Sought After Again

She was once a famous actress.

Sought by everyone.  Accolades

of awards adorned her lavish

home.  Photos of her with other

A list stars lined the walls.   She

was voted People’s Most Beautiful

and graced the covers of TIME

Magazine as person of the year.

 

And it seemed almost overnight…

the roles became few and far in

between and smaller.  She had

heard of Hollywood’s problem

with women over 40 but she

never imagined it would happen to

her.  She believed that they would

always want someone with her talent

and looks.  Writers and producers no

longer saw her as appealing because

she was pushing fifty.

 

Ageism had become her enemy.

The roles she wanted were going

to younger actresses and there

was nothing she could do about

it, except speak about it every

opportunity she got.  Acting was

in her blood.  She loved it and

the thought of retiring terrified

her.  She found herself settling

for roles she would never have

considered in the past.  But,

desperate times called for

desperate measures.

 

Yet, there was a glimmer of hope.

She saw it when she saw Octavia

Spencer catapult to fame at the age

of 41 in The Help and 50 year old

Melissa Leo win an Oscar.  Perhaps

one day, she would again become a

sought after star.  Perhaps she would

have her Hollywood ending.

 

Source:  Huff Post

 

 

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The Autograph

He was walking down a busy street in downtown Manhattan, heading back to his hotel room when he saw her.  She was coming toward him–a very pretty girl in a white jacket over a black top and blue jeans.  He wasn’t looking for anything because he was already in a relationship which he was having serious misgivings about, especially now that Claudia was pressuring him to get married.  The last thing he wanted was to be distracted by another woman.

Yet, as they approached each other, he couldn’t look away.  She was staring at him too and that thrilled him.  Since Claudia and he began dating four years ago, he had never once looked at another woman until now…His heart thudded as they got closer to each other and as they passed each other, she looked right up at him.  He was tempted to look back but continued walking.

“Excuse me,” she called and he stopped.  When he turned around, she went closer, her eyes searching his face.  “Aren’t you Bernard Forbes, the British stage and independent film actor?”

He nodded.  “Yes, I am.”

She smiled broadly, her eyes bright with excitement.  “I’m a big fan of yours,” she told him.  “I have seen all of your films.  And last month when I was in London, I went to see you in the latest stage production of Macbeth.  It was the only reason I visited England.  I wanted to go backstage and get your autograph but my aunt was in a hurry to leave.”

“I’m flattered that you went all the way to London just to see me in a play.  The least I can do is to give you my autograph for your trouble.”

“It just so happens, I have the program with me.  This is the handbag I had with me when I went to see the play.  I just never got around to taking it out and I’m happy I didn’t.”  She took it out along with a pen and handed them to him, her heart racing.  He was even more handsome in person and gracious too.  She couldn’t wait to call her aunt in London and tell her.

“What’s your name?” he asked.

“Kimani Jones.”

“Kimani.  What an unusual name,” he commented.  “What does it mean?”

“’Beautiful’ and ‘sweet’”, she replied.  “My mother saw it somewhere and decided that she would call me that.”

“It suits you,” he said, his eyes meeting hers in a steady gaze before he turned his attention to signing his autograph.  He wrote:  To: Kimani, my warmest regards and my very best to you always.  Bernard Forbes.  He handed the program back to her.

She read what he wrote.  “Thank you,” she gushed, beaming at him.  “I really appreciate this.

“It was my pleasure,” he said quietly.  “How come you’re not in school?”

“I’m on March break,” she said.  “And I’m in my third year at New York University.”

“Are you in a hurry to get somewhere?”

She shook her head.  “I was just window shopping.  Spring is around the corner so I was thinking of buying some new clothes.”

They were standing close to a café.  “Let’s move our conversation from the sidewalk to in there,” he suggested.  There wasn’t any harm in talking to one of his fans, was there?  She was a welcome change from the movie and theatre crowd and the people he usually associated with.  Besides, this was better than going back to his hotel room to brood over his relationship with Claudia.

She readily acquiesced and they went into the café.  He found a table at the back and by the window.  It was after ten o’clock so the place was almost empty save for a few people and aside from curious stares in his direction, no one bothered them.  After they ordered two hot chocolates, he leaned forward in his chair, arms on table and studied her.  “You mentioned that you’re in your third year in university.  What is your area of study?”

I can’t believe I’m sitting here having a conversation with Bernard Forbes.  “I’m studying Psychology.”

“Why Psychology?”

“I want to help people.”

“That’s commendable,” he said.  “I have a feeling that you will do very well in the field.”

“Thank you.”

“Have you always lived in New York?”

“Yes.  And I can’t imagine living anywhere else.”

He asked her all sorts of questions about herself and in no time an hour had passed.  “Spend the rest of the day with me, Kimani,” he heard himself say.

“All right,” she said, thrilled.  And after he paid for the hot chocolates, they left the cafe and walked up the road where he hailed a cab.

They went to Central Park where they spent a fun afternoon.  They went up to the Belevdere Castle to check the temperature and to enjoy the panoramic view around them.  Afterwards, they visited the Conservatory Garden and watched people sail their boats at Conservatory Water before they grabbed lunch.  After lunch they went to see a puppet show at the Swedish Cottage Marionette Theatre.  They ended the day at Bethesda Fountain where they each made a wish.

The sun was setting as they walked to the exit of the park.  He hailed a cab and she gave the driver her address.

“Thank you for an incredible day,” he told her when they were outside of her apartment building.  “I haven’t enjoyed myself so much in a very long time.”

She smiled.  “I had a wonderful time too.  I never knew there were so many fun things to do in Central Park.”  I hope we can see each other again.

“Kimani, I want to see you again.” This was madness but he couldn’t seem to get enough of her.  He had to see her again.   “Have dinner with me tomorrow night.”

“I’d like that,” she said.

“Good.  I’ll pick you up at seven.”  He took her hand and raised it to his lips, making her tremble.   “Have a good evening.”  He reluctantly released her hand and climbed back into the back of the cab.

