Shackles

As she read the two volume autobiography of Olaudah Equiano, she was reminded of how fortunate she was.  She was a black, educated woman who was able to go to the university of her choice and become what she had always dreamed of.   She and her parents left the West Indies for a better life in America.

 

Her world was so different from Olaudah’s.  He had been kidnapped from his home in the West Indies and taken to Virginia where he was bought by a sea captain, Michael Henry  Pascal, with whom he traveled widely.  Olaudah received some education before he bought his freedom in 1766.  He became an abolitionist, speaking out against the cruelty of British slave owners in Jamaica.

 

Slavery is something she was never going to experience, but she knew what it was like to be treated differently because of the colour of her skin.  She learned that being educated, living in a stylish condo and driving an expensive car didn’t matter to those who didn’t see past her colour.  She still had to deal with being watched or ignored or followed when in certain stores or co-workers looking away as she passed them.

 

Yes, she had her own issues to deal with but they paled in comparison to Olaudah who suffered cruelty and indignity at the hands of those who wanted to keep him and the other slaves in emotional and intellectual shackles.  She was grateful to Olaudah for writing about the horrors of slavery.  It made her more determined to work harder and achieve more.  It was what drove her to pursue her Masters.  Like Olaudah, there were times when she questioned her faith but she has since learned that it is during those tough, challenging times that God has proven that she has the mettle to overcome them.

 

Yes, she had come a long way with God’s help but there was still a long way to go. Little by little she was going to break free from the racist mentalities that would like to keep blacks shackled to the painful past of slavery.

 

“After all, what makes any event important, unless by its observation we become better and wiser, and learn ‘to do justly, to love mercy, and to walk humbly before God?'” – Olaudah Equiano

 

Cartoon image of woman reading book

 

Sources:  WikipediaBritannica; Daily Kos

 

Dame Angela Lansbury

I still watch Murder, She Wrote because I like the show and the character Jessica Fletcher played by the great Angela Lansbury.  My 7 year old son is also a fan of Jessica Fletcher’s.  Before taking on the role of a mystery writer in one of the longest running detective drama series in television history, Angela was a silver screen movie star.  My husband thought she was hot then.

Angela is a versatile actress, easily portraying an unlikable and cheeky maid in Gaslight opposite Ingrid Bergman and Charles Boyer to the music hall singer who, unfortunately and tragically, falls in love with the protagonist, Dorian Gray in the movie, The Picture of Dorian Gray to the frightening and domineering mother in The Manchurian Candidate.  Her performance as Mrs. John Iselin in The Manchurian Candidate is ranked #21 in the American Film Institute’s 100 Years…100 Heroes and Villains for villains.

Angela was born to an upper middle class family on October 16, 1925 in Regent’s Park, central London. Her mother, Moyna Macgill, was a Belfast born Irish actress and her father was the wealthy English timber merchant and politician Edgar Lansbury.  He was a member of the Communist Party of Great Britain and former mayor of the Metropolitan Borough of Poplar.  Her paternal grandfather was the Labour Party leader and anti-war activist George Lansbury.  Angela was in awe of him and to her, he was “a giant in my youth”.  Angela had an older half-sister, Isolde from her mother’s previous marriage.  When Angela was four, her mother gave birth to twin boys, Bruce and Edgar, prompting the Lansburys to move from their Poplar flat to a house in Mill Hill, North London.  In the weekends, they went to a rural farm in Berrick Salome, Oxfordshire.

She was nine years old when her father died from stomach cancer.  To cope with her loss, she played characters, describing the event as “the defining moment of my life.  Nothing before or since has affected me so deeply.”  Faced with financial difficulty, her mother got engaged to a Scottish colonel and moved into his house in Hampstead.  Angela attended South Hampstead High School from 1934 to 1939.  She considered herself to be largely self-educated, learning from books, theatre and cinema.  She became a “complete movie maniac”, going regularly to the cinema and imagining herself as certain characters.

Angela’s grandfather died in 1940 and with the onset of the Blitz, her mother, Moyna took her and her brothers to the United States.  Her half-sister, Isolde remained in Britain with her new husband, actor Peter Ustinov.  Angela’s mother got a job supervising sixty British children who were evacuated to North America aboard the Duchess of Athol, arriving with them in Montreal, Canada in mid-August.  From Montreal they went by train to New York City where Moyna was sponsored financially by a Wall Street businessman and moved in with his family at their home in Mahopac, New York.  Angela got a scholarship from the American Theatre Wing which allowed her to study at the Feagin School of Drama and Radio.  There she appeared in performances of William Congreve’s The Way of the World and Oscar Wilde’s Lady Windermere’s Fan.  By the time she graduated, she and her family had moved to a flat in Morton Street, Greenwich Village.

