Maureen O’ Hara

Every star has that certain something that stands out and compels us to notice them. -As for me I have always believed my most compelling quality to be my inner strength, something I am easily able to share with an audience. I’m very comfortable in my own skin. I never thought my looks would have anything to do with becoming a star. Yet it seems that in some ways they did – Maureen O’Hara

On Saturday, October 24, 2015, Irish-American beauty Maureen O’ Hara died in her sleep at the age of 95 from natural causes.  The four films she starred in which I believe were among her best are The Hunchback of Notre Dame, The Quiet Man, How Green Was My Valley and Miracle on 34th Street.  Maureen was known for playing proud, strong-willed and temperamental Irish lasses.  It was a treat to see her and longtime friend John Wayne work together.  She was tall and held her own against the Duke in their on-screen scenes.

Maureen FitzSimmons was the second oldest of six children of Charles Stewart Parnell and Marguerite (nee Lilburn) FitzSimons.  Her father was in the clothing business and her mother, a former operatic contralto, was a successful women’s clothier.  Maureen’s sister Peggy dedicated her life to a religious order by becoming a Sister of Charity.  The younger children trained at the Abbey Theatre and the Ena May Burke School of Drama and Elocution in Dublin.

From an early age, Maureen knew that she wanted to be an actress and took lessons.  She got her first screen test in London but it turned out to be unsatisfactory.  The studio dressed her in a “gold lame dress with flapping sleeves like wings” and heavy makeup.  The experience led Maureen to think, “If this is the movies, I want nothing to do with them!”  Thankfully, actor Charles Laughton saw the test sometime later and in spite of the heavy makeup and costume, was intrigued by her, particularly her large and expressive eyes.  He asked his business partner, Erich Pommer to watch the film clip and Pommer agreed with Laughton’s assessment of her and Maureen was offered an initial seven-year contract with their new company.  It was Laughton who gave her the name “O’Hara” although she insisted in keeping her name because he believed that , “nobody would ever get FitzSimmons straight.”  A name really does make a difference when it comes to show business.  He arranged to have her co-star with him in the British film, Jamaica Inn.  The Hunchback of Notre Dame was her first Hollywood film and it was released in 1939, the same year as Jamaica Inn.

After Hunchback was completed, World War II began.  When Laughton realized that his company could no longer film in London, he sold Maureen’s contract to RKO.  However, the studio cast her in low-budget films until John Ford rescued her.  He cast her in How Green is My Valley which won the Academy Award for Best Picture.  She later starred as Natalie Wood’s mother in Miracle on 34th Street one of the most beloved Christmas Classics that airs every year during the holiday season.

In 1946 Maureen became a naturalized citizen of the United States, holding dual citizenship with the US and her native Ireland.  She was considered an icon of Hollywood’s Golden Age and one of the world’s most beautiful women.  She was remembered for her onscreen chemistry with John Wayne.  They made five movies together between 1948 and 1972.  She was the Duke’s favorite actress and considered a real friend.  She’s the only woman he thought of in that way.  As he lay dying on his hospital bed, he watched on television as she petitioned Congress to give him a Congressional Gold Medal and they voted unanimously to do so.

Acting was not Maureen’s only talent.  She had a soprano voice.  Singing was her first love.  She was also very athletic.  She did her own stunts in movies.  I remember seeing her sword-fencing with skill and agility that was astounding.  She held her own in the swashbuckling movies like The Black Swan opposite Tyrone Power and Sinbad the Sailor with Douglas Fairbanks.  No doubt this had to do with her love for playing rough athletic games as a child.  She excelled in sports.  She had the pleasure of starring with leading men such as John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith and Sir Alec Guiness and working with directors like Alfred Hitchcock, Jean Renoir, Walter Lang, to mention a few.

On a personal note, in 1939, when she was 19 years old, Maureen secretly married Englishman George H. Brown whom she met on the set of Jamaica Inn.  Brown was a film producer, production assistant and occasional scriptwriter.  The marriage was annulled in 1941.  She married American film director William Houston Price but the marriage ended in 1953 because of his abuse of alcohol.  They had one child–a daughter, Bronwyn Bridget Price.  From 1953-1967 Maureen had a relationship with Enrique Parra, a Mexican politician and banker.  In her biography, she wrote that Enrique “saved me from the darkness of an abusive marriage and brought me back into the warm light of life again. Leaving him was one of the most painful things I have ever had to do.”  Parra died in June 2015–four months before her death.