Her flesh tingled.  “You too,” she replied breathlessly.  She wave at him before she turned and walked to the entrance of her building on rather shaky legs, her mind spinning.  She hoped this wasn’t all a dream.

Dinner was at the Empire State Building.  As soon as they walked in they were greeted with a smile before being shown to a table with a magnificent view.  Over Burrata and Shave Kale salads, Scottish Salmon and Roasted Farm Chicken and non-alcoholic wine, they talked about many different things.  She learned that Bernard began acting on stage when he was eleven at the encouragement of his father who used to be renown theatre actor himself.  His mother was an opera singer.  Both parents were still alive and living in the South of France.  They recently celebrated their sixtieth wedding anniversary.  He flew out for the occasion.  He was an only child like her.

“Do you ever wish that you had brothers or sisters?” she asked.

“Sometimes.  It would have been nice to have an older brother whom I could go to for relationship advice and the one I’d call instead of one of my parents when I got into trouble.  And of course, be each other’s best man at our weddings.”

“Yes, I wish I had an older sister that I could share secrets with whose closet I could raid when I didn’t have anything to wear and someone to hang out with whenever we are forced to attend a family get together and go shopping with.”

He smiled.  “And what would happen if you both ended up liking the same guy?” he teased.

“I would like to think that if the guy liked her instead of me, I would bow out gracefully.”

His expression grew serious.  “If I were that guy you would be the sister I liked.”

She smiled shyly at him.  “And if you had a brother, I would like you instead of him.”

“Kimani, I’m here in New York for a week.  Can I see you everyday until it’s time for me to fly back to London?”

She nodded.  “Yes.  I just have to figure where we can go that you haven’t already been.  I read on line that you have been to New York many times because it’s one of your favorite cities in the world after London and Paris.”

He looked intrigued.  “What else have you read about me?”

“That you like going to museums, for long walks, traveling, cooking, volunteering, you prefer theatre acting to film acting and prefer dating actresses.”

“I’m guilty of all of those things except the bit about my preference for actresses.  You’re not an actress, are you?”

She laughed.  “I was in drama class once in high school and I managed to get through it but I knew then and there that acting was not for me.”

“I love it,” he said simply.  “I can’t imagine doing anything else.”

“What about when the opposite sex throw themselves at you?”

“Yes, that ‘s the part of my career which I truly dislike,” he agreed.  “but it has brought us together.”

“I never imagined that I would bump into you in the street or that when I asked you for your autograph we would end up spending the day together or having dinner.  I still can’t believe that this is really happening.  I’m afraid that this is all a very long and wonderful dream.”

He reached over and grasped her hand.  “This is no dream, Kimani,” he assured her, gently squeezing her fingers to make his point.  “I’m real, you’re real and what is happening between us is very real.”

She blinked, finding it hard to think with him holding her hand.  Just then, a couple approached their table.  They smiled apologetically before the woman said hesitantly, “I’m so sorry to disturb your dinner but know that my husband nor I wouldn’t be able to forgive me if I passed up this opportunity to get your autograph.  We saw you in Macbeth, Hamlet, Absent Night and Secrets in the Dream, your latest independent film.  We are huge fans.  Do you mind signing the front of this photo of my husband and me?” she handed it to him with a pen.   She smiled at Kimani.  “Sorry for the interruption.”

Kimani smiled.  “Don’t worry about it,” she said.  One of the things she had to get used to when being with him was having interruptions like this.

“What are your names?” Bernard asked the woman who was pretty and looked to be in her late thirties.

“Kevin and Angela.”

He scribbled something on the photo and gave it back to her with the pen.  “Have a good evening,” he said with a smile.

“Thank you so much,” she said, looking at the signed photo in appreciation before she put it in her bag.  “Enjoy the rest of your evening.”  She turned and walked away.

“Do you ever get used to people coming up to you wherever you go for your autograph?” she asked.

“Actually, I have gotten used to it but not tired of it.  I will always be happy to sign autographs long after I’ve retired from acting which wouldn’t be for a very long while.   I hope you didn’t mind.”

She shook her head.  “I didn’t.  She’s a fan just like me.  I can relate.”

He glanced at his watch.  “The night is still young.  Would you like to go for a carriage ride in Central Park?”

Her eyes brightened.  “Yes!”

His lips twitched and he signaled to the waitress.  Ten minutes later, they were on their way to Central Park.

The carriage ride was a remarkable and romantic experience.  The Park was transformed at night, a perfect escape from the bustle and noise of the city, making it easy for them to enjoy the spectacular views of the city skyline.  It was the perfect end to a perfect evening.  He took her home and they saw each other for the rest of the week going to the museum, the theatre, the movies, a gondola ride in Central Park, Atlantic City and Coney Island.

On Sunday afternoon, she went with him to the airport, sorry to see him go.  They faced each other general area before he went to the terminal where he would catch his plane.  He took her hands in his.  “I will be back in a week,” he promised.

She nodded and then reached up and hugged him tightly.  “I’ll see you in a week.”

He bent his head and kissed her.  It lasted for a few minutes and when they broke apart, his face was flushed.  “I’ll be back before you know it,” he said before he turned and walked away.  She watched him until he was out of sight before she left the airport, her heart heavy.

The day after he returned from New York, Bernard went to see Claudia.  She was expecting him.  She opened the door, dressed in a long black negligee leaning and her mouth raised for a kiss but after a light brush of his lips against her cheek, he walked past her and into the living-room.  There was a time, not so long ago, when he would have dragged that negligee off.  It was amazing how a man could look at the same woman who used to drive him wild with desire and feel nothing.

Frowning, she closed the door.  “Is something wrong?” she asked when she joined him and noted the expression on his face.

“Please sit down,” he said.  When she did, he sat beside her.  He took a deep breath.  “Claudia, I can’t marry you.”

She stared at him, her face going pale.  “Why not?” she asked.

He hesitated for a moment and then he confessed, “I don’t love you.”

“So, for the four years we have been together you never once loved me?”

He nodded, feeling awful.  “I cared about you, but I wasn’t in love with you.”

“Is that why every time I broached the subject of marriage you shut down?”