Moyna got work in a Canadian touring production of Tonight at 8:30.  Angela joined her mother who got her first theatrical job as a nightclub act at the Samovar Club in Montreal.  She lied about her age to get the job and earned $60 a week.  She returned to New York city but her mother had moved to Hollywood to revive her cinematic career.  Angela and her brothers joined her.  After moving into a bungalow in Laurel Canyon, Angela and her mother got Christmas jobs at the Bullocks Wilshire department store in Los Angeles but unfortunately, Moyna got fired for incompetence.  The family had to live on Angela’s wages of $28 at week.

Angela met John van Druten at a party hosted by her mother.  He recently co-authored a script for Gaslight.  He suggested that Angela would be perfect for the role of Nancy Oliver, a conniving cockney maid and she accepted the part although at the time she was only 17.  A social worker had to accompany her on the set.  She got an agent and was signed to a seven-year contract with MGM, earning $500 a week.  She adopted “Angela Lansbury” as her stage name.  The movie received mixed reviews although Angela’s role was widely praised.  It received six Academy Award nominations, one of which was for Best Supporting Actress for Angela.

Following Gaslight, Angela starred in a supporting character in National Velvet which was a major commercial hit.  Angela developed a lifelong friendship with co-star Elizabeth Taylor.  I remember that the two friends appeared together in Agatha Christie’s The Mirror Crack’d with Angela in the role of the endearing Miss Marple.

Angela next starred in The Picture of Dorian Gray with Hurd Hatfield, George Sanders, Donna Reed and Peter Lawford.  Surprisingly, at least to me, the film was not a financial success.  However, it garnered Angela her second Best Supporting Actress nomination.  She lost to her National Velvet co-star Anne Revere.

Angela married Richard Cromwell, an artist and a decorator.  When I saw a photo of him, I recognized him as the brother of Henry Fonda’s character in the marvelous movie, Jezebel.  Angela’s marriage to Richard was a trouble one.  She would later disclose that he was gay, something she was not aware of until after their separation.  The marriage ended in less than a year and Angela filed for a divorce.  They remained friends, however, until his death.

Angela met her second husband, Peter Pullen Shaw at a party held by her former co-star Hurd Hatfield.  Hurd would later be a guest star on Murder She Wrote.  Peter was an aspiring actor also signed with MGM and had recently left a relationship with Joan Crawford.  He and Angela became a couple, living together before she proposed marriage.  They wanted to get married in Britain but the Church of England refused to marry two divorcees.  So, they wed at St. Columba’s Church which was under the jurisdiction of the Church of Scotland in Knightsbridge, London.  They had their honeymoon in France.  They returned to the United States and settled in Angela’s home in Rustic Canyon, Malibu, each becoming naturalised U.S. citizens with dual British citizenship.

Angela’s contract with MGM ended in 1952.  She was miscast, playing older and often villainous women.  Earlier in her career, MGM loaned her to United Artists for The Private Affairs of Bel Ami in 1947 and then to Paramount for Samson and Delilah (1949).  Unhappy with the roles MGM was giving her, Angela instructed her manager to terminate her contract.  At the time she was pregnant with her first child, Anthony whom she gave birth to that year.  Soon after he was born, she joined the East Coast touring productions of two former Broadway plays, Remains to be Seen and Affairs of the State.  In 1953, Angela gave birth to her daughter, Deidre Angela.  Angela’s husband, Peter had a son by a previous marriage and had legal custody of him.  He brought the boy to California to live with the family.  They moved to a larger house in Santa Monica.

In the mid-fifties Angela entered the world of Broadway theatre.  In 1957 she debuted in Hotel Paradiso, a French burlesque set in Paris, at the Henry Miller Theatre.  Although the play ran for only 15 weeks, earning her good reviews, she later stated that had she not appeared in the play, her “whole would have fizzled out”.  Next she appeared in A Taste of Honey, playing Helen, a boorish and verbally abusive absentee mother of Josephine played by Joan Plowright who was only four years younger.  Angela became friends with Joan and Laurence Olivier, Joan’s lover.  It was from Angela’s rented apartment on East 97th Street that Joan and Laurence eloped to get married.

Angela didn’t feel comfortable in the Hollywood social scene.  She chalked this up to her British roots. “In Hollywood, I always felt like a stranger in a strange land.”  In 1959, the family moved to Malibu where they settled into a house on the Pacific Coast Highway where she and Peter were able to escape the Hollywood scene and send their children to state school.