In 1968 Maureen married her third husband, Charles F. Blair, a pioneer of transatlantic aviation, a former brigadier general of the US Air Force, a former chief pilot of Pan Am and founder and head of the U.S. Virgin Islands Antilles Air Boats.  A few years after they married, Maureen retired from acting. Blair died in 1978 while flying from St. Croix to St. Thomas due to engine failure.  Maureen was elected CEO and president of the airline, earning her the distinction of becoming the first woman president of a scheduled airline in the U.S.  Her marriage to Blair were ten of the happiest years of her life.  It devastated her that she had lost him and her friend John Wayne within months of each other.

Maureen came out of retirement in 1991 when she starred as John Candy’s domineering mother in Only the Lonely.  After that she starred in several made for TV movies.  Her last film, The Last Dance, was released in 2000.  On November 4, 2014 she received the honorary award from Academy of Motion Picture Arts and Sciences at the annual Governor’s Awards.  She is the second actress to receive an Honorary Oscar without having been nominated for an Oscar in a competitive category. Myrna Loy was the first.

Notes to Women celebrates Maureen O’Hara, the actress who lit up the screen with her luminous red hair, big, expressive eyes.  She was one of the last surviving stars from the Golden Age of Hollywood.  She leaves behind a legacy of films in which she portrayed strong, brave and intelligent women.

I was tough.  I was tall.  I was strong.  I didn’t take any nonsense from anybody.  He was tough, he was tall, he was strong and he didn’t take any nonsense from anybody.  As a man and a human being, I adored him.

Speaking as an actress, I wish all actors would be more like Duke (John Wayne)–and speaking as a person, it would be nice if all people could be honest and as genuine as he is.  This is a real man.

To the people throughout the world, John Wayne is not just an actor, and a very fine actor – John Wayne is the United States of America.

Above all else, deep in my soul, I’m a tough Irishwoman.

I have never lost my faith in God.

maureen-ohara (1)

Sources:  Wikipedia; IMDB; Brainy Quotes

Planned Parenthood Videos

I just heard about this video of the undercover exposé of Planned Parenthood’s practice of trafficking fetal parts so I watched it and could not believe how callous Deborah Nucatola, the organization’s Senior Director of Medical Services was.  She was eating a salad and drinking a glass of wine as she casually talked about extracting the specimens intact.  She may as well have been talking about moving the parts of a car or some inanimate object.  There was no emotion, no compassion.  Is this a reflection of how some in our society have become so desensitized?  Is the life of the unborn of such little value?

There is some debate as to whether this video was edited to shed a negative and unfair light on Planned Parenthood.  Some have argued that no one selling parts on the black market would ask for $30-$100.00 and this is these figures are costs for shipping parts that are fragile.  Others have commented on some of the remarks Nucatola made and her callousness.  Watch the video and judge for yourself.

This other video recently came out.  What struck me about this one, is Dr. Mary Gatter’s remark that she wants a good price for aborted baby remains because, “I want a Lamborghini.”  Again there are no signs of emotion or reservation about terminating a life and then extracting and selling the organs.

 

Ingrid Bergman

I just read in the Stabroek News that the 68th Cannes Film Festival unveiled its official poster featuring legendary actress Ingrid Bergman in a tribute to what would have been her 100th birthday this year.  I think that’s wonderful.  She was an actress I truly admired and appreciated.  She had gentle beauty and an air of quiet refinement.  She was very classy.  I remember her in films like Casablanca, Gaslight, Anastasia and For Whom the Bells Toll.  She acted with some of Hollywood’s A list male stars–Humphrey Bogart, Gregory Peck, Cary Grant and Gary Cooper.  It would have been interesting to see her star opposite Clark Gable, Jimmy Stewart and Burt Lancaster.

Acting was something Ingrid always knew she wanted to become.  Her father, a Swedish artist and photographer wanted her to become an opera star and had her take voice lessons for three years.  She wore her mother’s clothes and staged plays in her father’s empty studio.  He documented all of her birthdays with a borrowed camera.  He died when she was thirteen.  Her German mother had died when she was two years old.

After her father’s death, Ingrid was sent to live with an aunt who died just six months later from a heart disease.  She moved in with another aunt and uncle who had five children.  Her aunt Elsa was the first one who told Ingrid when she was 11 years old that her mother may have “some Jewish blood”, and that her father was aware of this long before they got married.  Her aunt cautioned her about telling others about her possible ancestry as “there might be some difficult times coming.”  This reminds me of Queen Esther who was intially cautioned by her uncle not to let anyone know that she was a Jew.