He nodded again.  “Yes.  When it comes to marriage, a person has to be very sure before taking that step.  And since I wasn’t sure about us, I couldn’t take that risk.  I went to New York to sort things out and I realized that what was troubling me from the very beginning were my feelings for you.  You loved me but I had to admit to myself that I didn’t love you.  Claudia, you deserve to be with a man who will love you back.  I’m not that man.  I’m sorry…”

She got up from the sofa and began to pace, her arms folded tightly as the enormity of what he was saying hit her.  Tears sprang in her eyes but she blinked them back.  “You came to this conclusion when you were in New York?”

“Yes.”

“Did you meet someone else while you were there, Bernard?”

He sighed, “Yes, but—”

“Is she the reason why you have now decided that you don’t want to be in a relationship with me anymore?”

“Before I met her, I was filled with so many doubts about you and me which I couldn’t shake off.  And being with her helped me to realize that it wouldn’t be fair to either you or me to continue our relationship when it would not lead to what you want—marriage.”

“So, who is she? Another actress or one of your adoring fans?”

He didn’t answer.  “Claudia, the last thing I wanted to do was hurt you but I have to be true to myself and I cannot in all honesty and good conscience, continue to be with you when I can’t give you what you want.  Marriage between us will not work.  I’m sorry.  I hope that in time you will see that I’m right.”  He got up from the sofa and would have gone over to her but the expression on her face deterred him.  “I’m sorry,” he said again.

“So, what are you going to do now that you’re no longer tied to me?” she demanded.  “Go back to New York to be with her?  Well, I hope for your sake that it works out but if it doesn’t don’t think you can come crawling back to me.  I won’t take you back even if you begged me—” her voice broke into a sob.

Contrite, he took a step toward her, “Claudia—”

She held up her hand, glaring at him.  “Bastardo.  Don’t come near me,” she cried.  “I want you to leave.”

He hesitated for a moment and then he turned and walked out of the room.  The last sound he heard was her crying before he closed the door behind him.

Kimani was relaxing on the sofa, reading a book when the doorbell rang.  Putting down her book, she quickly got up and went to answer the door.  Her heart somersaulted when she saw who it was.  Eagerly, she unlocked the door and flung it open, a big smile on her face.

“Do you have room for a weary traveler?”

“Yes, one in particular,” she said as she reached out and grasped by the hand to pull him inside before locking the door. After he set his luggage down on the floor, she hugged him tightly, closing her eyes as she felt his arms go about her waist, holding her close against him.  “I’ve missed you like crazy. One week seemed like a year.”

“I’ve missed you too,” he muttered thickly.  “I couldn’t wait to come back to you.” As soon as she drew back to look up at him, he kissed her.  They stood there for several minutes kissing passionately, happy to be together again and determined never to be apart again.  At length, he drew back to gaze down into her face.  “I have to talk to you about something,” he said quietly.

Frowning, she took his hand and led him over to the sofa.  She curled up on the cushion beside him, with one arm resting along the back of the chair and the other on his thigh.  “What’s on your mind?”

“When you and I met, I was already in a relationship.  When I came to New York, my only intention was to clear my head—figure out what I was going to do about my relationship because I was having so many doubts about it.  And then, I met you.  I tried so hard to fight my attraction for you but it was hopeless.  I had to get to know you better and that’s why I suggested we talk more in the café.  And that time we spent together wasn’t enough so I suggested that we spend the rest of the day together.  By the time we left Central Park, I knew that I was hooked.  I had to see you again.  Being with you made what could have been a complicated situation worse made it bearable.  Those hours I spent with you were the happiest and most relaxed I’ve ever had and it helped me to make up my mind about what I was going to do about my relationship.”

“I knew that you were dating someone,” she said.  “Remember, I’m a fan so I have read every article there is about you.  She’s Claudia Riaz, the beautiful Venezuelan actress who co-starred with you in The Stone of the Predator.  Everyone kept going on about what an attractive couple you made but I didn’t think so–for obvious reasons.  You dated her the longest–four years but there was no news about any engagement which I dreaded because I had developed such a crush on you.  No woman would have been suitable for you.”

“Is it still just a crush that you have on me?”

She shook her head.  “No, by the time I saw you in Macbeth, I had fallen madly in love with you.”

“I never believed in love at first sight until that morning when you stopped me on the sidewalk.”

“I’m glad I asked you for it.”

He reached out and caressed her cheek with his knuckles.  “And do you still think no woman would be suitable for me?”

She nodded.  “Yes.”

“What about you?”

“I’m the exception,” she said huskily.  “I think I’m very suitable for you.”

“Yes, you are,” he groaned and cupping her face between his hands, he kissed her.  As she kissed him back, she thought of what Walt Disney said, all our dreams can come true if we have the courage to pursue them.

 

 

Sources:  City Parks FoundationNYC Carriages; Ruggenberg; Very Well Mind

 

Michelle Yeoh

I want to be there for all those who are left behind in this world, whether it’s because they are born poor, born a woman or born in an area affected by devastation.

Just recently I heard that Bond girl (Tomorrow Never Dies) and Crouching Tiger, Hidden Dragon Malaysian actress, Michelle Yeoh was named UN Goodwill Ambassador.  Michelle was in Nepal in April 2015 when the earthquake struck.  That experience fueled the desire to use her influence to bring awareness to disaster recovery efforts.  Not surprisingly, in her new role as Goodwill Ambassador, she will focus disaster recovery as well as global development.

Notes to Women congratulate Michelle on her new and exciting position which will allow her to pursue gender equality and fight against poverty.

Michelle Yeoh

 

 

 

Source:  New York Times

Former First Lady Dies

Former First Lady Nancy Reagan died today of congestive heart failure at the age of 94.  She was gracious, fiercely protective of her husband President Ronald Reagan.  She was always by his side.  They were inseparable.  And whenever they were apart, they couldn’t wait to be together again.  It seems as if their love just grew stronger over the years.  It was such a thrill to see them always holding hands.  An image that will always stay with me of her was when she leaned her head against her husband’s casket.  It was a heartbreaking moment.  Theirs was a beautiful love story.  “My life really began when I married my husband,” she once said.  In various photos, she is seen gazing up at her husband in adoration.

