Prayer Partner

She had been looking for a prayer partner
for a long time but whenever she thought of
someone and called her, it wasn’t a good
time for the person or she wasn’t interested.

The past year had been hard. Her marriage
of fifteen years ended in divorce. They had
gone for counseling but he decided that he
didn’t want to continue with it and filed for
a divorce. That really hurt. She had hoped
to save their marriage. As a Christian, she
didn’t believe in divorce, not even if there
were grounds for it. In her case, there was
adultery.

It was a shock when she found out
that her husband had been having an affair
with his secretary. When she asked him
about it, he didn’t deny it but promised to
end it. She didn’t fly into a rage but mustered
as much self-control as she possibly could to
remain composed and suggested
that they see a marriage counselor. They did
for a few weeks and then he decided that it
was a waste of time. She found out that he
had not ended his affair. He moved out and
a week later, she received the divorce papers.
The divorce was final and she had full custody
of their daughter. He had her for weekends
and holidays.

It was hard adjusting to life as a divorced
woman. Her sister had suggested that she
joined a prayer group at the church or get
a prayer partner. The support would be a
tremendous benefit for her. So, she decided
to look into getting a prayer partner but so far
her quest was unsuccessful. She prayed about
it every night, hoping that the next time
she called the names on her list that someone
would say “yes”.

Then one day her daughter came to her while
she was in the kitchen preparing dinner. “Mommy,
can I be your prayer partner?” she asked.

Her mother stopped what she was doing to look
at her. What a novel idea, she thought. Then she
thought of the prophets Samuel and Jeremiah.
They were young when God called them to serve
Him. Perhaps God was telling her that the
answer to her prayer was right in front of her.
“How did you know that I was looking for a
prayer partner?”

“I heard you on the phone and when I saw you
you looked really sad so I prayed about
it too. God told me to ask you if I could be
your prayer partner.”

She hugged her daughter. “Yes, Honey, you can
be my prayer partner. Why don’t we take a moment
right now to thank God for answering our prayers?”

Her daughter nodded, smiling. And they went into
the living-room where they knelt down and prayed.

Mother-and-Daughter-in-Prayer-Ministry-Stock-Photo-1024x682

Source:  Fruitful Words Blog

Ingrid Bergman

I just read in the Stabroek News that the 68th Cannes Film Festival unveiled its official poster featuring legendary actress Ingrid Bergman in a tribute to what would have been her 100th birthday this year.  I think that’s wonderful.  She was an actress I truly admired and appreciated.  She had gentle beauty and an air of quiet refinement.  She was very classy.  I remember her in films like Casablanca, Gaslight, Anastasia and For Whom the Bells Toll.  She acted with some of Hollywood’s A list male stars–Humphrey Bogart, Gregory Peck, Cary Grant and Gary Cooper.  It would have been interesting to see her star opposite Clark Gable, Jimmy Stewart and Burt Lancaster.

Acting was something Ingrid always knew she wanted to become.  Her father, a Swedish artist and photographer wanted her to become an opera star and had her take voice lessons for three years.  She wore her mother’s clothes and staged plays in her father’s empty studio.  He documented all of her birthdays with a borrowed camera.  He died when she was thirteen.  Her German mother had died when she was two years old.

After her father’s death, Ingrid was sent to live with an aunt who died just six months later from a heart disease.  She moved in with another aunt and uncle who had five children.  Her aunt Elsa was the first one who told Ingrid when she was 11 years old that her mother may have “some Jewish blood”, and that her father was aware of this long before they got married.  Her aunt cautioned her about telling others about her possible ancestry as “there might be some difficult times coming.”  This reminds me of Queen Esther who was intially cautioned by her uncle not to let anyone know that she was a Jew.

In 1932 when she was 17, Ingrid had only one opportunity to become an actress by entering an acting competition with the Royal Dramatic Theatre in Stockholm.  For Ingrid it was a terrible moment.  She recalled:  As I walked off the stage, I was in mourning.  I was at a funeral.  My own.  It was the death of my creative self.  My heart had truly broken…they didn’t think I was even worth listening to, or watching.”

This couldn’t have be further from the truth as she soon learned after meeting one of the judges who told her, “We loved your security and your impertinance.  We loved you and told each other that there was no reason to waste time as there were dozens of other entrants still to come.  We didn’t need to waste any time with you.  We knew you were a natural and great.  Your future as an actress was settled.”  What a thrill and relief that must have been for the aspiring actress.  She received a scholarship to the state-sponsored Royal Dramatic Theatre School where Greta Garbo had earned a similar scholarship just years earlier.

