I wanted to share this email from Sharmeen Obaid-Chinoy, the first Pakistani woman to win an Oscar for her film Saving Face in 2012 and one of TIME Magazine’s most influencial people of the world.
A lot has happened since the Academy Awards in February in LA…I have begun work on a new series of documentary films which are being aired for the first time on TV Channels across Pakistan-
In a unique partnership with Coca-Cola, my production company SOC Films has launched a 6 part documentary series titled “Ho Yaqeen” featuring Pakistanis doing extraordinary things and transforming their communities.
The first episode of the series launched 2 weeks ago: Please do tune in to watch it, links are below:
Please do share these links with friends and family….
In other news, i was very fortunate to have been named by Time Magazine as one of the 100 most Influential people in the world- (http://goo.gl/OFVhZ)
This positive reinforcement helps us get the message of our Academy Award winning film Saving Face out.
As more episodes of Ho Yaqeen become available i shall send them out on this mailing list. I am also involved in two more exciting documentary ventures outside of Pakistan which i shall share with you later in the summer….
All my very best
You can check out Sharmeen’s website at: http://sharmeenobaidfilms.com/bio/ I will keep you posted on Sharmeen’s exciting ventures.
I never knew about Hattie McDaniel until I saw her in Gone With the Wind. She made history when she won an Oscar for playing Mammy in the Academy award winner for best picture. She was the first African American to do so. In her acceptance speech, she said, “I sincerely hope that I shall always be a credit to my race, and to the motion picture industry.” Well, Ms. McDaniel, you are and will always be a credit to your race because you have opened doors for stars like Sidney Poitier, Whoopi Goldberg, Halle Berry, Denzel Washington, Morgan Freeman, Monique and most recently Octavia Spencer.
McDaniel has two stars on the Hollywood Walk of Fame in Hollywood: one for her contributions to radio at 6933 Hollywood Boulevard, and one for motion pictures at 1719 Vine Street. In 1975, she was inducted into the Black Filmmakers Hall of Fame and in 2006 became the first black Oscar winner honored with a US postage stamp.
In addition to having acted in many films, McDaniel was a professional singer-songwriter, comedian, stage actress, radio performer, and television star. Hattie McDaniel was in fact the first black woman to sing on the radio in America. Over the course of her career, McDaniel appeared in over 300 films, although she received screen credits for only about 80. She gained the respect of the African American show business community with her generosity, elegance, and charm.
Hattie McDaniel was born June 10, 1895, in Wichita, Kansas, to former slaves. She was the youngest of 13 children. Her father, Henry McDaniel, fought in the Civil War with the 122nd USCT and her mother, Susan Holbert, was a singer of religious music. In 1900, the family moved to Colorado, living first in Fort Collins and then in Denver, where Hattie graduated from Denver East High School. Her brother, Sam McDaniel (1886–1962), played the butler in the 1948 Three Stooges’ short film Heavenly Daze. Another acting sibling of Hattie and Sam was actress Etta McDaniel.
In McDaniel’s time, America was segregated in virtually every respect in terms of race. In the South, blacks were barred by law from attending school with whites and subjected to segregation in all other public places Even outside the South, many restaurants and hotels refused to accept black customers. Job opportunities were limited. Custom or restrictive covenants kept blacks from living in “white” neighborhoods. Marriage between blacks and whites was illegal in most states of the United States. The United States military required blacks to serve in all-black regiments. Black Americans also faced the terrorism of lynch mobs without the assurance of federal or state protection. Indeed, in 2005, the U.S. Congress issued an apology for the federal government’s failure to enact lynching legislation to protect blacks in that era. I will never forget the scene in the movie about Dorothy Dandridge, starring Halle Berry, where the pool at the hotel where she was staying was drained because she dipped her foot in the water. And insult to injury, African American men were the ones cleaning the pool. How hurtful that must have been for Dorothy.
The field of entertainment emerged as a profession in which blacks were allowed to reach white and black customers. Still, however, the success of black entertainers and their ability to rise into ownership and management was limited by racial restrictions. Often, many of the same places that allowed blacks to be on stage, did not allow them to sit in the audience as patrons. State laws allowing discrimination and requiring segregation assured that black entertainers were not allowed the same benefits and opportunities as white ones. Black actors were cast repeatedly in menial roles and were consistently required to speak in contrived stereotypical “Negro dialects.” If black actors did not know how to speak that way, they had to learn to in order to succeed in Hollywood. Movie houses often hired white dialect coaches to teach the so-called “Negro dialect.”
I hated the way the blacks talked in movies. It degraded them and made them seem ignorant. And they were always bowing and shuffling and their eyes wide open as if they were having a fright. Here are a few examples of words considered “Negro dialect”: ah for I, poe for poor, hit for it, tuh for to, wuz for was, baid for bed, daid for dead, mah for my, ovah for over, wha for where, ifn for if, fiuh or fiah for fire, yo’ for you, cot for caught, kin’ for kind, cose for ’cause, and tho’t for thought. What?!?