In 1962, Angela starred opposite Lawrence Harvey in The Manchurian Candidate, playing his manipulative mother even though she was only three years older than him.  The role earned her her third Best Supporting Actress Award nomination.  It bothered her that she didn’t win.  Angela starred in several movies in the 1960s but although her performances were well received, the kind of roles she wanted evaded her and she became dissatisfied with the minor roles she was getting, feeling that none of them allowed her to explore her potential as an actress.

I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said ‘I’ve been doing enough gardening, I’ve cooked enough good dinners, I’ve sat around the house and mooned about what more interior decoration I can get my fingers into.’ It’s a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn’t that a miracle? – Angela Lansbury

In 1966 Angela took on the title role of Mame Dennis in the musical Mame, the musical adapted from the novel, Auntie Mame.  The director’s first choice for the role was Rosalind Russell who played Mame in the non-musical adaptation but she declined.  Theatre critics were surprised that Angela was chosen for the role, believing that the role would go to a better known actress.  Angela was forty-one at the time and this was her first starring role.  She trained extensively for the role which involved over twenty costume changes throughout the play and ten songs and dance routines.  Auntie Mame opened on Broadway in May 1996, gaining Angela rave reviews.  She received her first Tony Award for Best Leading Actress in a Musical.  Following her success as Mame, Angela appeared in Dear World, the musical adaptation of The Madwoman of Chailott, as a 75 year old Parisian eccentric.  Angela found the experience “pretty depressing” but received positive reviews for her performance and her second Tony award.   The show, however, received critical reviews and ended after 132 performances.  After Dear World, Angela played the title role of the musical Prettybelle, based on Jean Arnold’s The Rape of Prettybelle, set in the Deep South.  It was a controversial play because it dealt with issues of racism with Angela as a wealthy alcoholic who seeks sexual encounters with black men.  It opened in Boston to poor reviews and was cancelled before it even reached Broadway.  Angela would later say that the play was a “complete and utter fiasco.”  She felt that her performance was awful.

In the early 1970s Angela turned down several cinematic roles, including the role of Nurse Ratched in One Flew Over the Cuckoo’s Nest which went to Louise Fletcher who won the Oscar for Best Actress.  In 1970 Angela appeared as the middle-aged English witch in the Disney film, Beadknobs and Broomsticks, her first lead in a screen musical.  1970 was a traumatic year for the Lansbury family.  Peter underwent a hip replacement, their son Anthony suffered a heroin overdose and went into a coma and the family’s home in Malibu was destroyed in a bush fire.  They bought a farmhouse constructed in the 1820s located near the village of Conna in rural County Cork.  It was there Anthony was taken to receover from his drug addiction after he quit using cocaine and heroin.  He enrolled in the Webber-Douglas School, his mother’s alma mater and became a professional actor before becoming a television director.  Angela and her husband did not return to California, instead, they divided their time between Cork and New York City.  They lived opposite the Lincoln Centre.

Angela returned to theatre in 1972, performing in the Royal Shakespeare Company’s theatrical production of Edward Albee’s All Over in London’s West End.  Although reviews of the play were mixed, her performance was widely praised.  She did a revival of Mame which was touring the United States at the time.  She returned to the West End to play Rose in the musical Gypsy.  Initially, she turned down the role because she didn’t want to be in Ethel Merman’s shadow.  Ethel had portrayed the character in the original Broadway production.  Eventually, Angela accepted the role and she received a standing ovation and rave reviews.  Not at all in anyone’s shadow, she was in demand among the London society, having dinners in her honour.  When Gypsy went to Broadway, it was a critical success, earning Angela her third Tony Award.

Eager to move on from musicals, Angela decided to tackle a production of one of William Shakespeare’s plays and landed the role of Gertrude in The National Theatre Company’s production of Hamlet.  The play received mixed reviews.  Angela later admitted that she hated the role because it was too restrained. To make matters worse, she learned that her mother had died in California. Angela had her mother’s body cremated and her ashes scattered near to her own County Cork home.

Angela appeared in Edward Albee’s Counting the Ways and Listening.  Her performance was praised.  She followed this with another revival tour of Gypsy.  She appeared in the revival of The King and I musical at Broadway’s Uris Theatre.  After seven years, she starred in her first cinematic role in Agatha Christie’s Death on the Nile, opposite her brother-in-law Peter Ustinov and Bette Davis who became a close friend. Of Bette, she had this to say, “She is an original. There has never been anyone, before or since, who could touch her.”

