a rural farm in Berrick Salome, Oxfordshire.

She was nine years old when her father died from stomach cancer.  To cope with her loss, she played characters, describing the event as “the defining moment of my life.  Nothing before or since has affected me so deeply.”  Faced with financial difficulty, her mother got engaged to a Scottish colonel and moved into his house in Hampstead.  Angela attended South Hampstead High School from 1934 to 1939.  She considered herself to be largely self-educated, learning from books, theatre and cinema.  She became a “complete movie maniac”, going regularly to the cinema and imagining herself as certain characters.

Angela’s grandfather died in 1940 and with the onset of the Blitz, her mother, Moyna took her and her brothers to the United States.  Her half-sister, Isolde remained in Britain with her new husband, actor Peter Ustinov.  Angela’s mother got a job supervising sixty British children who were evacuated to North America aboard the Duchess of Athol, arriving with them in Montreal, Canada in mid-August.  From Montreal they went by train to New York City where Moyna was sponsored financially by a Wall Street businessman and moved in with his family at their home in Mahopac, New York.  Angela got a scholarship from the American Theatre Wing which allowed her to study at the Feagin School of Drama and Radio.  There she appeared in performances of William Congreve’s The Way of the World and Oscar Wilde’s Lady Windermere’s Fan.  By the time she graduated, she and her family had moved to a flat in Morton Street, Greenwich Village.

Moyna got work in a Canadian touring production of Tonight at 8:30.  Angela joined her mother who got her first theatrical job as a nightclub act at the Samovar Club in Montreal.  She lied about her age to get the job and earned $60 a week.  She returned to New York city but her mother had moved to Hollywood to revive her cinematic career.  Angela and her brothers joined her.  After moving into a bungalow in Laurel Canyon, Angela and her mother got Christmas jobs at the Bullocks Wilshire department store in Los Angeles but unfortunately, Moyna got fired for incompetence.  The family had to live on Angela’s wages of $28 at week.

Angela met John van Druten at a party hosted by her mother.  He recently co-authored a script for Gaslight.  He suggested that Angela would be perfect for the role of Nancy Oliver, a conniving cockney maid and she accepted the part although at the time she was only 17.  A social worker had to accompany her on the set.  She got an agent and was signed to a seven-year contract with MGM, earning $500 a week.  She adopted “Angela Lansbury” as her stage name.  The movie received mixed reviews although Angela’s role was widely praised.  It received six Academy Award nominations, one of which was for Best Supporting Actress for Angela.

Following Gaslight, Angela starred in a supporting character in National Velvet which was a major commercial hit.  Angela developed a lifelong friendship with co-star Elizabeth Taylor.  I remember that the two friends appeared together in Agatha Christie’s The Mirror Crack’d with Angela in the role of the endearing Miss Marple.

Angela next starred in The Picture of Dorian Gray with Hurd Hatfield, George Sanders, Donna Reed and Peter Lawford.  Surprisingly, at least to me, the film was not a financial success.  However, it garnered Angela her second Best Supporting Actress nomination.  She lost to her National Velvet co-star Anne Revere.

Angela married Richard Cromwell, an artist and a decorator.  When I saw a photo of him, I recognized him as the brother of Henry Fonda’s character in the marvelous movie, Jezebel.  Angela’s marriage to Richard was a trouble one.  She would later disclose that he was gay, something she was not aware of until after their separation.  The marriage ended in less than a year and Angela filed for a divorce.  They remained friends, however, until his death.

Angela met her second husband, Peter Pullen Shaw at a party held by her former co-star Hurd Hatfield.  Hurd would later be a guest star on Murder She Wrote.  Peter was an aspiring actor also signed with MGM and had recently left a relationship with Joan Crawford.  He and Angela became a couple, living together before she proposed marriage.  They wanted to get married in Britain but the Church of England refused to marry two divorcees.  So, they wed at St. Columba’s Church which was under the jurisdiction of the Church of Scotland in Knightsbridge, London.  They had their honeymoon in France.  They returned to the United States and settled in Angela’s home in Rustic Canyon, Malibu, each becoming naturalised U.S. citizens with dual British citizenship.

Angela’s contract with MGM ended in 1952.  She was miscast, playing older and often villainous women.  Earlier in her career, MGM loaned her to United Artists for The Private Affairs of Bel Ami in 1947 and then to Paramount for Samson and Delilah (1949).  Unhappy with the roles MGM was giving her, Angela instructed her manager to terminate her contract.  At the time she was pregnant with her first child, Anthony whom she gave birth to that year.  Soon after he was born, she joined the East Coast touring productions of two former Broadway plays, Remains to be Seen and Affairs of the State.  In 1953, Angela gave birth to her daughter, Deidre Angela.  Angela’s husband, Peter had a son by a previous marriage and had legal custody of him.  He brought the boy to California to live with the family.  They moved to a larger house in Santa Monica.

In the mid-fifties Angela entered the world of Broadway theatre.  In 1957 she debuted in Hotel Paradiso, a French burlesque set in Paris, at the Henry Miller Theatre.  Although the play ran for only 15 weeks, earning her good reviews, she later stated that had she not appeared in the play, her “whole would have fizzled out”.  Next she appeared in A Taste of Honey, playing Helen, a boorish and verbally abusive absentee mother of Josephine played by Joan Plowright who was only four years younger.  Angela became friends with Joan and Laurence Olivier, Joan’s lover.  It was from Angela’s rented apartment on East 97th Street that Joan and Laurence eloped to get married.