Mrs. Reagan gave up her own career as a Broadway and film actress to raise a family and to support her husband’s political aspirations.  She was sharply criticised for this by feminists but she countered their attacks with this statement, “Feminism is the ability to choose what you want to do… I’ve really enjoyed the best of two worlds.”

Notes to Women bid farewell to this remarkable woman of strength, unwavering devotion.  Nancy Reagan will be remembered for her anti-drug campaign “Just Say No” , her work in raising awareness of breast cancer after her own diagnosis and of course, her devotion to her husband.  She was a feminist in her own right.  She showed that choosing family above career was within a woman’s right and a choice that should be respected not condemned.

Source:  Bustle

Three Legendary Ladies

At the 2015 The Kennedy Center Honors on Tuesday, December 29, 2015, three great ladies–Carol King, Cicely Tyson and Rita Moreno were among the five honorees.

Cicely Tyson, at 90 looks as elegant as ever.  She is best known for her role in The Autobiography of Miss Jane Pittman.  She was born in Harlem, New York City and raised by deeply religious, West Indian parents from Nevis, St. Kitts.  Her mother was a domestic and her father was a carpenter. Cicely was discovered by a fashion editor and she became a model.  She took the fashion industry by storm, quickly rising to the top.  She began acting in 1957 in off-Broadway productions before she was cast in feature films.  Her first major role was Portia in The Heart is a Lonely Hunter in 1968.  She was nominated for an Academy Award for Best Actress for her amazing performance in Sounder.  She has appeared in Roots, King and a Woman Called Moses.  Cicely is a seasoned and hugely talented actress who portrayed strong and positive black women.

I don’t condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You’re the reason I became an actress, that lets me know I made the right decision – Cicely Tyson

We applaud Cicely for standing by her convictions.  Our choices can not only affect us but they can affect others.

Carol King wrote tons of songs such as “Will You Love Me Tomorrow” for the Shirelles, “Run to Him” (#1 and #2 hits for Bobby Vee in 1961), “Crying in the Rain” (The Everly Brothers, #6 in 1962), “The Loco-Motion” (Little Eva, #1 in 1962), “Up on the Roof” (The Drifters, #5 in 1962), “Chains” (The Cookies, #17 in 1962, The Beatles in 1963), “One Fine Day” (The Chiffons, #5 in 1963), “Hey Girl” ( Freddy Scott, #10 in 1963, also Bobby Vee and The Righteous Brothers), “I’m Into Something Good” (Herman’s Hermits, #13 in 1964), “Just Once in My Life” (written with Phil Spector for The Righteous Brothers, #9 in 1965), and “Don’t Bring Me Down” (The Animals, #12 in 1966) and You Make Me Feel which has become the song most associated with Aretha Franklin.

The songs I identify most with Carol are “You’ve Got a Friend” which became a no.1 hit when it was recorded by lifelong friend, James Taylor and “It’s Too Late”.  Carol is the most renowned song-writer in pop music.   She has the distinction of having 400 of her compositions recorded by over 1,000 artists, resulting in 100 hit singles.  In 1987 she was inducted into the Songwriters Hall of Fame and in 1990 she was inducted into Rock and Roll Hall of Fame.

At the age of 70 this remarkable songwriter, performer, author and environmentalist is still going strong. Beautiful–The Carole King Musical which tells the inspiring true story of King’s remarkable rise to stardom won two Tony Awards in 2014 and a Grammy in 2015 for Best Musical Theater Album.  Her music continues to thrill us.

It’s about connections. I want to connect with people; I want to make people think “Yeah, that’s how I feel”. And if I can do that, that’s an accomplishment – Carol King

We are grateful to Carol King for her music which still resonates with us.

Rita Moreno has starred in three great musicals–Singin’ In the RainThe King And I and West Side Story for which she earned an Academy Award.  She has the distinction of being one of the very few and the first performers to win an Oscar, an Emmy, a Tony and a Grammy.  She was born Rosita Dolores Alverío in Humacao, Puerto Rico to seamstress Rosa María (Marcano) and farmer Francisco.  She and her mother moved to New York City where she began her career.

Unfortunately for Rita, she was typecast as a Hispanic pepper pot or another “exotic”.  In Father Knows Best, she was cast as an exchange student from India.  She considered the roles she was given degrading. It wasn’t until the ’70s that she was given better roles.  It was during that time that she won a Grammy Award for her contribution to “The Electric Company”‘s soundtrack album, a Tony Award as Best Featured Actress in a Musical for “The Ritz” and Emmy Awards for The Muppet Show and The Rockford Files.  In 2004, she received the award of the Presidential Medal of Freedom by President George W. Bush.  It is said that when her star was unveiled on the Hollywood Walk of Fame, she fell on top of it, openly and uncontrollably weeping, later commenting, “I had been dreaming of this day since I was six!”.

We admire Rita who came from humble beginnings to where she is now.  She is a reminder that childhood dreams can come true.

Bigger than life is not difficult for me. I am bigger than life – Rita Moreno

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Notes to Women salute these amazing women for their well deserved honors and recognition for their work in music, film and stage.

Sources: IMDb; Brainy Quote; Carol King Website; Think Exist; IMDb;

Dame Angela Lansbury

I still watch Murder, She Wrote because I like the show and the character Jessica Fletcher played by the great Angela Lansbury.  My 7 year old son is also a fan of Jessica Fletcher’s.  Before taking on the role of a mystery writer in one of the longest running detective drama series in television history, Angela was a silver screen movie star.  My husband thought she was hot then.

Angela is a versatile actress, easily portraying an unlikable and cheeky maid in Gaslight opposite Ingrid Bergman and Charles Boyer to the music hall singer who, unfortunately and tragically, falls in love with the protagonist, Dorian Gray in the movie, The Picture of Dorian Gray to the frightening and domineering mother in The Manchurian Candidate.  Her performance as Mrs. John Iselin in The Manchurian Candidate is ranked #21 in the American Film Institute’s 100 Years…100 Heroes and Villains for villains.