In 1979 she earned her fourth Tony Award playing Nellie Lovett in Sweeney Todd:  The Demon Barber of Fleet Street.  In 1982 she played an upper middle class housewife in A Little Family Business which also starred her son, Anthony.  The movie was panned and accused of racism by the Japanese-American community.  She co-starred with friend Bette Davis in the film made for television, Little Gloria…Happy at Last.  She appeared in other television movies, one of which was BBC’s A Talent for Murder which she jumped at the chance to take in order to work with co-star Laurence Olivier.

Then in 1983, Angela was offered two television roles–one was in a sitcom and the other was in a detective series.  She was unable to do both so her agents advised her to accept the sitcom role but she decided to accept the other role.  And we are thrilled that she did!  Angela described her character Jessica Fletcher as “an American Miss Marple”.  It’s interesting that she said that because she played Miss Marple in The Mirror Crack’d.  She played the sleuth the way Agatha Christie described the her unlike Margaret Rutherford who made the role famous.  The role of Jessica Fletcher had been offered to Jean Stapleton first but she turned it down.  I must say that I am happy that she did because I can’t imagine anyone else playing the part.  Angela was the perfect choice.

Angela took her role as Jessica Fletcher very seriously and had creative input over the character’s costumes, makeup and hair.  Network executives wanted to put the character in a relationship which Angela strongly rejected, believing that the character should remain a strong single female.  She changed any script which did not fit Jessica’s personality.  She saw Jessica as a role model for older female viewers and praised her “enormous, universal appeal” and admitted that, “It was an accomplishment I never expected in my entire life.”  Murder, She Wrote was described as a television landmark in the U.S. for having an older female character as the protagonist, paving the way for series like The Golden Girls, another show I enjoyed tremendously.  “I think it’s the first time a show has really been aimed at the middle aged audience,” Angela said.  It was the most popular show among senior citizens but it gradually gained a younger audience.  By 1991, a third of the viewers were under fifty.  It gained high ratings throughout most of its run.

I know why [Murder, She Wrote was a success]. There was never any blood, never any violence. And there was always a satisfying conclusion to a whodunit. The jigsaw was complete. And I loved Jessica’s everywoman character. I think that’s what made her so acceptable to an across-the-board audience – Angela Lansbury, 2014.

As the show went on Angela assumed a larger role behind the scenes with her own company, Corymore co-producing the show with Universal.  After a while, though she began to get tired of the series, especially of the long working hours and said that the 1990-1991 would be the show’s last season.  However, she changed her mind after she was appointed executive producer for the 1992-1993 season, which made it far more interesting for her.  For the seventh season, the show’s setting moved to New York where Jessica had taken a job teaching criminology at Manhattan University in an attempt to attract younger viewers.  Angela encouraged this move.  The show aired on Sunday where its ratings improved in the early 1990s.  People had gotten used to tuning in every Sunday night to see what murder mystery Jessica Fletcher would be solving so it was unfortunate when CBS executives got the bright idea to move it to Thursdays opposite NBCs new sitcom, Friends with the hope of drawing a larger audience.  Not surprisingly, Angela was angry at this move, believing that it ignored the show’s core audience.  The show’s final episode aired in May 1996 and ended with Angela voicing a “Goodbye from Jessica” message.  The role of Jessica Fletcher would prove to be the most successful and prominent of Angela’s career.  It must have been hard saying goodbye to Jessica Fletcher for Angela and the faithful viewers.  All good things must come to an end.  Sigh.

After the end of Murder, She Wrote, Angela returned to the theatre.  Fast forward to March to June 2014 when Angela reprised her 2009 Tony winning Broadway performance as Madame Arcati in Blithe Spirit at the Gielgud Theatre in London’s West End, marking her first London stage appearance in nearly 40 years.  She picked up her first Olivier award, Britain’s most prestigious prize a the age of 89 for Blithe Spirit.  It’s worth mentioning that Angela received an Academy Honorary Award for her lifetime achievement at the Governors Awards on November 16, 2013 and received the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre on November 16, 2015.

I read a few interesting things about Angela.  I will just mention a few.  In the late 1940s, MGM planned to cast her as the female lead in a film entitled “Angel’s Flight” with Clark Gable but the project never came through because Mr. Gable disliked the storyline, so the studio had to squash the entire project.  She was considered for the role of Miss Caswell in All About Eve (1950), but Marilyn Monroe was cast in the role instead.  Frank Sinatra wanted Lucille Ball for the role of Mrs. Iselin, the manipulative mother in The Manchurian Candidate but Angela got the part and played it convincingly.  I don’t know if Lucille Ball would have pulled it off.  Angela is a staunch Democrat and a solid supporter of Barack Obama.  She was very close friends with Bob Hope.  She gave a speech at his memorial service on August 27, 2003.  Her nephew David Lansbury was married to actress Ally Sheedy, The Breakfast Club.