Angela didn’t feel comfortable in the Hollywood social scene.  She chalked this up to her British roots. “In Hollywood, I always felt like a stranger in a strange land.”  In 1959, the family moved to Malibu where they settled into a house on the Pacific Coast Highway where she and Peter were able to escape the Hollywood scene and send their children to state school.

In 1962, Angela starred opposite Lawrence Harvey in The Manchurian Candidate, playing his manipulative mother even though she was only three years older than him.  The role earned her her third Best Supporting Actress Award nomination.  It bothered her that she didn’t win.  Angela starred in several movies in the 1960s but although her performances were well received, the kind of roles she wanted evaded her and she became dissatisfied with the minor roles she was getting, feeling that none of them allowed her to explore her potential as an actress.

I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said ‘I’ve been doing enough gardening, I’ve cooked enough good dinners, I’ve sat around the house and mooned about what more interior decoration I can get my fingers into.’ It’s a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn’t that a miracle? – Angela Lansbury

In 1966 Angela took on the title role of Mame Dennis in the musical Mame, the musical adapted from the novel, Auntie Mame.  The director’s first choice for the role was Rosalind Russell who played Mame in the non-musical adaptation but she declined.  Theatre critics were surprised that Angela was chosen for the role, believing that the role would go to a better known actress.  Angela was forty-one at the time and this was her first starring role.  She trained extensively for the role which involved over twenty costume changes throughout the play and ten songs and dance routines.  Auntie Mame opened on Broadway in May 1996, gaining Angela rave reviews.  She received her first Tony Award for Best Leading Actress in a Musical.  Following her success as Mame, Angela appeared in Dear World, the musical adaptation of The Madwoman of Chailott, as a 75 year old Parisian eccentric.  Angela found the experience “pretty depressing” but received positive reviews for her performance and her second Tony award.   The show, however, received critical reviews and ended after 132 performances.  After Dear World, Angela played the title role of the musical Prettybelle, based on Jean Arnold’s The Rape of Prettybelle, set in the Deep South.  It was a controversial play because it dealt with issues of racism with Angela as a wealthy alcoholic who seeks sexual encounters with black men.  It opened in Boston to poor reviews and was cancelled before it even reached Broadway.  Angela would later say that the play was a “complete and utter fiasco.”  She felt that her performance was awful.

In the early 1970s Angela turned down several cinematic roles, including the role of Nurse Ratched in One Flew Over the Cuckoo’s Nest which went to Louise Fletcher who won the Oscar for Best Actress.  In 1970 Angela appeared as the middle-aged English witch in the Disney film, Beadknobs and Broomsticks, her first lead in a screen musical.  1970 was a traumatic year for the Lansbury family.  Peter underwent a hip replacement, their son Anthony suffered a heroin overdose and went into a coma and the family’s home in Malibu was destroyed in a bush fire.  They bought a farmhouse constructed in the 1820s located near the village of Conna in rural County Cork.  It was there Anthony was taken to receover from his drug addiction after he quit using cocaine and heroin.  He enrolled in the Webber-Douglas School, his mother’s alma mater and became a professional actor before becoming a television director.  Angela and her husband did not return to California, instead, they divided their time between Cork and New York City.  They lived opposite the Lincoln Centre.

Angela returned to theatre in 1972, performing in the Royal Shakespeare Company’s theatrical production of Edward Albee’s All Over in London’s West End.  Although reviews of the play were mixed, her performance was widely praised.  She did a revival of Mame which was touring the United States at the time.  She returned to the West End to play Rose in the musical Gypsy.  Initially, she turned down the role because she didn’t want to be in Ethel Merman’s shadow.  Ethel had portrayed the character in the original Broadway production.  Eventually, Angela accepted the role and she received a standing ovation and rave reviews.  Not at all in anyone’s shadow, she was in demand among the London society, having dinners in her honour.  When Gypsy went to Broadway, it was a critical success, earning Angela her third Tony Award.

Eager to move on from musicals, Angela decided to tackle a production of one of William Shakespeare’s plays and landed the role of Gertrude in The National Theatre Company’s production of Hamlet.  The play received mixed reviews.  Angela later admitted that she hated the role because it was too restrained. To make matters worse, she learned that her mother had died in California. Angela had her mother’s body cremated and her ashes scattered near to her own County Cork home.

Angela appeared in Edward Albee’s Counting the Ways and Listening.  Her performance was praised.  She followed this with another revival tour of Gypsy.  She appeared in the revival of The King and I musical at Broadway’s Uris Theatre.  After seven years, she starred in her first cinematic role in Agatha Christie’s Death on the Nile, opposite her brother-in-law Peter Ustinov and Bette Davis who became a close friend. Of Bette, she had this to say, “She is an original. There has never been anyone, before or since, who could touch her.”

In 1979 she earned her fourth Tony Award playing Nellie Lovett in Sweeney Todd:  The Demon Barber of Fleet Street.  In 1982 she played an upper middle class housewife in A Little Family Business which also starred her son, Anthony.  The movie was panned and accused of racism by the Japanese-American community.  She co-starred with friend Bette Davis in the film made for television, Little Gloria…Happy at Last.  She appeared in other television movies, one of which was BBC’s A Talent for Murder which she jumped at the chance to take in order to work with co-star Laurence Olivier.