Angela was born to an upper middle class family on October 16, 1925 in Regent’s Park, central London. Her mother, Moyna Macgill, was a Belfast born Irish actress and her father was the wealthy English timber merchant and politician Edgar Lansbury.  He was a member of the Communist Party of Great Britain and former mayor of the Metropolitan Borough of Poplar.  Her paternal grandfather was the Labour Party leader and anti-war activist George Lansbury.  Angela was in awe of him and to her, he was “a giant in my youth”.  Angela had an older half-sister, Isolde from her mother’s previous marriage.  When Angela was four, her mother gave birth to twin boys, Bruce and Edgar, prompting the Lansburys to move from their Poplar flat to a house in Mill Hill, North London.  In the weekends, they went to a rural farm in Berrick Salome, Oxfordshire.

She was nine years old when her father died from stomach cancer.  To cope with her loss, she played characters, describing the event as “the defining moment of my life.  Nothing before or since has affected me so deeply.”  Faced with financial difficulty, her mother got engaged to a Scottish colonel and moved into his house in Hampstead.  Angela attended South Hampstead High School from 1934 to 1939.  She considered herself to be largely self-educated, learning from books, theatre and cinema.  She became a “complete movie maniac”, going regularly to the cinema and imagining herself as certain characters.

Angela’s grandfather died in 1940 and with the onset of the Blitz, her mother, Moyna took her and her brothers to the United States.  Her half-sister, Isolde remained in Britain with her new husband, actor Peter Ustinov.  Angela’s mother got a job supervising sixty British children who were evacuated to North America aboard the Duchess of Athol, arriving with them in Montreal, Canada in mid-August.  From Montreal they went by train to New York City where Moyna was sponsored financially by a Wall Street businessman and moved in with his family at their home in Mahopac, New York.  Angela got a scholarship from the American Theatre Wing which allowed her to study at the Feagin School of Drama and Radio.  There she appeared in performances of William Congreve’s The Way of the World and Oscar Wilde’s Lady Windermere’s Fan.  By the time she graduated, she and her family had moved to a flat in Morton Street, Greenwich Village.

Moyna got work in a Canadian touring production of Tonight at 8:30.  Angela joined her mother who got her first theatrical job as a nightclub act at the Samovar Club in Montreal.  She lied about her age to get the job and earned $60 a week.  She returned to New York city but her mother had moved to Hollywood to revive her cinematic career.  Angela and her brothers joined her.  After moving into a bungalow in Laurel Canyon, Angela and her mother got Christmas jobs at the Bullocks Wilshire department store in Los Angeles but unfortunately, Moyna got fired for incompetence.  The family had to live on Angela’s wages of $28 at week.

Angela met John van Druten at a party hosted by her mother.  He recently co-authored a script for Gaslight.  He suggested that Angela would be perfect for the role of Nancy Oliver, a conniving cockney maid and she accepted the part although at the time she was only 17.  A social worker had to accompany her on the set.  She got an agent and was signed to a seven-year contract with MGM, earning $500 a week.  She adopted “Angela Lansbury” as her stage name.  The movie received mixed reviews although Angela’s role was widely praised.  It received six Academy Award nominations, one of which was for Best Supporting Actress for Angela.

Following Gaslight, Angela starred in a supporting character in National Velvet which was a major commercial hit.  Angela developed a lifelong friendship with co-star Elizabeth Taylor.  I remember that the two friends appeared together in Agatha Christie’s The Mirror Crack’d with Angela in the role of the endearing Miss Marple.

Angela next starred in The Picture of Dorian Gray with Hurd Hatfield, George Sanders, Donna Reed and Peter Lawford.  Surprisingly, at least to me, the film was not a financial success.  However, it garnered Angela her second Best Supporting Actress nomination.  She lost to her National Velvet co-star Anne Revere.

Angela married Richard Cromwell, an artist and a decorator.  When I saw a photo of him, I recognized him as the brother of Henry Fonda’s character in the marvelous movie, Jezebel.  Angela’s marriage to Richard was a trouble one.  She would later disclose that he was gay, something she was not aware of until after their separation.  The marriage ended in less than a year and Angela filed for a divorce.  They remained friends, however, until his death.

Angela met her second husband, Peter Pullen Shaw at a party held by her former co-star Hurd Hatfield.  Hurd would later be a guest star on Murder She Wrote.  Peter was an aspiring actor also signed with MGM and had recently left a relationship with Joan Crawford.  He and Angela became a couple, living together before she proposed marriage.  They wanted to get married in Britain but the Church of England refused to marry two divorcees.  So, they wed at St. Columba’s Church which was under the jurisdiction of the Church of Scotland in Knightsbridge, London.  They had their honeymoon in France.  They returned to the United States and settled in Angela’s home in Rustic Canyon, Malibu, each becoming naturalised U.S. citizens with dual British citizenship.

Angela’s contract with MGM ended in 1952.  She was miscast, playing older and often villainous women.  Earlier in her career, MGM loaned her to United Artists for The Private Affairs of Bel Ami in 1947 and then to Paramount for Samson and Delilah (1949).  Unhappy with the roles MGM was giving her, Angela instructed her manager to terminate her contract.  At the time she was pregnant with her first child, Anthony whom she gave birth to that year.  Soon after he was born, she joined the East Coast touring productions of two former Broadway plays, Remains to be Seen and Affairs of the State.  In 1953, Angela gave birth to her daughter, Deidre Angela.  Angela’s husband, Peter had a son by a previous marriage and had legal custody of him.  He brought the boy to California to live with the family.  They moved to a larger house in Santa Monica.

In the mid-fifties Angela entered the world of Broadway theatre.  In 1957 she debuted in Hotel Paradiso, a French burlesque set in Paris, at the Henry Miller Theatre.  Although the play ran for only 15 weeks, earning her good reviews, she later stated that had she not appeared in the play, her “whole would have fizzled out”.  Next she appeared in A Taste of Honey, playing Helen, a boorish and verbally abusive absentee mother of Josephine played by Joan Plowright who was only four years younger.  Angela became friends with Joan and Laurence Olivier, Joan’s lover.  It was from Angela’s rented apartment on East 97th Street that Joan and Laurence eloped to get married.