Angela was self-professed homebody who preferred spending quiet evenings inside with friends to the Hollywood night live.  She is a supporter of the United States Democratic Party and the British Labour Party.  Notes to Women celebrate this remarkable woman who is a staunch supporter of charities such as Abused Wives in Crisis which combated domestic abuse and those who worked toward rehabilitating drug users.  She supported charities dedicated to fighting against HIV/AIDs.  She was a chain smoker early in life but gave up the addiction cold turkey in the mid-1960s.  We congratulate her on her promotion to Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to drama and to charitable work and philanthropy.  Last year she was made a Dame by the Queen at Windsor Castle.  This honour couldn’t have happened to a more deserving lady.  Dame Angela, we applaud you for the work you have done in movies and in theatre and most importantly, your charitable deeds.

The older I get, the more I realize how much I have missed because I was so busy entertaining that audience and so busy pursuing a career.
I just went along for the ride. It was a God-given gift. It is. So you can’t say well, you wasted your life because you spent all of it acting, but I think gosh, I’ve never been to China, I’ve never been to Japan. I’ve never been to Yellowstone Park.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, “Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award.” I was in the back of this car, and I said, “Oh,” and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it’s been worth hanging around all these years.
I honestly consider that the greatest gift to me, is the reaction that I get from my work. That is a given which I never, ever take for granted. But to be given that by audiences, individuals, on the street, in the theater, is an extraordinary feeling.
My mother was one of the most beautiful women, I have to say, of her generation. She was absolutely lovely. She was a very, extremely sensitive, Irish actress. She came from Belfast, Northern Ireland, and she came to London, and she was sort of discovered by several people.
~Angela Lansbury~

Sources: azquotes; Wikipedia; IMDB; Hollywood Reporter; Deadline Presents

 

Fanny Kemble

If you stand up and be counted, from time to time you may get yourself knocked down. But remember this: A man flattened by an opponent can get up again. A man flattened by conformity stays down for good – Thomas J. Watson

I never heard of Fanny Kemble until I recently read a devotion, The Unlikely in Our Daily Bread which mentions her work as an Abolitionist.  She was a British actress in the 19th century who married Pierce Butler, an American fan.  Fanny didn’t know that he was soon to inherit two plantations.  Had she known, most probably she would not have married him.  Little did she know that she would soon be fighting her own civil war.

Fanny Kemble was born in England in 1809 into a prominent family of actors.  Although she was very accomplished in her acting, it was not her true love.  Writing was her passion and throughout her she would write plays, journals, poetry, letters and memoirs.  Her most famous authorship would be that of Journal of a Residence on a Georgian Plantation which many consider to be the closest, most detailed account of the harsh conditions of plantation slavery.

Fanny was a strong, spirited woman with no formal training in acting but she managed to captivate audiences.  She had what were considered to be masculine traits: she was independent, physically strong and highly intelligent.  She was talented, spoke French fluently and was accomplished in music.  She embraced life and enjoyed exercise, specifically riding.  To her the best way to was to break “my neck off the back of my horse at a full gallop on a fine day”.  This reminds me of my former boss whose wish was to die being mauled to death by a polar bear.  Whatever happened to wanting to die peacefully in one’s sleep?

Fanny met her future husband Pierce when she and her father went on a two-year theatre tour in America.  It wasn’t her desire to experience life in America but she did it to please her father.  She was well received by the Americans and captured the ardent attention of Pierce Butler, a man born into wealthy and prominent family from Philadelphia.  His grandfather was Revolutionary War veteran Major Pierce Butler.  Major Butler was a U.S. Senator from South Carolina and the author of the Constitution’s fugitive slave clause.  He owned two plantations in Georgia, one was on St. Simon’s Island where sea-island cotton was grown and the other was on Butler Island where rice was grown.  One day, his grandson would inherit this mass fortune, making history as one of the largest slaveholders in the nation.

Pierce, infatuated with Fanny, followed her while she toured and she fell in love with this charming and attentive man.  She married him as a way of escaping life in the theatre which was beset with her family’s unstable financial future.  She was marrying into wealth but didn’t find out what the source of that wealth was until after they got married.

It was a marriage that was doomed from the beginning.  She believed that he would always be devoted to her and he believed that he could control her.  And their differences on slavery did not help matters.  He thought he could get her to see the benefits of the institution while she thought she could get him to free his slaves.  When she tried to publish an antislavery treatise she had written, Pierce forbade her to do so.  After he and his brother John inherited the Georgia plantations, Fanny wanted to see the plantation and begged but Pierce to take her with him but he refused.  Then in December of 1838 he took her and their two daughters and their Irish nurse to Butler Island.  Nothing could have prepared Fanny for  what she witnessed at this place.  Inspite of the beautiful surroundings, she could not escape the ugly presence of slavery.  She said, “I should like the wild savage loneliness of the far away existence extremely if it were not for the one small item of the slavery.”