Ingrid’s dream was now a reality.  She was given a part in a new play and over the summer break, she was hired by a Swedish film studio which led to her departure from the Royal Dramatic Theatre a year later to work full-time in films.  She starred in a dozen films in Sweden, including En kvinnas ansikte which was later remade as A Woman’s Face, starring Joan Crawford.  Ingrid made one film in Germany in 1938.

Then it was off to Hollywood…Thanks to David O. Selznick, she starred in Intermezzo:  A Love Story, her first acting role in the United States.  It was a remake of her 1935 Swedish film, Intermezzo.  Ingrid didn’t plan to stay in Hollywood.  She thought she would complete this film and return home to Sweden to be with her husband, Dr. Peter Lindstrom and their daughter, Pia.

Selznick had concerns about Ingrid.  “She didn’t speak English, she was too tall, her name sounded too German, and her eyebrows were too thick.”  However, Ingrid was accepted without having to modify her looks.  Selznick let her have her way because he understood her fear of Hollywood makeup artists who might turn her into someone she wouldn’t recognize.  He told them to back off.  Besides, he believe that her natural good looks would compete successfully with Hollywood’s “synthetic razzle-dazzle.”

Selznick, who was filming Gone With the Wind at the same time, shared his early impressions of Ingrid in a letter to William Hebert, his publicity director :

Miss Bergman is the most completely conscientious actress with whom I have ever worked, in that she thinks of absolutely nothing but her work before and during the time she is doing a picture … She practically never leaves the studio, and even suggested that her dressing room be equipped so that she could live here during the picture. She never for a minute suggests quitting at six o’clock or anything of the kind … Because of having four stars acting in Gone with the Wind, our star dressing-room suites were all occupied and we had to assign her a smaller suite. She went into ecstasies over it and said she had never had such a suite in her life … All of this is completely unaffected and completely unique and I should think would make a grand angle of approach to her publicity … so that her natural sweetness and consideration and conscientiousness become something of a legend … and is completely in keeping with the fresh and pure personality and appearance which caused me to sign her.

Not surprisingly, Intermezzo was a huge success and resulted in Ingrid becoming a star.  She left quite an impression on Hollywood.  And Selznick’s appreciation of her uniqueness made he and his wife Irene remain important friends to Ingrid throughout her career.

Before making Casablanca, Ingrid made one last film in Sweden and appearing in three moderately successful films, Adam Had Four Sons, Rage in Heaven and Dr. Jekyll and Mr. Hyde.  According to her biographer, she felt guilty that she had misjudged the situation in Germany.  She had dismissed the Nazis as a “temporary aberration, ‘too foolish to be taken seriously.’ She didn’t believe that Germany start a war because the good people of the country would not allow it.  Sadly, she was wrong.  She felt guilty for the rest of her life and when she was in Germany at the end of the war, she had been afraid to go with the others to witness the atrocitites of the Nazi extermination camps.

In 1942, she starred opposite Humphrey Bogart in Casablanca, a movie famous for its wonderul lines and the famous song, “As Time Goes By”.  I was surprised to read that Ingrid did not consider it to be one of her favorite performances.  She said, “I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart.”  I thought she and Bogart were great together.

I think I only saw For Whom the Bell Tolls once but really liked it.  My sister and I liked how she looked with her short, blond, curly hair and a “sun-kissed complexion”.  I read that Ernest Hemmingway wanted her to play the part of Maria.  When he met her, after studying her, he exclaimed, “You are Maria!”  When Ernest told Ingrid that she would have to cut her hair to play the part, she was quick to respond, “To get that part, I’d cut my head off!”

For Whom the Bell Tolls, was the film that saved the song, “As Time Goes By” from being removed from Casablanca.  Warner Brothers wanted to substitute the song and planned to re-shoot some scenes with Ingrid but thanks to her hair-cut, they had to drop the idea as there would be a problem with continuity even if she wore a wig.

A year later, Ingrid won the Academy Award for Best Actress for Gaslight.  It was a gripping and suspenseful movie of a wife being driven to madness by her husband, masterfully played by Charles Boyer.  She next starred as a nun in The Bells of St. Mary opposite Bing Cosby, garnering her third consecutive nomination for Best Actress.   She came in a succession of Alfred Hitchock movies, Spellbound, Notorious and Under Capricorn (I never heard of this one).