Angela didn’t feel comfortable in the Hollywood social scene.  She chalked this up to her British roots. “In Hollywood, I always felt like a stranger in a strange land.”  In 1959, the family moved to Malibu where they settled into a house on the Pacific Coast Highway where she and Peter were able to escape the Hollywood scene and send their children to state school.

In 1962, Angela starred opposite Lawrence Harvey in The Manchurian Candidate, playing his manipulative mother even though she was only three years older than him.  The role earned her her third Best Supporting Actress Award nomination.  It bothered her that she didn’t win.  Angela starred in several movies in the 1960s but although her performances were well received, the kind of roles she wanted evaded her and she became dissatisfied with the minor roles she was getting, feeling that none of them allowed her to explore her potential as an actress.

I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said ‘I’ve been doing enough gardening, I’ve cooked enough good dinners, I’ve sat around the house and mooned about what more interior decoration I can get my fingers into.’ It’s a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn’t that a miracle? – Angela Lansbury

In 1966 Angela took on the title role of Mame Dennis in the musical Mame, the musical adapted from the novel, Auntie Mame.  The director’s first choice for the role was Rosalind Russell who played Mame in the non-musical adaptation but she declined.  Theatre critics were surprised that Angela was chosen for the role, believing that the role would go to a better known actress.  Angela was forty-one at the time and this was her first starring role.  She trained extensively for the role which involved over twenty costume changes throughout the play and ten songs and dance routines.  Auntie Mame opened on Broadway in May 1996, gaining Angela rave reviews.  She received her first Tony Award for Best Leading Actress in a Musical.  Following her success as Mame, Angela appeared in Dear World, the musical adaptation of The Madwoman of Chailott, as a 75 year old Parisian eccentric.  Angela found the experience “pretty depressing” but received positive reviews for her performance and her second Tony award.   The show, however, received critical reviews and ended after 132 performances.  After Dear World, Angela played the title role of the musical Prettybelle, based on Jean Arnold’s The Rape of Prettybelle, set in the Deep South.  It was a controversial play because it dealt with issues of racism with Angela as a wealthy alcoholic who seeks sexual encounters with black men.  It opened in Boston to poor reviews and was cancelled before it even reached Broadway.  Angela would later say that the play was a “complete and utter fiasco.”  She felt that her performance was awful.

In the early 1970s Angela turned down several cinematic roles, including the role of Nurse Ratched in One Flew Over the Cuckoo’s Nest which went to Louise Fletcher who won the Oscar for Best Actress.  In 1970 Angela appeared as the middle-aged English witch in the Disney film, Beadknobs and Broomsticks, her first lead in a screen musical.  1970 was a traumatic year for the Lansbury family.  Peter underwent a hip replacement, their son Anthony suffered a heroin overdose and went into a coma and the family’s home in Malibu was destroyed in a bush fire.  They bought a farmhouse constructed in the 1820s located near the village of Conna in rural County Cork.  It was there Anthony was taken to receover from his drug addiction after he quit using cocaine and heroin.  He enrolled in the Webber-Douglas School, his mother’s alma mater and became a professional actor before becoming a television director.  Angela and her husband did not return to California, instead, they divided their time between Cork and New York City.  They lived opposite the Lincoln Centre.

Angela returned to theatre in 1972, performing in the Royal Shakespeare Company’s theatrical production of Edward Albee’s All Over in London’s West End.  Although reviews of the play were mixed, her performance was widely praised.  She did a revival of Mame which was touring the United States at the time.  She returned to the West End to play Rose in the musical Gypsy.  Initially, she turned down the role because she didn’t want to be in Ethel Merman’s shadow.  Ethel had portrayed the character in the original Broadway production.  Eventually, Angela accepted the role and she received a standing ovation and rave reviews.  Not at all in anyone’s shadow, she was in demand among the London society, having dinners in her honour.  When Gypsy went to Broadway, it was a critical success, earning Angela her third Tony Award.

Eager to move on from musicals, Angela decided to tackle a production of one of William Shakespeare’s plays and landed the role of Gertrude in The National Theatre Company’s production of Hamlet.  The play received mixed reviews.  Angela later admitted that she hated the role because it was too restrained. To make matters worse, she learned that her mother had died in California. Angela had her mother’s body cremated and her ashes scattered near to her own County Cork home.

Angela appeared in Edward Albee’s Counting the Ways and Listening.  Her performance was praised.  She followed this with another revival tour of Gypsy.  She appeared in the revival of The King and I musical at Broadway’s Uris Theatre.  After seven years, she starred in her first cinematic role in Agatha Christie’s Death on the Nile, opposite her brother-in-law Peter Ustinov and Bette Davis who became a close friend. Of Bette, she had this to say, “She is an original. There has never been anyone, before or since, who could touch her.”

In 1979 she earned her fourth Tony Award playing Nellie Lovett in Sweeney Todd:  The Demon Barber of Fleet Street.  In 1982 she played an upper middle class housewife in A Little Family Business which also starred her son, Anthony.  The movie was panned and accused of racism by the Japanese-American community.  She co-starred with friend Bette Davis in the film made for television, Little Gloria…Happy at Last.  She appeared in other television movies, one of which was BBC’s A Talent for Murder which she jumped at the chance to take in order to work with co-star Laurence Olivier.

Then in 1983, Angela was offered two television roles–one was in a sitcom and the other was in a detective series.  She was unable to do both so her agents advised her to accept the sitcom role but she decided to accept the other role.  And we are thrilled that she did!  Angela described her character Jessica Fletcher as “an American Miss Marple”.  It’s interesting that she said that because she played Miss Marple in The Mirror Crack’d.  She played the sleuth the way Agatha Christie described the her unlike Margaret Rutherford who made the role famous.  The role of Jessica Fletcher had been offered to Jean Stapleton first but she turned it down.  I must say that I am happy that she did because I can’t imagine anyone else playing the part.  Angela was the perfect choice.