Then in 1983, Angela was offered two television roles–one was in a sitcom and the other was in a detective series.  She was unable to do both so her agents advised her to accept the sitcom role but she decided to accept the other role.  And we are thrilled that she did!  Angela described her character Jessica Fletcher as “an American Miss Marple”.  It’s interesting that she said that because she played Miss Marple in The Mirror Crack’d.  She played the sleuth the way Agatha Christie described the her unlike Margaret Rutherford who made the role famous.  The role of Jessica Fletcher had been offered to Jean Stapleton first but she turned it down.  I must say that I am happy that she did because I can’t imagine anyone else playing the part.  Angela was the perfect choice.

Angela took her role as Jessica Fletcher very seriously and had creative input over the character’s costumes, makeup and hair.  Network executives wanted to put the character in a relationship which Angela strongly rejected, believing that the character should remain a strong single female.  She changed any script which did not fit Jessica’s personality.  She saw Jessica as a role model for older female viewers and praised her “enormous, universal appeal” and admitted that, “It was an accomplishment I never expected in my entire life.”  Murder, She Wrote was described as a television landmark in the U.S. for having an older female character as the protagonist, paving the way for series like The Golden Girls, another show I enjoyed tremendously.  “I think it’s the first time a show has really been aimed at the middle aged audience,” Angela said.  It was the most popular show among senior citizens but it gradually gained a younger audience.  By 1991, a third of the viewers were under fifty.  It gained high ratings throughout most of its run.

I know why [Murder, She Wrote was a success]. There was never any blood, never any violence. And there was always a satisfying conclusion to a whodunit. The jigsaw was complete. And I loved Jessica’s everywoman character. I think that’s what made her so acceptable to an across-the-board audience – Angela Lansbury, 2014.

As the show went on Angela assumed a larger role behind the scenes with her own company, Corymore co-producing the show with Universal.  After a while, though she began to get tired of the series, especially of the long working hours and said that the 1990-1991 would be the show’s last season.  However, she changed her mind after she was appointed executive producer for the 1992-1993 season, which made it far more interesting for her.  For the seventh season, the show’s setting moved to New York where Jessica had taken a job teaching criminology at Manhattan University in an attempt to attract younger viewers.  Angela encouraged this move.  The show aired on Sunday where its ratings improved in the early 1990s.  People had gotten used to tuning in every Sunday night to see what murder mystery Jessica Fletcher would be solving so it was unfortunate when CBS executives got the bright idea to move it to Thursdays opposite NBCs new sitcom, Friends with the hope of drawing a larger audience.  Not surprisingly, Angela was angry at this move, believing that it ignored the show’s core audience.  The show’s final episode aired in May 1996 and ended with Angela voicing a “Goodbye from Jessica” message.  The role of Jessica Fletcher would prove to be the most successful and prominent of Angela’s career.  It must have been hard saying goodbye to Jessica Fletcher for Angela and the faithful viewers.  All good things must come to an end.  Sigh.

After the end of Murder, She Wrote, Angela returned to the theatre.  Fast forward to March to June 2014 when Angela reprised her 2009 Tony winning Broadway performance as Madame Arcati in Blithe Spirit at the Gielgud Theatre in London’s West End, marking her first London stage appearance in nearly 40 years.  She picked up her first Olivier award, Britain’s most prestigious prize a the age of 89 for Blithe Spirit.  It’s worth mentioning that Angela received an Academy Honorary Award for her lifetime achievement at the Governors Awards on November 16, 2013 and received the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre on November 16, 2015.

I read a few interesting things about Angela.  I will just mention a few.  In the late 1940s, MGM planned to cast her as the female lead in a film entitled “Angel’s Flight” with Clark Gable but the project never came through because Mr. Gable disliked the storyline, so the studio had to squash the entire project.  She was considered for the role of Miss Caswell in All About Eve (1950), but Marilyn Monroe was cast in the role instead.  Frank Sinatra wanted Lucille Ball for the role of Mrs. Iselin, the manipulative mother in The Manchurian Candidate but Angela got the part and played it convincingly.  I don’t know if Lucille Ball would have pulled it off.  Angela is a staunch Democrat and a solid supporter of Barack Obama.  She was very close friends with Bob Hope.  She gave a speech at his memorial service on August 27, 2003.  Her nephew David Lansbury was married to actress Ally Sheedy, The Breakfast Club.

Angela was self-professed homebody who preferred spending quiet evenings inside with friends to the Hollywood night live.  She is a supporter of the United States Democratic Party and the British Labour Party.  Notes to Women celebrate this remarkable woman who is a staunch supporter of charities such as Abused Wives in Crisis which combated domestic abuse and those who worked toward rehabilitating drug users.  She supported charities dedicated to fighting against HIV/AIDs.  She was a chain smoker early in life but gave up the addiction cold turkey in the mid-1960s.  We congratulate her on her promotion to Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to drama and to charitable work and philanthropy.  Last year she was made a Dame by the Queen at Windsor Castle.  This honour couldn’t have happened to a more deserving lady.  Dame Angela, we applaud you for the work you have done in movies and in theatre and most importantly, your charitable deeds.