During her marriage to Lindstrom, Ingrid had a brief affair with Gregory Peck.  This affair was kept private until five years after Ingrid’s death, when Gregory revealed in an interview with Brad Darrach of People, “All I can say is that I had a real love for her (Bergman), and I think that’s where I ought to stop…. I was young. She was young. We were involved for weeks in close and intense work.”

Unlike her affair with Gregory Peck, the one with the Italian film director, Roberto Rossellini was a very public one.   Although Ingrid received another Best Actress nomination for Joan of Arc in 1948, the film was not a hit, partly because news of her affair with Rossellini broke while the movie was still in theatres.  It was her admiration for Rossellini which had led Ingrid to write him a letter, expressing her admiration and suggesting that she make a film with him.  She was cast in his film, Stromboli and during production, she fell in love with him and they began an affair.  She became pregnant with their son, Bergman became pregnant with their son, Renato Roberto Ranaldo Giusto Giuseppe (“Robin”) Rossellini and this affair caused a huge scandal in the United States.  She was denounced on the floor of the United States senate and Ed Sullivan chose not to have her appear on his show despite a poll showing that the public wanted her there.  However, Steve Allen had her on his equally popular show, noting, “the danger of trying to judge artistic activity through the prism of one’s personal life.” 

The scandal drove Ingrid back to Italy, leaving her husband and daughter.  She went through a very public divorce and custody battle for their daughter.  She and Lindstrom divorced a week after her son was born and she married Rossellini in Mexico.  In 1952, Ingrid gave birth to twin daughters Isotta Ingrid Rossellini and Isabella Rossellini.  Five years later she divorced their father and the following year she married Lars Schmidt, a theatrical entrepreneur from a wealthy Swedish shipping family.  That marriage lasted until 1975 when they divorced.

In 1956, Ingrid starred in the movie, Anatasia. It was her return to the American screen and her second Academy Award for Best Actress which her best friend Cary Grant accepted for her.  She made her first appearance in Hollywood since the scandal when she was the presenter of the Academy Award for Best Picture at the 1956 Academy Awards.  She received a standing ovation after being introduced by Cary Grant.  In 1969, she starred opposite Walter Matthau and Goldie Hawn in the hilarious and delightful movie, Cactus Flower.  It was nice seeing Ingrid take a turn in a light romantic comedy.

In 1972, US Senator Charles H. Percy entered an apology in to the Congressional Record for Edwin C. Johnson’s attack on Ingrid 22 years ago.  In 1974 she won her third Oscar for Murder on the Orient Express, earning her the distinction of being one of the few actresses ever to receive three Oscars.  Her final role was as Golda Meir in A Woman Called Golda.   She was offered the part because, “People believe you and trust you, and this is what I want, because Golda Meir had the trust of the people.”  This interested Ingrid and the role was greatly significant for her because she still carried the guilt of misjudging the situation in Germany during World War II.  Ingrid was frequently ill during the film although she hardly showed it or complained.  She was a real trooper.  Four months after the film was completed, on her 67th birthday in London, Ingrid died of breast cancer.  Her daughter, Pia accepted her Emmy.

Ingrid was a  woman of grace, natural beauty who brought realism and dignity to her roles.  She was a star with no temperament, making her a delight to work with, unpretentious, unique, hard-working, “a great star” who “always strove to be a ‘true’ woman.”  She was not a saint but a woman with real emotions.   She was not afraid to speak out against racism.  During a press conference in Washington, D.C. where she was promoting, Joan of Lorraine, she protested against the racial segregation she witnessed firsthand at the theatre where she was performing.  This drew a lot of publicity and some hate mail.  In a news column in the Herald-Journal, she is reported as saying, “I deplore racial discrimination in any form.  To think it would be permitted in the nation’s capital of all places!  I really had not known that there were places in the United States–entertainment places which are for all the people–where everybody could not go.”

Notes to Women salute this remarkable woman and actress who won our hearts and deepest admiration with her grace and courage.  We celebrate one of the greatest leading ladies that ever graced the silver screen.  She once said, “I am an actress and I am interested in acting, not in making money.”  Dear Ingrid, we are so very thankful that you chose acting over opera.

I have no regrets. I wouldn’t have lived my life the way I did if I was going to worry about what people were going to say.

I can do everything with ease on the stage, whereas in real life I feel too big and clumsy. So I didn’t choose acting. It chose me.

I don’t think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.

Time is shortening. But every day that I challenge this cancer and survive is a victory for me.