In 1932 when she was 17, Ingrid had only one opportunity to become an actress by entering an acting competition with the Royal Dramatic Theatre in Stockholm.  For Ingrid it was a terrible moment.  She recalled:  As I walked off the stage, I was in mourning.  I was at a funeral.  My own.  It was the death of my creative self.  My heart had truly broken…they didn’t think I was even worth listening to, or watching.”

This couldn’t have be further from the truth as she soon learned after meeting one of the judges who told her, “We loved your security and your impertinance.  We loved you and told each other that there was no reason to waste time as there were dozens of other entrants still to come.  We didn’t need to waste any time with you.  We knew you were a natural and great.  Your future as an actress was settled.”  What a thrill and relief that must have been for the aspiring actress.  She received a scholarship to the state-sponsored Royal Dramatic Theatre School where Greta Garbo had earned a similar scholarship just years earlier.

Ingrid’s dream was now a reality.  She was given a part in a new play and over the summer break, she was hired by a Swedish film studio which led to her departure from the Royal Dramatic Theatre a year later to work full-time in films.  She starred in a dozen films in Sweden, including En kvinnas ansikte which was later remade as A Woman’s Face, starring Joan Crawford.  Ingrid made one film in Germany in 1938.

Then it was off to Hollywood…Thanks to David O. Selznick, she starred in Intermezzo:  A Love Story, her first acting role in the United States.  It was a remake of her 1935 Swedish film, Intermezzo.  Ingrid didn’t plan to stay in Hollywood.  She thought she would complete this film and return home to Sweden to be with her husband, Dr. Peter Lindstrom and their daughter, Pia.

Selznick had concerns about Ingrid.  “She didn’t speak English, she was too tall, her name sounded too German, and her eyebrows were too thick.”  However, Ingrid was accepted without having to modify her looks.  Selznick let her have her way because he understood her fear of Hollywood makeup artists who might turn her into someone she wouldn’t recognize.  He told them to back off.  Besides, he believe that her natural good looks would compete successfully with Hollywood’s “synthetic razzle-dazzle.”

Selznick, who was filming Gone With the Wind at the same time, shared his early impressions of Ingrid in a letter to William Hebert, his publicity director :

Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture … She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture. She never for a minute suggests quitting at six o’clock or anything of the kind … Because of having four stars acting in Gone with the Wind, our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life … All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity … so that her natural sweetness and consideration and conscientiousness become something of a legend … and is completely in keeping with the fresh and pure personality and appearance which caused me to sign her.

Not surprisingly, Intermezzo was a huge success and resulted in Ingrid becoming a star.  She left quite an impression on Hollywood.  And Selznick’s appreciation of her uniqueness made he and his wife Irene remain important friends to Ingrid throughout her career.

Before making Casablanca, Ingrid made one last film in Sweden and appearing in three moderately successful films, Adam Had Four Sons, Rage in Heaven and Dr. Jekyll and Mr. Hyde.  According to her biographer, she felt guilty that she had misjudged the situation in Germany.  She had dismissed the Nazis as a “temporary aberration, ‘too foolish to be taken seriously.’ She didn’t believe that Germany start a war because the good people of the country would not allow it.  Sadly, she was wrong.  She felt guilty for the rest of her life and when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocitites of the Nazi extermination camps.

In 1942, she starred opposite Humphrey Bogart in Casablanca, a movie famous for its wonderul lines and the famous song, “As Time Goes By”.  I was surprised to read that Ingrid did not consider it to be one of her favorite performances.  She said, “I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart.”  I thought she and Bogart were great together.

I think I only saw For Whom the Bell Tolls once but really liked it.  My sister and I liked how she looked with her short, blond, curly hair and a “sun-kissed complexion”.  I read that Ernest Hemmingway wanted her to play the part of Maria.  When he met her, after studying her, he exclaimed, “You are Maria!”  When Ernest told Ingrid that she would have to cut her hair to play the part, she was quick to respond, “To get that part, I’d cut my head off!”

For Whom the Bell Tolls, was the film that saved the song, “As Time Goes By” from being removed from Casablanca.  Warner Brothers wanted to substitute the song and planned to re-shoot some scenes with Ingrid but thanks to her hair-cut, they had to drop the idea as there would be a problem with continuity even if she wore a wig.

A year later, Ingrid won the Academy Award for Best Actress for Gaslight.  It was a gripping and suspenseful movie of a wife being driven to madness by her husband, masterfully played by Charles Boyer.  She next starred as a nun in The Bells of St. Mary opposite Bing Cosby, garnering her third consecutive nomination for Best Actress.   She came in a succession of Alfred Hitchock movies, Spellbound, Notorious and Under Capricorn (I never heard of this one).