Fanny and Pierce clashed over their views of slavery and their marriage began to deteriorate.  In 1845 Fanny left Pierce and children and returned to England where she resumed her stage career.  Pierce sued for divorce, claiming that she had “willfully, maliciously, and without due cause, deserted him on September 11, 1845”.  Three years later, on April 7, 1848, he filed for divorce.  Fanny returned to America to defend herself against his charges and after a long and painful court battle, the divorce was granted a year later with Pierce having full custody of the girls.  Fanny was allowed to spend two months very summer with them and receive $1500 yearly in alimony.

While Fanny was able to support herself in the U.S. and Europe with her Shakespearean readings, Pierce fell into financial ruin, gambling away his fortune.  He ended up in huge debt which led to the selling of the mansion in Philadelphia and the liquidation of other properties.  Unfortunately, this was not enough so the trustees turned their focus on the property in Georgia where the slaves were.  This led to the largest single sale of human beings in United States history and the event known as “the weeping time” as slaves were separated from their families.

After the war Pierce and his daughter Frances returned to Butler Island where he arranged for former slaves to work for him as sharecroppers.  He later contracted malaria and died.  Fanny moved to Philadelphia where she continued to perform dramatic readings.  She travelled and published her journals.  On January 15, 1893, Fanny died peacefully in London.

Notes to Women want to acknowledge this woman who spoke out against an institution and practice which violated the rights of people based on their race.  Moved with compassion and a sense of decency, Fanny set out to reform the plantations.  She set up a hostel and nursery for those in need and paid the slaves who personally tended to her.  She improved the hygiene of the slave children by rewarding cleanliness with small prizes.   Her critics saw her efforts at reform as foolish and sided with her husband but we applaud Fanny for the stance she took against slavery and her resolve to do what she could to help the slaves and for raising awareness through her firsthand observations.  If you are interested in reading about her experiences, you can read them in her diary here.

In Fanny’s eyes, acquiring wealth from the forced labor and enslavement of others is unconscionable. She was convinced that slavery was wrong and inhumane and refused to be silenced on the matter.  She stuck to her convictions and today, her journal continues to be a primary source of education on the reality of slavery.

[On disagreeing with her husband about his slave-holding:] I cannot give my conscience into the keeping of another human being or submit the actions dictated by my conscience to their will.

I have sometimes been haunted with the idea that it was an imperative duty, knowing what I know, and having seen what I have seen, to do all that lies in my power to show the dangers and the evils of this frightful institution.

In the north we could not hope to keep the worst and poorest servant for a single day in the wretched discomfort in which our negro servants are forced habitually to live.

I said I thought female labour of the sort exacted from these slaves, and corporal chastisement such as they endure, must be abhorrent to any manly or humane man.

The Southern newspapers, with their advertisements of negro sales and personal descriptions of fugitive slaves, supply details of misery that it would be difficult for imagination to exceed. Scorn, derision, insult, menace – the handcuff, the last – the tearing away of children from parents, of husbands from wives – the weary trudging in droves along the common highways, the labor of body, the despair of mind, the sickness of heart – these are the realities which belong to the system, and form the rule, rather that the exception, in the slave’s experience.

A good many causes tend to make good masters and mistresses quite as rare as good servants…. The large and rapid fortunes by which vulgar and ignorant people become possessed of splendid houses, splendidly furnished, do not, of course, give them the feelings and manners of gentle folks, or in any way really raise them above the servants they employ, who are quite aware of this fact, and that the possession of wealth is literally the only superiority their employers have over them.

Though the Negroes are fed, clothed, and housed, and though the Irish peasant is starved, naked, and roofless, the bare name of freemen-the lordship over his own person, the power to choose and will-are blessings beyond food, raiment, or shelter; possessing which, the want of every comfort of life is yet more tolerable than their fullest enjoyment without them.

When marriage is what it ought to be, it is indeed the very happiest condition of existence.

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Sources:  PBS, Pabook Libraries, New Georgia Encyclopedia; Brainy Quotes; AZ Quotes; Stand Up Quotes

Mary Ann Shadd Cary

Mary Ann Shadd Cary was the eldest of thirteen children.  She was born on October 9, 1823 in Wilmington, Delaware.  Her great-grandfather was Hans Schad, alias John Shadd, who served as Hessian soldier with the British army during the French and Indian War.  Her father, Abraham Doras Shadd was trained as a shoemaker and owned a shop in Wilmington and later in the nearby town of West Chester, Pennsylavania.  In these two places, he was a conductor on the Underground Railroad and involved in other civil rights activities.  He was an active member of the American Anti-Slavery Society and in 1833 he was named President of the National Convention for the Improvement of Free People of Colour.