Angela took her role as Jessica Fletcher very seriously and had creative input over the character’s costumes, makeup and hair.  Network executives wanted to put the character in a relationship which Angela strongly rejected, believing that the character should remain a strong single female.  She changed any script which did not fit Jessica’s personality.  She saw Jessica as a role model for older female viewers and praised her “enormous, universal appeal” and admitted that, “It was an accomplishment I never expected in my entire life.”  Murder, She Wrote was described as a television landmark in the U.S. for having an older female character as the protagonist, paving the way for series like The Golden Girls, another show I enjoyed tremendously.  “I think it’s the first time a show has really been aimed at the middle aged audience,” Angela said.  It was the most popular show among senior citizens but it gradually gained a younger audience.  By 1991, a third of the viewers were under fifty.  It gained high ratings throughout most of its run.

I know why [Murder, She Wrote was a success]. There was never any blood, never any violence. And there was always a satisfying conclusion to a whodunit. The jigsaw was complete. And I loved Jessica’s everywoman character. I think that’s what made her so acceptable to an across-the-board audience – Angela Lansbury, 2014.

As the show went on Angela assumed a larger role behind the scenes with her own company, Corymore co-producing the show with Universal.  After a while, though she began to get tired of the series, especially of the long working hours and said that the 1990-1991 would be the show’s last season.  However, she changed her mind after she was appointed executive producer for the 1992-1993 season, which made it far more interesting for her.  For the seventh season, the show’s setting moved to New York where Jessica had taken a job teaching criminology at Manhattan University in an attempt to attract younger viewers.  Angela encouraged this move.  The show aired on Sunday where its ratings improved in the early 1990s.  People had gotten used to tuning in every Sunday night to see what murder mystery Jessica Fletcher would be solving so it was unfortunate when CBS executives got the bright idea to move it to Thursdays opposite NBCs new sitcom, Friends with the hope of drawing a larger audience.  Not surprisingly, Angela was angry at this move, believing that it ignored the show’s core audience.  The show’s final episode aired in May 1996 and ended with Angela voicing a “Goodbye from Jessica” message.  The role of Jessica Fletcher would prove to be the most successful and prominent of Angela’s career.  It must have been hard saying goodbye to Jessica Fletcher for Angela and the faithful viewers.  All good things must come to an end.  Sigh.

After the end of Murder, She Wrote, Angela returned to the theatre.  Fast forward to March to June 2014 when Angela reprised her 2009 Tony winning Broadway performance as Madame Arcati in Blithe Spirit at the Gielgud Theatre in London’s West End, marking her first London stage appearance in nearly 40 years.  She picked up her first Olivier award, Britain’s most prestigious prize a the age of 89 for Blithe Spirit.  It’s worth mentioning that Angela received an Academy Honorary Award for her lifetime achievement at the Governors Awards on November 16, 2013 and received the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre on November 16, 2015.

I read a few interesting things about Angela.  I will just mention a few.  In the late 1940s, MGM planned to cast her as the female lead in a film entitled “Angel’s Flight” with Clark Gable but the project never came through because Mr. Gable disliked the storyline, so the studio had to squash the entire project.  She was considered for the role of Miss Caswell in All About Eve (1950), but Marilyn Monroe was cast in the role instead.  Frank Sinatra wanted Lucille Ball for the role of Mrs. Iselin, the manipulative mother in The Manchurian Candidate but Angela got the part and played it convincingly.  I don’t know if Lucille Ball would have pulled it off.  Angela is a staunch Democrat and a solid supporter of Barack Obama.  She was very close friends with Bob Hope.  She gave a speech at his memorial service on August 27, 2003.  Her nephew David Lansbury was married to actress Ally Sheedy, The Breakfast Club.

Angela was self-professed homebody who preferred spending quiet evenings inside with friends to the Hollywood night live.  She is a supporter of the United States Democratic Party and the British Labour Party.  Notes to Women celebrate this remarkable woman who is a staunch supporter of charities such as Abused Wives in Crisis which combated domestic abuse and those who worked toward rehabilitating drug users.  She supported charities dedicated to fighting against HIV/AIDs.  She was a chain smoker early in life but gave up the addiction cold turkey in the mid-1960s.  We congratulate her on her promotion to Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to drama and to charitable work and philanthropy.  Last year she was made a Dame by the Queen at Windsor Castle.  This honour couldn’t have happened to a more deserving lady.  Dame Angela, we applaud you for the work you have done in movies and in theatre and most importantly, your charitable deeds.

The older I get, the more I realize how much I have missed because I was so busy entertaining that audience and so busy pursuing a career.
I just went along for the ride. It was a God-given gift. It is. So you can’t say well, you wasted your life because you spent all of it acting, but I think gosh, I’ve never been to China, I’ve never been to Japan. I’ve never been to Yellowstone Park.
I had no idea that such a thing could happen. It never occurred to me.My son told me. He called me and said, “Darling, I just wanted you to know that you have been chosen to receive an honorary Academy Award.” I was in the back of this car, and I said, “Oh,” and burst into tears, of course, because it was so unexpected and quite wonderful. I thought it’s been worth hanging around all these years.
I honestly consider that the greatest gift to me, is the reaction that I get from my work. That is a given which I never, ever take for granted. But to be given that by audiences, individuals, on the street, in the theater, is an extraordinary feeling.
My mother was one of the most beautiful women, I have to say, of her generation. She was absolutely lovely. She was a very, extremely sensitive, Irish actress. She came from Belfast, Northern Ireland, and she came to London, and she was sort of discovered by several people.
~Angela Lansbury~

Sources: azquotes; Wikipedia; IMDB; Hollywood Reporter; Deadline Presents

 

Maureen O’ Hara

Every star has that certain something that stands out and compels us to notice them. -As for me I have always believed my most compelling quality to be my inner strength, something I am easily able to share with an audience. I’m very comfortable in my own skin. I never thought my looks would have anything to do with becoming a star. Yet it seems that in some ways they did – Maureen O’Hara

On Saturday, October 24, 2015, Irish-American beauty Maureen O’ Hara died in her sleep at the age of 95 from natural causes.  The four films she starred in which I believe were among her best are The Hunchback of Notre Dame, The Quiet Man, How Green Was My Valley and Miracle on 34th Street.  Maureen was known for playing proud, strong-willed and temperamental Irish lasses.  It was a treat to see her and longtime friend John Wayne work together.  She was tall and held her own against the Duke in their on-screen scenes.