During her marriage to Lindstrom, Ingrid had a brief affair with Gregory Peck.  This affair was kept private until five years after Ingrid’s death, when Gregory revealed in an interview with Brad Darrach of People, “All I can say is that I had a real love for her (Bergman), and I think that’s where I ought to stop…. I was young. She was young. We were involved for weeks in close and intense work.”

Unlike her affair with Gregory Peck, the one with the Italian film director, Roberto Rossellini was a very public one.   Although Ingrid received another Best Actress nomination for Joan of Arc in 1948, the film was not a hit, partly because news of her affair with Rossellini broke while the movie was still in theatres.  It was her admiration for Rossellini which had led Ingrid to write him a letter, expressing her admiration and suggesting that she make a film with him.  She was cast in his film, Stromboli and during production, she fell in love with him and they began an affair.  She became pregnant with their son, Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe (“Robin”) Rossellini and this affair caused a huge scandal in the United States.  She was denounced on the floor of the United States senate and Ed Sullivan chose not to have her appear on his show despite a poll showing that the public wanted her there.  However, Steve Allen had her on his equally popular show, noting, “the danger of trying to judge artistic activity through the prism of one’s personal life.” 

The scandal drove Ingrid back to Italy, leaving her husband and daughter.  She went through a very public divorce and custody battle for their daughter.  She and Lindstrom divorced a week after her son was born and she married Rossellini in Mexico.  In 1952, Ingrid gave birth to twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.  Five years later she divorced their father and the following year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family.  That marriage lasted until 1975 when they divorced.

In 1956, Ingrid starred in the movie, Anatasia. It was her return to the American screen and her second Academy Award for Best Actress which her best friend Cary Grant accepted for her.  She made her first appearance in Hollywood since the scandal when she was the presenter of the Academy Award for Best Picture at the 1956 Academy Awards.  She received a standing ovation after being introduced by Cary Grant.  In 1969, she starred opposite Walter Matthau and Goldie Hawn in the hilarious and delightful movie, Cactus Flower.  It was nice seeing Ingrid take a turn in a light romantic comedy.

In 1972, US Senator Charles H. Percy entered an apology in to the Congressional Record for Edwin C. Johnson’s attack on Ingrid 22 years ago.  In 1974 she won her third Oscar for Murder on the Orient Express, earning her the distinction of being one of the few actresses ever to receive three Oscars.  Her final role was as Golda Meir in A Woman Called Golda.   She was offered the part because, “People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people.”  This interested Ingrid and the role was greatly significant for her because she still carried the guilt of misjudging the situation in Germany during World War II.  Ingrid was frequently ill during the film although she hardly showed it or complained.  She was a real trooper.  Four months after the film was completed, on her 67th birthday in London, Ingrid died of breast cancer.  Her daughter, Pia accepted her Emmy.

Ingrid was a  woman of grace, natural beauty who brought realism and dignity to her roles.  She was a star with no temperament, making her a delight to work with, unpretentious, unique, hard-working, “a great star” who “always strove to be a ‘true’ woman.”  She was not a saint but a woman with real emotions.   She was not afraid to speak out against racism.  During a press conference in Washington, D.C. where she was promoting, Joan of Lorraine, she protested against the racial segregation she witnessed firsthand at the theatre where she was performing.  This drew a lot of publicity and some hate mail.  In a news column in the Herald-Journal, she is reported as saying, “I deplore racial discrimination in any form.  To think it would be permitted in the nation’s capital of all places!  I really had not known that there were places in the United States–entertainment places which are for all the people–where everybody could not go.”

Notes to Women salute this remarkable woman and actress who won our hearts and deepest admiration with her grace and courage.  We celebrate one of the greatest leading ladies that ever graced the silver screen.  She once said, “I am an actress and I am interested in acting, not in making money.”  Dear Ingrid, we are so very thankful that you chose acting over opera.

I have no regrets. I wouldn’t have lived my life the way I did if I was going to worry about what people were going to say.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn’t choose acting. It chose me.

I don’t think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.

Time is shortening. But every day that I challenge this cancer and survive is a victory for me.

If you took acting away from me, I’d stop breathing.

ingrid-bergman

Sources:  Stabroek News ; Wikipedia; IMDB; Brainy Quotes; Herald-Journal

Mary Eliza Mahoney

Mary Eliza Mahoney

She made history as the first African American to study and work as a professionally trained nurse in the United States. Mary Eliza Mahoney was born in Dorchester, Massachusetts. Her parents, originally from North Carolina, were freed slaves. They moved north before the Civil War, where they would face less discrimination. Mary Eliza attended the Philips School, one of the first integrated schools in Boston.