If you took acting away from me, I’d stop breathing.

ingrid-bergman

Sources:  Stabroek News ; Wikipedia; IMDB; Brainy Quotes; Herald-Journal

Eleanor Roosevelt

Earlier this month when I was reading about African American women who made a difference so that I could feature them in the special issue of Notes to Women newsletter, one name kept popping up–Eleanor Roosevelt.  I promised myself that I would do a little writeup on her.  And here we are.

“Where, after all, do universal human rights begin? In small places, close to home – so close and so small that they cannot be seen on any maps of the world. Yet they are the world of the individual person; the neighborhood he lives in; the school or college he attends; the factory, farm, or office where he works. Such are the places where every man, woman, and child seeks equal justice, equal opportunity, equal dignity without discrimination. Unless these rights have meaning there, they have little meaning anywhere. Without concerted citizen action to uphold them close to home, we shall look in vain for progress in the larger world” (http://www.udhr.org/history/biographies/bioer.htm).

She basically believed that charity begins at home.  And she reminds me of something a friend once said to me.  “The difficulty in following Jesus’ command is that we often pick and choose who we decide is our neighbour. We see our neighbour as the starving, AIDS infected person in the Third World or the orphan in a war torn country, needing our love and care but often perceive the homeless in our community as undeserving of our love.”

Eleanor’s childhood was a dreadfully unhappy one.  Her father was an alcoholic who was disowned by his family. Her mother, renowned for her beauty, was distant from her daughter whom she nicknamed “Granny” because she seemed to her old-fashioned. After Anna Roosevelt died of diphtheria in 1892, Eleanor, age eight, was raised by her maternal grandmother. She rarely saw her father thereafter, and he died of drink in 1894 when she was ten. These traumatic experiences affected Eleanor for life and she would harbor a constant yearning for unconditional love (http://www.lkwdpl.org/wihohio/roos-elex.htm). 

Life didn’t improve much when when Eleanor married Franklin, a distant cousin and they had six children.  Eleanor had to deal with her overbearing mother-in-law who apparently told her grandchildren that their mother only bore them.  She tried to control Eleanor, making her daughter-in-law feel utterly dependent.  

Then Eleanor found out that Franklin was having an affair with Lucy Mercer, her secretary.  She offered him a divorce, but he declined for the sake of his political career and because his mother threatened to disinherit him if he did.  He and Eleanor never shared a bedroom after that, but their working relationship was respectful, for the time (http://tvtropes.org/pmwiki/pmwiki.php/Main/FranklinDRoosevelt).

Eleanor Roosevelt was the first First Lady to be more politically active, involving herself in causes like Civil Rights.  Perhaps it was because there was lack of charity in her own home that made Eleanor want to reach out to her community.   From early adulthood Eleanor Roosevelt dedicated herself to liberty, justice, and compassion for all.

Racial injustice came to her attention only after she reached the White House.   By that time, she was already active in promoting other groups’ causes. Before she married Franklin Delano Roosevelt in 1905, she worked with the immigrants at the Rivington Street Settlement House. During World War I she helped improve conditions for US servicemen.When Franklin fell ill, leaving him crippled, she once again found herself standing up for someone whose value to society was doubted, this time her own husband. The 1921 experience deepened her concern for society’s unaccepted. Later the same decade she began her work promoting women’s causes. Women had just gained the right to vote, and Eleanor encouraged them to make the most of that right and run for office. 

After leaving the White House, Mrs. Roosevelt found herself more free than ever to promote equal rights for African Americans. During her final years she continued fighting as hard and fearlessly as ever. On at least one occassion, the Secret Service warned her not to keep a speaking engagement on civil disobedience. The Ku Klux Klan had put a price on her head and the Secret Service said they could not guarantee her safety. Undeterred, she traveled with another lady and her revolver. Such was her determination, independence, and courage right up to the year she died.

Mrs. Roosevelt was not always successful, even despairing at times of making any progress at all. And not every one of the causes she championed, such as the United Nations, turned out to be all that she hoped. But she used every ounce of her influence, charisma, and political capital for the causes in which she believed. Right or wrong, she fought zealously and courageously, and in most cases the world is a better place because of those fights. This zealous First Lady’s support moved African Americans’ cause ahead by decades
 (http://www.blackhistoryreview.com/biography/ERoosevelt.php).

Eleanor Roosevelt came a long way from being an unhappy child and dependent woman to becoming a champion for women’s and civil rights.  She was committed to what she believed in.  

Be inspired by this remarkable woman who endured so much but in the end gave so much because she cared about the rights of others. 

You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You must do the thing which you think you cannot do.

No one can make you feel inferior without your consent.

Remember always that you not only have the right to be an individual, you have an obligation to be one

Eleanor Roosevelt