It’s not surprising that the Shadd family moved to Pennyslavania when it became illegal to educate African American children in the the state of Delaware.  In Pennyslavania, Mary attended a Quaker school.  In 1840 Mary Ann returned to West Chester where she established a school for black children.  She taught in Norristown, Pennsylvania and New York City.  Three years later, Abraham was forced to move his family to Canada, settling in North Buxton, Ontario.  The reason of this move was the passage of the Fugitive Slave Act of 1850.  The law threatened to return free northern blacks and escaped slaves into bondage.   In 1858, Abraham D. Shadd became the first black man to be elected to political office in Canada.

Mary Ann founded a racially integrated school in Windsor with the support of the American Missionary Association.  She ran The Provincial Freeman, an anti-slavery newspaper which made her the first female editor in North America.  Her brother, Isaac managed the business affairs of the newspaper and at his home he hosted meetings to plan the raid on Harper’s Ferry.

Mary Ann traveled around Canada and the United States, an advocate for full racial integration though education and self-reliance.  She promoted emigration to Canada amongst freemen.  In 1855 when she attempted to participate in the Philadelphia Colored Convention, the assembly debated whether or not to even allow her to sit as a delegate.  She was viewed as a controversial figure becuase of her advocacy for emigration.  By 15 votes she was admitted and according to Frederick Douglass’ Paper, although she gave a speech advocating for emigration, she was so well received that the delegates voted that she be given ten more minutes to speak.  Unfortunately, her presence at the Convention was omitted from the minutes most likely because she was a woman.  How sad.  Here we have blacks who know what it’s like to be discriminated because of color and yet they were discriminating against Mary Ann because she was a woman.  How difficult it was to be a black woman in those days.  She faced prejudice because of her color and prejudice because of her gender.

In 1856 Mary Ann married a Toronto barber named Thomas F. Cary who was involved with the Provincial Freeman.  They had a daughter and a son.  After Thomas died in 1860, Mary Ann and their children returned to the United States.

During the Civil War, at the request of abolitionist, Martin Delany, she served as a recruiting officer to enlist black volunteers for the Union Army in the state of Indiana.  After the Civil War, she went back to teaching.  She taught in the black schools in Wilmington before she moved to Washington, D.C. where she taught in public schools and attended Howard University School of Law.  In 1883, at the age of 60, she graducated as a lawyer, becoming the second black woman in the United States to earn a law degree.  Age didn’t slow this remarkable woman down.  Not only was she writing for newspapers such as National Era and The People’s Advocate but she organized the Colored Women’s Progressive Franchise.  She joined the National Woman Suffrage Association where she worked alongside Susan B. Anthony and Elizabeth Cady Stanton for women’s suffrage.  They testified before the Judiciary Committee of the House of the Representatives.

Mary Ann Shadd died in Washington, D.C. on June 5, 1893.  She was interred at Columbian Harmony Cemetery.  She left behind her a great legacy.  Her former residence in the U Street Corridor was declared a National Historic Landmark in 1976.  In 1987 the National Women’s History Project designated her a Women’s History Month Honoree and Canada honored her by designating her a Person of National Historic Significance.

Like her father, Mary Ann was an advocate for civil rights –the right to freedom and education among blacks.  She was an anti-slavery activist, journalist, teacher and lawyer.  She was a wife and mother.  She was a wonderful example to her children.  She taught them that everyone is entitled to life, liberty and the pursuit of happiness.  No one should have their freedom and right to education taken away from them.

Notes to Women salute this amazing woman who showed us that the things we sometimes take for granted are to be cherished.  Freedom and education are two things we should fiercely guard.  There are some countries in the world where human rights are violated.  Women are treated as second class citizens or worse, girls are denied education and Christians are denied the freedom to worship.  Be thankful for the freedoms you currently have.

“Self-reliance Is the Fine Road to Independence.”