From an early age, Mary Eliza knew that she wanted to be a nurse. For fifteen years, she worked at the New England Hospital for Women and Children, now known as the Dimock Community Health Centre, before she was accepted into its nursing school, the first in the United States. She was 33 years old when she was admitted.

After she received her nursing diploma, Mary Eliza worked for many years as a private care nurse. She worked for predominantly white, wealthy families who praised her for her efficiency. Her professionalism raised the bar for others in her profession, especially among minorities. She was recognized for her skills and preparedness. And this reputation earned her the respect of some of the families she worked for who insisted that she join them for dinner but she was a humble woman. She ate her meals with the household staff she worked with.

Her reputation opened many doors for Mary Eliza whose goal was to change the way of patients and their families thought of minority nurses. She wanted to abolish any discrimination that existed in the nursing field, believing that it had no place there and that all people should have the opportunity to pursue their dreams without any fear of racial discrimination.

Mary Eliza served as director of the Howard Orphan Asylum for black children in Kings Park, Long Island, New York from 1911 to 1912. The asylum served as a home for freed colored children and the colored elderly and it was run by African Americans. It was at this institution that Mary Eliza ended her nursing career.

In 1896, Mary Eliza became one of the original members of Nurses Associated Alumnae of the United States and Canada (NAAUSC) which later became known as the American Nurses Association (ANA). In the early 1900s, the NAAUSC, a predominantly white association, did not welcome African American nurses into their association, so, Mary Eliza retaliated by founding a new and more welcoming nurses’ association with the help of other founders. In 1908, she was the co-founders of the National Association of Colored Graduate Nurses (NACGN). Not surprisingly, this association did not discriminate against anyone and its goal was to support and congratulate the accomplishments in the registered nursing field and to eliminate racial discrimination in the nursing community. A year later, Mary Eliza spoke at the NACGN’s first annual convention and in her speech, she documented the inequalities in her nursing education and in the nursing education at the time. She was given a lifetime membership in the NACGN and a position of chaplain.

During her retirement, Mary Eliza was a strong supporter of women’s suffrage. In 1920, after women’s suffrage was achieved in the United States, she was among the first women in Boston who registered to vote. She was an active participant in the advancement of Civil Rights in the United States. She died in 1926 at the age of 80.

Notes to Women salutes this woman who was and still is an example of professionalism and champion for civil rights and women’s rights. She challenged discrimination against women of African Americans in nursing and proved that she had what it took to enjoy a very successful career and at the same time, transcend racial barriers. She held firm to the conviction that everyone should be able to achieve their dreams without having to deal with racial discrimination.

She was the first woman in the United States to graduate as a registered nurse. A pioneer for the nursing profession, she received many honors and awards and inducted into the American Nurses Association Hall of Fame in 1976 and to the National Women’s Hall of Fame in 1993.

Mary Eliza Mahoney was the epitome of professionalism and an outstanding example for nurses of all races. In recognition of this, the NACGN established the Mary Mahoney Award in 1936.

We are forever indebted to Mary Eliza for paving the way for the advancement of equal opportunities in nursing for minorities.

 

Mary Eliza Mahoney
Source:  http://en.wikipedia.org/wiki/Mary_Eliza_Mahoney

Lena Horne

In celebration of Black History Month, Notes to Women are going to celebrate a few notable women.  We begin with singer, actress, Lena Horne.

Lena Mary Calhoun Horne was born in Bedford-sTuyvesant, Brooklyn.  Her father, Edwin Fletcher Horne left the family when she was three years old.  Her mother was the daughter of inventor Samuel R. Scottron.  She was an actress with a black theatre troupe and travelled extensively.  Lena was raised by her grandparents.  When she was five, she was sent to Georgia to live.  For seeral years she travelled with her mother.  For two years, she lived with her uncle who would later serve as an adviser to President Franklin Delano Roosevelt.

At the age of sixteen, Lena joined the chorus of the Cotton Club and became a nightclub performer before she moved to Hollywood.  In Hollywood she had small parts in movies, notably Cabin in the Sky and Stormy Weather.  She was never cast in a leading role because of her race and the films featuring her had to be re-edited for showing in states where theatres would not show films with black performers.  Interestingly enough, Lena was the first African American elected to serve on the Screen Actors Guild board of directors.