The older I get, the more I realize how much I have missed because I was so busy entertaining that audience and so busy pursuing a career.
I just went along for the ride. It was a God-given gift. It is. So you can’t say well, you wasted your life because you spent all of it acting, but I think gosh, I’ve never been to China, I’ve never been to Japan. I’ve never been to Yellowstone Park.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, “Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award.” I was in the back of this car, and I said, “Oh,” and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it’s been worth hanging around all these years.
I honestly consider that the greatest gift to me, is the reaction that I get from my work. That is a given which I never, ever take for granted. But to be given that by audiences, individuals, on the street, in the theater, is an extraordinary feeling.
My mother was one of the most beautiful women, I have to say, of her generation. She was absolutely lovely. She was a very, extremely sensitive, Irish actress. She came from Belfast, Northern Ireland, and she came to London, and she was sort of discovered by several people.
~Angela Lansbury~

Sources: azquotes; Wikipedia; IMDB; Hollywood Reporter; Deadline Presents

 

Maureen O’ Hara

Every star has that certain something that stands out and compels us to notice them. -As for me I have always believed my most compelling quality to be my inner strength, something I am easily able to share with an audience. I’m very comfortable in my own skin. I never thought my looks would have anything to do with becoming a star. Yet it seems that in some ways they did – Maureen O’Hara

On Saturday, October 24, 2015, Irish-American beauty Maureen O’ Hara died in her sleep at the age of 95 from natural causes.  The four films she starred in which I believe were among her best are The Hunchback of Notre Dame, The Quiet Man, How Green Was My Valley and Miracle on 34th Street.  Maureen was known for playing proud, strong-willed and temperamental Irish lasses.  It was a treat to see her and longtime friend John Wayne work together.  She was tall and held her own against the Duke in their on-screen scenes.

Maureen FitzSimmons was the second oldest of six children of Charles Stewart Parnell and Marguerite (nee Lilburn) FitzSimons.  Her father was in the clothing business and her mother, a former operatic contralto, was a successful women’s clothier.  Maureen’s sister Peggy dedicated her life to a religious order by becoming a Sister of Charity.  The younger children trained at the Abbey Theatre and the Ena May Burke School of Drama and Elocution in Dublin.

From an early age, Maureen knew that she wanted to be an actress and took lessons.  She got her first screen test in London but it turned out to be unsatisfactory.  The studio dressed her in a “gold lame dress with flapping sleeves like wings” and heavy makeup.  The experience led Maureen to think, “If this is the movies, I want nothing to do with them!”  Thankfully, actor Charles Laughton saw the test sometime later and in spite of the heavy makeup and costume, was intrigued by her, particularly her large and expressive eyes.  He asked his business partner, Erich Pommer to watch the film clip and Pommer agreed with Laughton’s assessment of her and Maureen was offered an initial seven-year contract with their new company.  It was Laughton who gave her the name “O’Hara” although she insisted in keeping her name because he believed that , “nobody would ever get FitzSimmons straight.”  A name really does make a difference when it comes to show business.  He arranged to have her co-star with him in the British film, Jamaica Inn.  The Hunchback of Notre Dame was her first Hollywood film and it was released in 1939, the same year as Jamaica Inn.

After Hunchback was completed, World War II began.  When Laughton realized that his company could no longer film in London, he sold Maureen’s contract to RKO.  However, the studio cast her in low-budget films until John Ford rescued her.  He cast her in How Green is My Valley which won the Academy Award for Best Picture.  She later starred as Natalie Wood’s mother in Miracle on 34th Street one of the most beloved Christmas Classics that airs every year during the holiday season.

In 1946 Maureen became a naturalized citizen of the United States, holding dual citizenship with the US and her native Ireland.  She was considered an icon of Hollywood’s Golden Age and one of the world’s most beautiful women.  She was remembered for her onscreen chemistry with John Wayne.  They made five movies together between 1948 and 1972.  She was the Duke’s favorite actress and considered a real friend.  She’s the only woman he thought of in that way.  As he lay dying on his hospital bed, he watched on television as she petitioned Congress to give him a Congressional Gold Medal and they voted unanimously to do so.

Acting was not Maureen’s only talent.  She had a soprano voice.  Singing was her first love.  She was also very athletic.  She did her own stunts in movies.  I remember seeing her sword-fencing with skill and agility that was astounding.  She held her own in the swashbuckling movies like The Black Swan opposite Tyrone Power and Sinbad the Sailor with Douglas Fairbanks.  No doubt this had to do with her love for playing rough athletic games as a child.  She excelled in sports.  She had the pleasure of starring with leading men such as John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith and Sir Alec Guiness and working with directors like Alfred Hitchcock, Jean Renoir, Walter Lang, to mention a few.

On a personal note, in 1939, when she was 19 years old, Maureen secretly married Englishman George H. Brown whom she met on the set of Jamaica Inn.  Brown was a film producer, production assistant and occasional scriptwriter.  The marriage was annulled in 1941.  She married American film director William Houston Price but the marriage ended in 1953 because of his abuse of alcohol.  They had one child–a daughter, Bronwyn Bridget Price.  From 1953-1967 Maureen had a relationship with Enrique Parra, a Mexican politician and banker.  In her biography, she wrote that Enrique “saved me from the darkness of an abusive marriage and brought me back into the warm light of life again. Leaving him was one of the most painful things I have ever had to do.”  Parra died in June 2015–four months before her death.

In 1968 Maureen married her third husband, Charles F. Blair, a pioneer of transatlantic aviation, a former brigadier general of the US Air Force, a former chief pilot of Pan Am and founder and head of the U.S. Virgin Islands Antilles Air Boats.  A few years after they married, Maureen retired from acting. Blair died in 1978 while flying from St. Croix to St. Thomas due to engine failure.  Maureen was elected CEO and president of the airline, earning her the distinction of becoming the first woman president of a scheduled airline in the U.S.  Her marriage to Blair were ten of the happiest years of her life.  It devastated her that she had lost him and her friend John Wayne within months of each other.