 

220px-Mary_Ann_Shadd

 

Sources:  http://en.wikipedia.org/wiki/Mary_Ann_Shadd;

http://www.womeninhistoryohio.com/mary-ann-shadd-cary.html

Audrey Hepburn

“For Attractive lips, speak words of kindness.
 For lovely eyes, seek out the good in people.
 For a slim figure, share your food with the hungry.
 For beautiful hair, let a child run their fingers through it once a day.
 For poise, walk with the knowledge that you never walk alone.
 People, more than things, have to be restored, renewed, revived, reclaimed, and redeemed. Remember, if you ever need a helping hand, you will find one at the end of each of your arms.
 As you grow older, you will discover that you have two hands, one for helping yourself and the other for helping others.”
Audrey Hepburn

We adored her as Eliza Doolittle and Sabrina.  She starred opposite some of Hollywood’s top notch leading men–Gregory Peck, Cary Grant, Gary Cooper, Humphrey Bogart, Burt Lancaster, Fred Astaire, Henry Fonda and William Holden.  There was a sweet, endearing quality about her and such grace.   She was a delight to watch.

She had such a lovely British accent.  However, I learned that she was not born in England.  She was born in Ixelles, Belgium.  She was the only child of an English banker of Irish descent and his second wife, a baroness and Dutch aristocrat.

Audrey spent her childhood chiefly in the Netherlands, including German-occupied Arnhem, Netherlands, during the Second World War. Her parents divorced when her father, a Nazi sympathiser, left the family.  Hepburn referred to her father’s abandonment as the most traumatic moment of her life. Years later, she located him in Dublin, Ireland, through the Red Cross. Although he remained emotionally detached, she stayed in contact with him and supported him financially until his death.

In 1939, her mother moved her and her two half-brothers to their grandfather’s home in Arnhem in the Netherlands, believing the Netherlands would be safe from German attack. Hepburn attended the Arnhem Conservatory from 1939 to 1945, where she trained in ballet along with the standard school curriculum.

In 1940, the Germans invaded the Netherlands. During the German occupation, Hepburn adopted the pseudonym Edda van Heemstra, modifying her mother’s documents because an “English sounding” name was considered dangerous, with her mother feeling that “Audrey” might indicate her British roots too strongly. Being English in the occupied Netherlands was not an asset; it could have attracted the attention of the occupying German forces and resulted in confinement or even deportation. Edda was never her legal name, also it was a version of her mother’s name Ella.

Audrey studied ballet in Arnhem and then moved to London in 1948, where she continued to train in ballet and worked as a photographer’s model. She appeared in several European films before starring in the 1951 Broadway play Gigi.

She starred opposite Gregory Peck in Roman Holiday for which she won the Academy Award  That was the first movie I saw her in with her short, sophisticated hairstyle.  I loved the part where Gregory Peck’s character put his hand in the mouth of the statue, La Bocca della Verità (in English, “the Mouth of Truth”) and when he pulled it out, it looked like he had lost it and Audrey’s character screamed.  He then popped his hand out of his sleeve and laughed. It turned that Audrey’s scream was real.Gregory Peck decided to pull a gag he had once seen Red Skelton do, and did not tell Audrey beforehand.  The gag worked and for me it was one of the most memorable moments of the movie.  When my sister and I visited La Bocca, I couldn’t help but think about that scene.

What I admired about Audrey Hepburn was  her work with UNICEF.  Her war-time experiences inspired her passion for humanitarian work and, although she had worked for UNICEF since the 1950s, during her later life she dedicated much of her time and energy to the organization. From 1988 until 1992, she worked in some of the most profoundly disadvantaged communities of Africa, South America and Asia. In 1992, Hepburn was awarded the Presidential Medal of Freedom in recognition of her work as a UNICEF Goodwill Ambassador. 

Audrey was grateful for her own good fortune after enduring the German occupation as a child and for this reason she dedicated the remainder of her life to helping impoverished children in the poorest nations. Hepburn’s travels were made easier by her wide knowledge of languages; besides being naturally bilingual in English and Dutch, Audrey also was fluent in French, Italian, Spanish, and German.

Her first field mission was to Ethiopia in 1988. She visited an orphanage in Mek’ele that housed 500 starving children and had UNICEF send food. Of the trip, she said, “I have a broken heart. I feel desperate. I can’t stand the idea that two million people are in imminent danger of starving to death, many of them children, [and] [sic] not because there isn’t tons of food sitting in the northern port of Shoa. It can’t be distributed. Last spring, Red Cross and UNICEF workers were ordered out of the northern provinces because of two simultaneous civil wars… I went into rebel country and saw mothers and their children who had walked for ten days, even three weeks, looking for food, settling onto the desert floor into makeshift camps where they may die. Horrible. That image is too much for me. The ‘Third World’ is a term I don’t like very much, because we’re all one world. I want people to know that the largest part of humanity is suffering”. (Wikipedia). 

I always have the image of her with African children and the way she was loving and playful with them.  You could see that her heart was in what she was doing and that being there made her happy.

What a classy lady Audrey was.  She was a true leading lady not only on screen but in real life.