In 1951, Lena wanted to be considered for the role of Julie LaVerne in the MGM’s version of Show Boat but lost the part to her friend, Ava Gardner due to the Production Code’s ban on interracial relationships in films. Lena stated in the documentary, That’s Entertainment! III that MGM executives wanted Ava Gardner to practice her singing using Lena’s recordings. Both actresses were offended by this.

Not surprisingly, Lena was disenchanted with Hollywood and she began to focus more on her nightclub career.  She made two major appearances in MGM films in the 1950s, Duchess of Idaho and Meet Me in Las Vegas.  It was during this time that she was blacklisted for her political views.

After she left Hollywood, Lena made waves as one of the premier nightclub performers of the post-war era.  She headlined clubs and hotels throughout the U.S., Canada and Europe.  In 1958, she was the first African American woman to be nominated for a Tony Award for “Best Actress in a Musical”.  She appeared in variety shows on TV such as The Ed Sullivan Show, The Dean Martin Show and The Judy Garland Show and in 1969., she starred in her own television special, Monsanto Night Presents Lena Horne.

In 1970, she co-starred with Harry Belafonte in ABC’s show, Harry & Lena and in 1973 with Tony Bennett in Tony and Lena.  She toured the U.S. and U.K. with Bennett.  In 1981, she received a special Tony Award for her one-woman show, Lena Horne:  The Lady and Her Music.  In the 1990s she was active in the recording studio.

Lena was also a Civil Rights activist.  She was involved in the movement for years.  In 1941, she sang at Cafe Society and Paul Robeson, another blacklisted performer.  During World War II, Lena refused to perfom for segregated audiences or for groups where German POWS were sitting in front of African American servicemen.  The U.S. Army refused to have integrated audiences so Lena ended up putting on a show for a mixed audience of black U.S. soldiers and white German POWs.  When she saw that the black soldiers were forced to sit in the back seats, she walked off the stage to the first row where they were seated and performed with the German POWs behind her.  Way to go Lena!

She was a participant at an NAACP rally with Medgar Evers the weekend before he was assassinated and she met John F. Kennedy at the White House two days before he was assassinated.  She participated at the March on Washington where she spoke and performed on behalf of the NAACP, SNCC adn the National Council of Negro Women.  She also worked with Eleanor Roosevelt, another champion of civil rights, to pass anti-lynching laws.  She received the Spingarn Medal from the NAACP in 1983.

On a more personal note, Lena was married to Louis Jordan Jones.  They had a daughter and a son.  Sadly, their son died of a kidney disease.  In 1940, Lena and her husband separated.  They divorced in 1944.  In 1947, she remarried.  Her second husband was Lennie Hayton, Music Director and one of the premier musical conductors and arrangers at MGM.  In the early 1960s they separated but never divorced.  Lennie died in 1971.  In her biography, Lena, she recalled the pressures they faced as an interracial couple.  She admitted that she married him to advance her career and cross the “color line” in show business but had learned to love him very much.

Fame runs in the family.  Lena’s daughter, Gail, a best-selling author, was married to director, Sidney Lumet.  Their daughter, Jenny Lumet, a screenwriter, is known for her award winning screenplay, Rachel Getting Married.

On May 9, 2010, Lena Horne died in New York city of heart failure.  Among those gathered to pay their respects at her funeral were Leontyne Price, Dionne Warwick, Liza Minnelli, Jessye Norman, Chita Rivera, Cicely Tyson, Diahann Carroll, Leslie Uggams and Lauren Bacall.  At the 83rd Academy Awards ceremony held on February 27, 2011, actress Halle Berry presented a tribute to Lena.

Notes to Women salute this phenomenal woman who was not afraid to speak out against racism and was the first African-American actress to have a major studio contract with the stipulation that she would not have to play any demeaning, stereotypical roles.  In doing this, she paved the way for other African American actresses.

In my early days I was a sepia Hedy Lamarr. Now I’m black and a woman, singing my own way.

I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.

Always be smarter than the people who hire you

It’s not the load that breaks you down, it’s the way you carry it.

My identity is very clear to me now, I am a black woman, I’m not alone, I’m free. I say I’m free because I no longer have to be a credit, I don’t have to be a symbol to anybody; I don’t have to be a first to anybody. I don’t have to be an imitation of a white woman that Hollywood sort of hoped I’d become. I’m me, and I’m like nobody else.

You have to be taught to be second class; you’re not born that way.

I never considered myself a movie star. Mostly, I just sang songs in other people’s movies.