Maureen came out of retirement in 1991 when she starred as John Candy’s domineering mother in Only the Lonely.  After that she starred in several made for TV movies.  Her last film, The Last Dance, was released in 2000.  On November 4, 2014 she received the honorary award from Academy of Motion Picture Arts and Sciences at the annual Governor’s Awards.  She is the second actress to receive an Honorary Oscar without having been nominated for an Oscar in a competitive category. Myrna Loy was the first.

Notes to Women celebrates Maureen O’Hara, the actress who lit up the screen with her luminous red hair, big, expressive eyes.  She was one of the last surviving stars from the Golden Age of Hollywood.  She leaves behind a legacy of films in which she portrayed strong, brave and intelligent women.

I was tough.  I was tall.  I was strong.  I didn’t take any nonsense from anybody.  He was tough, he was tall, he was strong and he didn’t take any nonsense from anybody.  As a man and a human being, I adored him.

Speaking as an actress, I wish all actors would be more like Duke (John Wayne)–and speaking as a person, it would be nice if all people could be honest and as genuine as he is.  This is a real man.

To the people throughout the world, John Wayne is not just an actor, and a very fine actor – John Wayne is the United States of America.

Above all else, deep in my soul, I’m a tough Irishwoman.

I have never lost my faith in God.

maureen-ohara (1)

Sources:  Wikipedia; IMDB; Brainy Quotes

Gender-Selective Infanticide

Over 50,000 baby girls are aborted every month in South Asia – just because they were girls – Gospel for Asia

According to writer and gender-activist Rita Banerji,  “Females are being killed in India at every stage of life, before and after birth, only because they are female”  It has been said that the three deadliest words in the world are “It’s a girl”.  The birth of a girl is not celebrated.  It leads to infanticide or trafficking.

UNICEF states that the killing of baby girls has reached genocidal proportions. It is a practice that has gone on “in central India for a long time, where mothers were made to feed the child with salt to kill the girl.” Various other gruesome methods of murder are employed, many dating back to the 18th Century: stuffing the baby girl’s mouth with a few grains of coarse paddy causing the child to choke to death is one, poisoning, using organic or inorganic chemicals, drowning, suffocation, starvation and breaking the spinal cord, as well as burying the child alive.

What possible reasons could families have for murdering their baby girls?

  • Extreme poverty.  The inability to afford raising a child.
  • The dowry system.  This practice was supposed to have been abolished but it still exists.  Poorer families in rural regions fear being unable to raise a suitable dowry and being socially ostracised.
  • Children conceived from rape
  • Deformed children born to impoverished families
  • Unmarried mothers not having reliable, safe and affordable birth control
  • Relationship difficulties
  • Low income
  • Lack of support coupled with postpartum depression

A girl is seen as an economic burden to her family–an unwanted expense while the boy is seen as their source of income.  What about the women who have generated income for their families through the use of a sewing machine?  Girls can be and are sources of income for their families. All they need is to be given the opportunities.

The girls are murdered for two reasons–the dowry, as mentioned earlier and the unwillingness of their families to marry them to men from a rival caste/tribe.  Parents would rather murder their daughter than to allow her to marry someone from a lower caste.  And the girls who survive are mistreated and neglected.  They are unloved, uneducated and kept at home where they are forced to do household chores.  For them the future is bleak and hopeless.

From the time they are born, South Asian women face pain, rejection, cruelty, suffering and discrimination.  The Veil of Tears:  Hope is on the Way is a documentary film which gives us a glimpse into the lives and hearts of these women for whom adversity is the norm.  Take a look at the behind scenes video of “Veil of Tears:  Hope is on the Way”.

I was deeply affected when Natalie Grant shared what she saw when she went to the Red Light District in Mumbai.  Little girls as young as 5 were for sale.  She and her husband had an opportunity to tour a brothel where they saw tiny rooms with beds lined up and one of them had a rope tied at the end of it.  At first she was hesitant to ask about this but when she did, she was told that there was no daycare . These were working women but there was no where for them to drop off their children.  “This woman has her 18 month old daughter that she tetters to the end of the bed while she’s forced to work so that she knows where she is.  These are the things my husband and I say wrecked us for life”  As a mother, can you imagine working in a brothel and having your child right there in the room with you?  Yet, women are forced to turn to prostitution i order to take care of their children.  And there is no one who will take care of their children while they work.

On CBN, Natalie shared another heartbreaking story, “I was walking down the street in Mumbai, in broad daylight, when my eyes locked on a little girl, maybe 6 or 7 years old, peering out of a cage, looking at us on the street below. It was beyond my imagination.  I’ll never forget that moment. That was her life. Every day people walked by, and they didn’t even notice her.”

Can you imagine you or your daughter being kept in a cage like an animal and people are just walking by as this is nothing out of the ordinary?

When we see how these girls and women are treated by society, we realize that the problems we face are nothing compared to what they have had to endure.  This why God has brought their stories to our awareness so that we can tell others.  We can be the voice of the voiceless.

“Veil of Tears” tells the stories of women who are just like every other woman in the world, except that these women are brutalized, they’re despised, they’re persecuted culturally, simply because they are women and this has been going on for generations – Kenny Saylors

Thankfully, there is hope.