Maureen FitzSimmons was the second oldest of six children of Charles Stewart Parnell and Marguerite (nee Lilburn) FitzSimons.  Her father was in the clothing business and her mother, a former operatic contralto, was a successful women’s clothier.  Maureen’s sister Peggy dedicated her life to a religious order by becoming a Sister of Charity.  The younger children trained at the Abbey Theatre and the Ena May Burke School of Drama and Elocution in Dublin.

From an early age, Maureen knew that she wanted to be an actress and took lessons.  She got her first screen test in London but it turned out to be unsatisfactory.  The studio dressed her in a “gold lame dress with flapping sleeves like wings” and heavy makeup.  The experience led Maureen to think, “If this is the movies, I want nothing to do with them!”  Thankfully, actor Charles Laughton saw the test sometime later and in spite of the heavy makeup and costume, was intrigued by her, particularly her large and expressive eyes.  He asked his business partner, Erich Pommer to watch the film clip and Pommer agreed with Laughton’s assessment of her and Maureen was offered an initial seven-year contract with their new company.  It was Laughton who gave her the name “O’Hara” although she insisted in keeping her name because he believed that , “nobody would ever get FitzSimmons straight.”  A name really does make a difference when it comes to show business.  He arranged to have her co-star with him in the British film, Jamaica Inn.  The Hunchback of Notre Dame was her first Hollywood film and it was released in 1939, the same year as Jamaica Inn.

After Hunchback was completed, World War II began.  When Laughton realized that his company could no longer film in London, he sold Maureen’s contract to RKO.  However, the studio cast her in low-budget films until John Ford rescued her.  He cast her in How Green is My Valley which won the Academy Award for Best Picture.  She later starred as Natalie Wood’s mother in Miracle on 34th Street one of the most beloved Christmas Classics that airs every year during the holiday season.

In 1946 Maureen became a naturalized citizen of the United States, holding dual citizenship with the US and her native Ireland.  She was considered an icon of Hollywood’s Golden Age and one of the world’s most beautiful women.  She was remembered for her onscreen chemistry with John Wayne.  They made five movies together between 1948 and 1972.  She was the Duke’s favorite actress and considered a real friend.  She’s the only woman he thought of in that way.  As he lay dying on his hospital bed, he watched on television as she petitioned Congress to give him a Congressional Gold Medal and they voted unanimously to do so.

Acting was not Maureen’s only talent.  She had a soprano voice.  Singing was her first love.  She was also very athletic.  She did her own stunts in movies.  I remember seeing her sword-fencing with skill and agility that was astounding.  She held her own in the swashbuckling movies like The Black Swan opposite Tyrone Power and Sinbad the Sailor with Douglas Fairbanks.  No doubt this had to do with her love for playing rough athletic games as a child.  She excelled in sports.  She had the pleasure of starring with leading men such as John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith and Sir Alec Guiness and working with directors like Alfred Hitchcock, Jean Renoir, Walter Lang, to mention a few.

On a personal note, in 1939, when she was 19 years old, Maureen secretly married Englishman George H. Brown whom she met on the set of Jamaica Inn.  Brown was a film producer, production assistant and occasional scriptwriter.  The marriage was annulled in 1941.  She married American film director William Houston Price but the marriage ended in 1953 because of his abuse of alcohol.  They had one child–a daughter, Bronwyn Bridget Price.  From 1953-1967 Maureen had a relationship with Enrique Parra, a Mexican politician and banker.  In her biography, she wrote that Enrique “saved me from the darkness of an abusive marriage and brought me back into the warm light of life again. Leaving him was one of the most painful things I have ever had to do.”  Parra died in June 2015–four months before her death.

In 1968 Maureen married her third husband, Charles F. Blair, a pioneer of transatlantic aviation, a former brigadier general of the US Air Force, a former chief pilot of Pan Am and founder and head of the U.S. Virgin Islands Antilles Air Boats.  A few years after they married, Maureen retired from acting. Blair died in 1978 while flying from St. Croix to St. Thomas due to engine failure.  Maureen was elected CEO and president of the airline, earning her the distinction of becoming the first woman president of a scheduled airline in the U.S.  Her marriage to Blair were ten of the happiest years of her life.  It devastated her that she had lost him and her friend John Wayne within months of each other.

Maureen came out of retirement in 1991 when she starred as John Candy’s domineering mother in Only the Lonely.  After that she starred in several made for TV movies.  Her last film, The Last Dance, was released in 2000.  On November 4, 2014 she received the honorary award from Academy of Motion Picture Arts and Sciences at the annual Governor’s Awards.  She is the second actress to receive an Honorary Oscar without having been nominated for an Oscar in a competitive category. Myrna Loy was the first.

Notes to Women celebrates Maureen O’Hara, the actress who lit up the screen with her luminous red hair, big, expressive eyes.  She was one of the last surviving stars from the Golden Age of Hollywood.  She leaves behind a legacy of films in which she portrayed strong, brave and intelligent women.

I was tough.  I was tall.  I was strong.  I didn’t take any nonsense from anybody.  He was tough, he was tall, he was strong and he didn’t take any nonsense from anybody.  As a man and a human being, I adored him.

Speaking as an actress, I wish all actors would be more like Duke (John Wayne)–and speaking as a person, it would be nice if all people could be honest and as genuine as he is.  This is a real man.

To the people throughout the world, John Wayne is not just an actor, and a very fine actor – John Wayne is the United States of America.

Above all else, deep in my soul, I’m a tough Irishwoman.

I have never lost my faith in God.

maureen-ohara (1)

Sources:  Wikipedia; IMDB; Brainy Quotes