 

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Sources:  http://en.wikipedia.org/wiki/Lena_Horne; http://womenshistory.about.com/cs/quotes/a/qu_lena_horne.htm; http://www.qotd.org/quotes/Lena.Horne; http://www.blackclassicmovies.com/Artist_Profile/lena_horne.html; http://www.biography.com/#!/people/lena-horne-9344086; http://www.imdb.com/name/nm0395043/bio?ref_=nm_ov_bio_sm

Administering Medication to Parkinson Patients on Time

Lately, *Wendy is plagued with the fear of losing her mother.  Granted her mother *Marian had lived a long and happy life but Wendy was not ready to lose her.  Marian was in her seventies.  She celebrated her 75th birthday a couple of months ago.  Wendy and her sister *Lauren had taken her out for lunch to celebrate.  In the past, Marian celebrated birthdays, Christmases and every Mother’s Day at her home or at one of her daughter’s home.  However, everything changed when she was diagnosed with Parkinson’s.  She couldn’t remain in her home after she fell.  She was a widow and had been living on her own.  She had to sell her home and move into a nursing home.  It took time for her to adjust to living in a room and having to depend on nurses to change and bathe her and do the things she used to do for herself.  It was hard to give up her independence.

She was still able to go and spend time with her children and grandchildren but lately, it was becoming increasingly difficult for her to move around without the wheelchair.  She had gone from using a cane to a walker and now to a wheelchair.  She had fallen several times.  Once Wendy went to visit her and was horrified to see the ugly bruises on her arms.  Marian fell because she tried to do things on her own when she should have called for help.  The nurse would go into her room and find her on the floor.  Thankfully, she hadn’t had any serious falls but Wendy worried about her.  She had heard stories of elderly women breaking their hips and suffering other serious injuries from falls.

Just recently, Wendy received distressing news.  Her sister Lauren informed her that their mother was not responding well because she hadn’t been given her medication that morning.  The last dosage was the night before so she was supposed to get the next one around 7 in the morning but the nurse hadn’t given her.  When Marian’s regular nurse found out two hours later, she decided to wait until 11 to give her her medication.  Lauren was livid.  She demanded to know why the nurse waited instead of giving her mother the medication right away.  As Wendy listened to her sister, she felt sick in the stomach.  Their mother had been without her medication for 15 hours.  She was lying in her bed, with her eyes closed.  She was aware that her nurse was in the room and was responsive but she couldn’t do anything except lie there.  Her nurse kept checking on her to make sure she was okay.  She was relieved when Marian woke up.  Marian’s doctor told the nurse to try to get the medication into Marian which she kept trying to do until she succeeded. The doctor said that it could take 24 hours for Marian to recover as a result of not getting her first dosage that morning.

The Administration at the nursing home acknowledged that two gross mistakes had been made.  The first nurse should have given Marian her 7:00 a.m. meds and her regular nurse should have immediately given her the meds at 9:00 when she realized that she hadn’t been given her first set of meds instead of simply waiting for the next set.  The director assured Lauren that they were taking measures to make sure that this never happened again.  They plan to follow up with the first nurse who neglected to give Marian her morning medication.

Wendy was thankful to God for watching over her mother who is okay.  Tears came to her eyes as she imagined her mother lying there with her eyes closed, unable to do much else and how it could have been much worse…

How many other Parkinson’s patients like Marian do not receive their medication on time?  According to an article written on the National Parkinson Foundation website, hospitals can be danger zones for people with Parkinson’s.

Hospitals are usually a safe haven for people with serious illnesses, but for people with Parkinson’s disease (PD) going to the emergency room or being hospitalized can be a nightmare, because their condition is more likely to deteriorate due to inappropriate care and the anxiety of being in an unfamiliar environment.

Parkinson’s patients are often afraid to challenge a hospital’s medical staff, because they assume that they know what they are doing, but many may have little or no knowledge about how to care for someone with Parkinson’s, said Dr. John Morgan, assistant professor at Georgia Health Sciences University.

Three out of four people with Parkinson’s do not get their medication on time when they go to the hospital, which can cause serious complications even death, said NPF’s National Medical Director Dr. Michael Okun. Even more alarming is that research shows that the majority of hospital staff do not know which drugs are unsafe for Parkinson’s patients, and they do not understand Parkinson’s disease.

People with Parkinson’s must take their medication on time, especially those with moderate and advanced Parkinson’s who are taking frequent doses of levodopa, a common Parkinson’s medication, Dr. Morgan said. “If medication is not taken on time, they can become stiff, rigid, tremulous and unable to move and prone to falls, etc. Even one hour off of a scheduled time can make a big difference,” Dr. Morgan explained.