…God is restoring dignity to the women who have been utterly just downtrodden – Kyle Saylors

And God is not just changing their hearts, He’s changing their lives.  He’s changing their everyday lives – Kenny Saylors

We can bring hope to the girls and women of South Asia–the hope they can find only in Jesus by supporting the Veil of Tears film.  Here are ways you can make a difference.  Take action today. Get the word out about the plight of women in Asia.

The most overwhelming part of the whole trip was visiting a village and seeing women who had been restored and seeing what true hope actually does in the life of someone that it actually can make them new, that no matter how broken, no matter how desolate, there is still hope – Natalie Grant

Sources:  Gospel for Asia; World and Media; Wikipedia; Counterpunch

Ingrid Bergman

I just read in the Stabroek News that the 68th Cannes Film Festival unveiled its official poster featuring legendary actress Ingrid Bergman in a tribute to what would have been her 100th birthday this year.  I think that’s wonderful.  She was an actress I truly admired and appreciated.  She had gentle beauty and an air of quiet refinement.  She was very classy.  I remember her in films like Casablanca, Gaslight, Anastasia and For Whom the Bells Toll.  She acted with some of Hollywood’s A list male stars–Humphrey Bogart, Gregory Peck, Cary Grant and Gary Cooper.  It would have been interesting to see her star opposite Clark Gable, Jimmy Stewart and Burt Lancaster.

Acting was something Ingrid always knew she wanted to become.  Her father, a Swedish artist and photographer wanted her to become an opera star and had her take voice lessons for three years.  She wore her mother’s clothes and staged plays in her father’s empty studio.  He documented all of her birthdays with a borrowed camera.  He died when she was thirteen.  Her German mother had died when she was two years old.

After her father’s death, Ingrid was sent to live with an aunt who died just six months later from a heart disease.  She moved in with another aunt and uncle who had five children.  Her aunt Elsa was the first one who told Ingrid when she was 11 years old that her mother may have “some Jewish blood”, and that her father was aware of this long before they got married.  Her aunt cautioned her about telling others about her possible ancestry as “there might be some difficult times coming.”  This reminds me of Queen Esther who was intially cautioned by her uncle not to let anyone know that she was a Jew.

In 1932 when she was 17, Ingrid had only one opportunity to become an actress by entering an acting competition with the Royal Dramatic Theatre in Stockholm.  For Ingrid it was a terrible moment.  She recalled:  As I walked off the stage, I was in mourning.  I was at a funeral.  My own.  It was the death of my creative self.  My heart had truly broken…they didn’t think I was even worth listening to, or watching.”

This couldn’t have be further from the truth as she soon learned after meeting one of the judges who told her, “We loved your security and your impertinance.  We loved you and told each other that there was no reason to waste time as there were dozens of other entrants still to come.  We didn’t need to waste any time with you.  We knew you were a natural and great.  Your future as an actress was settled.”  What a thrill and relief that must have been for the aspiring actress.  She received a scholarship to the state-sponsored Royal Dramatic Theatre School where Greta Garbo had earned a similar scholarship just years earlier.

Ingrid’s dream was now a reality.  She was given a part in a new play and over the summer break, she was hired by a Swedish film studio which led to her departure from the Royal Dramatic Theatre a year later to work full-time in films.  She starred in a dozen films in Sweden, including En kvinnas ansikte which was later remade as A Woman’s Face, starring Joan Crawford.  Ingrid made one film in Germany in 1938.

Then it was off to Hollywood…Thanks to David O. Selznick, she starred in Intermezzo:  A Love Story, her first acting role in the United States.  It was a remake of her 1935 Swedish film, Intermezzo.  Ingrid didn’t plan to stay in Hollywood.  She thought she would complete this film and return home to Sweden to be with her husband, Dr. Peter Lindstrom and their daughter, Pia.

Selznick had concerns about Ingrid.  “She didn’t speak English, she was too tall, her name sounded too German, and her eyebrows were too thick.”  However, Ingrid was accepted without having to modify her looks.  Selznick let her have her way because he understood her fear of Hollywood makeup artists who might turn her into someone she wouldn’t recognize.  He told them to back off.  Besides, he believe that her natural good looks would compete successfully with Hollywood’s “synthetic razzle-dazzle.”

Selznick, who was filming Gone With the Wind at the same time, shared his early impressions of Ingrid in a letter to William Hebert, his publicity director :

Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture … She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture. She never for a minute suggests quitting at six o’clock or anything of the kind … Because of having four stars acting in Gone with the Wind, our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life … All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity … so that her natural sweetness and consideration and conscientiousness become something of a legend … and is completely in keeping with the fresh and pure personality and appearance which caused me to sign her.

Not surprisingly, Intermezzo was a huge success and resulted in Ingrid becoming a star.  She left quite an impression on Hollywood.  And Selznick’s appreciation of her uniqueness made he and his wife Irene remain important friends to Ingrid throughout her career.

Before making Casablanca, Ingrid made one last film in Sweden and appearing in three moderately successful films, Adam Had Four Sons, Rage in Heaven and Dr. Jekyll and Mr. Hyde.  According to her biographer, she felt guilty that she had misjudged the situation in Germany.  She had dismissed the Nazis as a “temporary aberration, ‘too foolish to be taken seriously.’ She didn’t believe that Germany start a war because the good people of the country would not allow it.  Sadly, she was wrong.  She felt guilty for the rest of her life and when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocitites of the Nazi extermination camps.

In 1942, she starred opposite Humphrey Bogart in Casablanca, a movie famous for its wonderul lines and the famous song, “As Time Goes By”.  I was surprised to read that Ingrid did not consider it to be one of her favorite performances.  She said, “I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart.”  I thought she and Bogart were great together.

I think I only saw For Whom the Bell Tolls once but really liked it.  My sister and I liked how she looked with her short, blond, curly hair and a “sun-kissed complexion”.  I read that Ernest Hemmingway wanted her to play the part of Maria.  When he met her, after studying her, he exclaimed, “You are Maria!”  When Ernest told Ingrid that she would have to cut her hair to play the part, she was quick to respond, “To get that part, I’d cut my head off!”

For Whom the Bell Tolls, was the film that saved the song, “As Time Goes By” from being removed from Casablanca.  Warner Brothers wanted to substitute the song and planned to re-shoot some scenes with Ingrid but thanks to her hair-cut, they had to drop the idea as there would be a problem with continuity even if she wore a wig.

A year later, Ingrid won the Academy Award for Best Actress for Gaslight.  It was a gripping and suspenseful movie of a wife being driven to madness by her husband, masterfully played by Charles Boyer.  She next starred as a nun in The Bells of St. Mary opposite Bing Cosby, garnering her third consecutive nomination for Best Actress.   She came in a succession of Alfred Hitchock movies, Spellbound, Notorious and Under Capricorn (I never heard of this one).

During her marriage to Lindstrom, Ingrid had a brief affair with Gregory Peck.  This affair was kept private until five years after Ingrid’s death, when Gregory revealed in an interview with Brad Darrach of People, “All I can say is that I had a real love for her (Bergman), and I think that’s where I ought to stop…. I was young. She was young. We were involved for weeks in close and intense work.”

Unlike her affair with Gregory Peck, the one with the Italian film director, Roberto Rossellini was a very public one.   Although Ingrid received another Best Actress nomination for Joan of Arc in 1948, the film was not a hit, partly because news of her affair with Rossellini broke while the movie was still in theatres.  It was her admiration for Rossellini which had led Ingrid to write him a letter, expressing her admiration and suggesting that she make a film with him.  She was cast in his film, Stromboli and during production, she fell in love with him and they began an affair.  She became pregnant with their son, Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe (“Robin”) Rossellini and this affair caused a huge scandal in the United States.  She was denounced on the floor of the United States senate and Ed Sullivan chose not to have her appear on his show despite a poll showing that the public wanted her there.  However, Steve Allen had her on his equally popular show, noting, “the danger of trying to judge artistic activity through the prism of one’s personal life.” 

The scandal drove Ingrid back to Italy, leaving her husband and daughter.  She went through a very public divorce and custody battle for their daughter.  She and Lindstrom divorced a week after her son was born and she married Rossellini in Mexico.  In 1952, Ingrid gave birth to twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.  Five years later she divorced their father and the following year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family.  That marriage lasted until 1975 when they divorced.

In 1956, Ingrid starred in the movie, Anatasia. It was her return to the American screen and her second Academy Award for Best Actress which her best friend Cary Grant accepted for her.  She made her first appearance in Hollywood since the scandal when she was the presenter of the Academy Award for Best Picture at the 1956 Academy Awards.  She received a standing ovation after being introduced by Cary Grant.  In 1969, she starred opposite Walter Matthau and Goldie Hawn in the hilarious and delightful movie, Cactus Flower.  It was nice seeing Ingrid take a turn in a light romantic comedy.

In 1972, US Senator Charles H. Percy entered an apology in to the Congressional Record for Edwin C. Johnson’s attack on Ingrid 22 years ago.  In 1974 she won her third Oscar for Murder on the Orient Express, earning her the distinction of being one of the few actresses ever to receive three Oscars.  Her final role was as Golda Meir in A Woman Called Golda.   She was offered the part because, “People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people.”  This interested Ingrid and the role was greatly significant for her because she still carried the guilt of misjudging the situation in Germany during World War II.  Ingrid was frequently ill during the film although she hardly showed it or complained.  She was a real trooper.  Four months after the film was completed, on her 67th birthday in London, Ingrid died of breast cancer.  Her daughter, Pia accepted her Emmy.

Ingrid was a  woman of grace, natural beauty who brought realism and dignity to her roles.  She was a star with no temperament, making her a delight to work with, unpretentious, unique, hard-working, “a great star” who “always strove to be a ‘true’ woman.”  She was not a saint but a woman with real emotions.   She was not afraid to speak out against racism.  During a press conference in Washington, D.C. where she was promoting, Joan of Lorraine, she protested against the racial segregation she witnessed firsthand at the theatre where she was performing.  This drew a lot of publicity and some hate mail.  In a news column in the Herald-Journal, she is reported as saying, “I deplore racial discrimination in any form.  To think it would be permitted in the nation’s capital of all places!  I really had not known that there were places in the United States–entertainment places which are for all the people–where everybody could not go.”

Notes to Women salute this remarkable woman and actress who won our hearts and deepest admiration with her grace and courage.  We celebrate one of the greatest leading ladies that ever graced the silver screen.  She once said, “I am an actress and I am interested in acting, not in making money.”  Dear Ingrid, we are so very thankful that you chose acting over opera.

I have no regrets. I wouldn’t have lived my life the way I did if I was going to worry about what people were going to say.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn’t choose acting. It chose me.

I don’t think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.

Time is shortening. But every day that I challenge this cancer and survive is a victory for me.