There is no cure for Parkinson’s, but medication helps control symptoms by increasing the levels of dopamine in the brain. Dr. Morgan emphasized that medications should be taken 30 minutes to an hour before meals or an hour or more after meals, because the protein in food can inhibit the absorption of the medication into the body. If a person eats too close to their scheduled medication time, Dr. Morgan said it is better to eat a low-protein meal rather than delay taking medication.

The article mentions that one hour off of a scheduled time can make a big difference.  Wendy’s mother had been 15 hours off her scheduled time.  Another article states, “Medications must be administered on time to promote consistent therapeutic blood levels and prevent disabling symptoms. A delay of even 5 minutes can cause the patient to suddenly lose the ability to move, walk, and speak.”  If Wendy and Lauren wanted to, they could sue the nursing home for gross negligence and failing to administer the proper help.  Marian should not have gone through what she did.  She was in a facility that was supposed to take care of her.  Their negligence could have cost Marian her life.  For now, Wendy and Lauren are hoping that this doesn’t happen again.

Want to get involved in raising awareness for Parkinson’s?  Here’s how.

*These are not their real names.

Source:  http://www.parkinson.org/About-Us/Press-Room/NPF-In-The-News/2012/November/Hospitals-can-be-a-danger-zone-for-people-with-Par; http://journals.lww.com/nursing/Fulltext/2011/03000/Administering_medications_for_Parkinson_disease_on.24.aspx

Global Renaissance Woman

“I thought, my voice killed him; I killed that man, because I told his name. And then I thought I would never speak again, because my voice would kill anyone…”

Maya blamed herself for the death of the man who sexually abused and raped her when she was only eight years old.  For five years she remained mute until a teacher and friend of her family, Mrs. Bertha Flowers, helped her to speak again.

In her first autobiography, I Know Why the Caged Bird Sings, Maya touches on her childhood rape.  Rape is used as a metaphor for the suffering of her race. Another metaphor, that of a bird struggling to escape its cage, is a central image throughout the work, which consists of “a sequence of lessons about resisting racist oppression”.  Angelou’s treatment of racism delivers a thematic unity to the book. Literacy, and seizing the power of words, help young Maya cope with her bewildering world; books become her refuge as she works through her trauma.

 Caged Bird was nominated for a National Book Award in 1970 and remained on The New York Times paperback bestseller list for two years. It has been used in educational settings from high schools to universities, and the book has been celebrated for creating new literary avenues for the American memoir. However, the book’s graphic depiction of childhood rape, racism, and sexuality has caused it to be challenged or banned in some schools and libraries.

 The success of  I Know Why the Caged Bird sings hailed Maya as the as a new kind of memoirist and earned her the distinction of being the first African American women who was able to publicly discuss her personal life.  She became recognized and highly respected as a spokesperson for blacks and women. It made her “without a doubt, …America’s most visible black woman autobiographer”.  According to author Hilton Als, Maya made an important contribution to the increase of black feminist writings in the 1970s.  Her writings which were more about self-revelation than politics freed many other female writers to “open themselves up without the shame to the eyes of the world.”

 Angelou is one of the most honored writers of her generation. She has been honored by universities, literary organizations, government agencies, and special interest groups. Her honors include a National Book Award nomination for I Know Why the Caged Bird Sings, a Pulitzer Prize nomination for her book of poetry, Just Give Me a Cool Drink of Water ‘fore I Diiie, a Tony Award nomination for her role in the 1973 play Look Away, and three Grammys for her spoken word albums. 

 In 1995, Angelou’s publishing company, Bantam Books, recognized her for having the longest-running record (two years) on The New York Times Paperback Nonfiction Bestseller List. In 1998, she was inducted into the National Women’s Hall of Fame. She has served on two presidential committees, and was awarded the National Medal of Arts in 2000, the Lincoln Medal in 2008, and the Presidential Medal of Freedom in 2011. Musician Ben Harper has honored Angelou with his song “I’ll Rise”, which includes words from her poem, “Still I Rise.” She has been awarded over thirty honorary degrees.

Maya is dubbed the “global renaissance woman”  She is hailed as one of the great voices of contemporary literature.  She travels and continues to captivate audiences with her words and lyrics.  She is a multifaceted woman–poet, educator, historian, best-selling author, actress, playwright, civil-rights activist, producer and director and an inspiration for many of us.  Notes to Women salute this amazing woman who found her voice and is using it to spreading her legendary wisdom. 

 I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,
When he beats his bars and would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings –
I know why the caged bird sings.

   

Sources:  http://en.wikipedia.org/wiki/I_Know_Why_the_Caged_Bird_Sings

http://mayaangelou.com/