If you took acting away from me, I’d stop breathing.

ingrid-bergman

Sources:  Stabroek News ; Wikipedia; IMDB; Brainy Quotes; Herald-Journal

The Oscars Highlights

As usual, after promising myself that I wouldn’t watch it, I ended up watching the Oscars Red Carpet show and the last hour and a half of the Oscars.  I enjoyed the show more in the past.  Nowadays, it seems anything goes.  I didn’t appreciate Sean Penn’s remark when Birdman won for the Best Picture and I am thankful that I missed Neil Patrick Harris in his underwear.  I wonder if he will be invited back next year.  I think Billy Crystal was by far the best host.

The highlights were seeing Tara Kyle, the widow of Chris Kyle, author of the autobiography The American Sniper, Oscar nominee for best pictureChris was killed at a shooting range in Texas in February 2013.  Tara was at the 87th Academy Awards ceremony to represent him.  She is a an American author, veteran family activist and advocate for women and families who have lost family members while serving in the war.  She travels around the country speaking about Chris and others like him.  In August 2013, the state of Texas passed the Chris Kyle Law (SB162) which was created to “expand the effort to help ease employment challenges for active duty military members and their spouses”

Tara founded Chris Kyle Frog Foundation.  A frog’s skeleton is a symbol of a fallen Navy Seal.  The foundation’s mission is is to “serve those who serve us by providing meaningful interactive experiences that enrich family relationships”.

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The other highlight was Julianne Moore.  I haven’t seen the movie, Still Alice, but the clip they showed of the movie when the announcement for Actress in a leading role, convinced me that she deserved the honor.  The scene was short but very powerful.  It was of a woman desperately looking for her keys and refusing to take her husband’s advice to wait until the morning.  It’s as if she could feel herself slipping away and was struggling to hold on.  It’s a movie on a disease that affects everyone–those diagnosed with it and their loved ones.  Alice described it as her brain dying.

“Alice: I miss myself.
John: I miss you too, Ali, so much.”
Lisa Genova, Still Alice

“In the ladies’ room, Alice studied her image in the mirror. The reflected older woman’s face didn’t quite match the picture that she had of herself in her mind’s eye.” p 35”
Lisa Genova, Still Alice

Women are more likely to get Alzheimer’s partly because they live longer than men.  Genetics are also a factor.  In the movie, Still Alice, Alice looked young, not the typical person you would expect to have Alzheimer’s.  It is no longer a disease of old age.  In fact, many people with early onset are in their 40s and 50s. They have families, careers or are even caregivers themselves when the disease strikes.

In her acceptance speech, Julianne said, “I’m so happy, I’m thrilled that we were able to shine a light on Alzheimer’s disease,” Moore said. “So many people who have this disease feel marginalized. People who have Alzheimer’s disease deserve to be seen so we can find a cure.”  She poured her heart into this role.  She spent four months researching for her role, talking to women with the disease, doctors and visiting a long-term care facility.  This was well earned Oscar win.  Congratulations, Julianne for bringing to life and light a disease that affects so many.  Thank you for raising awareness and helping those who live with the disease not to feel like they are alone.

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Initially, when I heard that Lady Gaga was going to sing a medley from The Sound of Music, I was very skeptical.  I didn’t think she had it in her but I was pleasantly surprised.  I found myself wondering why the medley and then, Dame Julie Andrews steps out on the stage to the delight and surprise of the audience.  You could see that Lady Gaga was a bit emotional. With her usual gracefulness, Dame Julie said, “Dear Lady Gaga, thank you for that wonderful tribute.”

Seeing Dame Julie Andrews step out on the stage was the biggest highlight of the night for me.  She looked terrific as usual.  She was there to hand out the Oscar for the Best Original Score and also in honor of the movie, The Sound of Music which celebrates its 50th anniversary.  It will always be one of my favorite musicals.

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I was thrilled when the song, “Glory” won for Best Original Song.  It was a moving tribute to the civil rights’ movement.   The cast and some in the audience were in tears.  Congratulations to Common and John Legend for their much deserved win.

In his acceptance speech, John Legend said, “We wrote this song for a film that was based on events that were 50 years ago, but we say that Selma is now because the struggle for justice is right now.  We live in the most incarcerated country in the world. There are more black men under correctional control today than were under slavery in 1850. When people are marching with our song, we want to tell you, ‘We are with you. We see you. We love you. And march on.'”

Congratulations to Patricia Arquette and Eddie Redmayne.  It was touching the way he dedicated his Best Actor Oscar to “all of those people around the world” battling motor neurone disease – the illness that left Professor Hawking in a wheelchair.  Redmayne thanked the Hawking family and his wife, Hannah, telling her,  “I love you so much. We’ve got a new fella coming to share our apartment!” His acceptance speech was refreshing and sweet at the same time.

Notes to Women wish to congratulate all the Academy Award winners for 2015.

Sources:  http://en.wikipedia.org/wiki/Taya_Kyle;

http://www.alzinfo.org/articles/why-women-may-be-more-likely-to-get-alzheimers/; http://www.alz.org/alzheimers_disease_early_onset.asp;

http://abcnews.go.com/Entertainment/wireStory/julianne-moore-wins-oscar-best-actress-29153141

http://www.rollingstone.com/movies/news/glory-wins-best-original-song-at-oscars-brings-cast-to-tears-20150222

http://www.telegraph.co.uk/culture/film/oscars/11428940/Oscars-2015-Watch-Eddie-Redmaynes-adorable-Best-Actor-acceptance-speech.html

http://www.mirror.co.uk/3am/celebrity-news/stephen-hawking-praises-eddie-redmaynes-5213165