I learnt that the competition to play Mammy in Gone with the Wind (1939) had been almost as stiff as that for Scarlett O’Hara. Eleanor Roosevelt wrote to film producer David O. Selznick to ask that her own maid, Elizabeth McDuffie, be given the part. McDaniel did not think she would be chosen, because she was known for being a comic actress. One source claims that Clark Gable recommended the role go to McDaniel; when she went to her audition dressed in an authentic maid’s uniform, she won the part. Clark Gable and Hattie McDaniel became very good friends. When the date of the Atlanta premiere approached, all the black actors were barred from attending and excluded from being in the souvenir program as well as southern advertising for the film. David Selznick had attempted to bring Hattie McDaniel, but MGM advised him not to because of Georgia’s segregationist laws. Clark Gable angrily threatened to boycott the Atlanta premiere unless McDaniel was allowed to attend, but McDaniel convinced him to attend anyway. Hattie and her escort were seated at a segregated table for two, apart from her Gone with the Wind colleagues and her colleagues in the motion picture industry, a painful reminder of how far the industry and the country had yet to go in overcoming racism.
The Twelfth Academy Awards took place at the Cocoanut Grove of the Ambassador Hotel in Los Angeles. It was preceded by a banquet in the same room. Louella Parsons, an American gossip columnist, wrote about Oscar night, February 29, 1940:
- “Hattie McDaniel earned that gold Oscar, by her fine performance of “Mammy” in Gone with the Wind. If you had seen her face when she walked up to the platform and took the gold trophy, you would have had the choke in your voice that all of us had when Hattie, hair trimmed with gardenias, face alight, and dress up to the queen’s taste, accepted the honor in one of the finest speeches ever given on the Academy floor. …
Hattie did look wonderful and she was deeply humbled. She said, “Academy of Motion Picture Arts and Sciences, fellow members of the motion picture industry and honored guests: This is one of the happiest moments of my life, and I want to thank each one of you who had a part in selecting me for one of their awards, for your kindness. It has made me feel very, very humble; and I shall always hold it as a beacon for anything that I may be able to do in the future. “
Hattie was also known for her community service work. During World War II. She was appointed the Chair of the “Negro Division” of the Hollywood Victory Committee, providing entertainment for soldiers stationed at military bases. (The military was segregated and black entertainers were not allowed to serve on white entertainment committees.) She asked her friend actor Leigh Whipper and other well known black entertainers to join her Negro Division Victory committee. She also put in numerous personal appearances to hospitals, threw parties, performed at United Service Organizations (USO) shows and war bond rallies, to raise funds to support the war, on behalf of the Victory Committee. Bette Davis also performed for black regiments as the only white member of an acting troupe formed by Hattie McDaniel, that also included Lena Horne and Ethel Waters. She was also a member of American Women’s Voluntary Services.
She joined actor Clarence Muse, one of the earliest black members of the Screen Actors Guild, for an NBC radio broadcast to raise funds for Red Cross relief programs for Americans, who had been displaced by devastating floods. She gained a reputation for generous giving, often feeding and lending money to friends and stranger alike.
Hattie was married four times. When she was married to James Lloyd Crawford, she happily informed gossip columnist Hedda Hopper in 1945 that she was pregnant. McDaniel began buying baby clothes and setting up a nursery. Her plans were shattered when the doctor informed her she had a false pregnancy; McDaniel fell into a depression. She never had any children. She divorced Crawford in 1945, after four and a half years of marriage. She said he was jealous of her career and once threatened to kill her. Hattie befriended several of Hollywood’s most popular stars, including Joan Crawford, Tallulah Bankhead, Bette Davis, Shirley Temple, Henry Fonda, Ronald Reagan, Olivia de Havilland and Clark Gable (as I mentioned earlier).
Hattie died at age 57 from breast cancer, in the hospital on the grounds of the Motion Picture House in Woodland Hills, on October 26, 1952. She was childless and was divorced from her fourth husband. She was survived by her brother, Sam McDaniel. Thousands of mourners turned out to remember her life and accomplishments. In her will, McDaniel wrote: “I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery”. The Hollywood Cemetery on Santa Monica Boulevard in Hollywood was the resting place of movie stars such as Douglas Fairbanks, Rudolph Valentino, and others. Hollywood Cemetery refused to allow her to be buried there, because it, too, practiced racial segregation. It did not accept the bodies of black people. Her second choice was Rosedale Cemetery, where she lies today.
Notes to Women celebrate and remembers this resilient woman, gifted actress and beacon of hope for other African Americans. She left behind two legacies–her contributions to radio and the movie industry. She was not opposed to playing menial roles. She reportedly said,”Why should I complain about making $700 a week playing a maid? If I didn’t, I’d be making $7 a week being one.” We thought it fitting to end Black History Month by celebrating the life and acchievements of this model of offscreen courage and great, show-stealing onscreen performances.
A woman’s gifts will make room for her.
Faith is the black person’s federal reserve system.
I did my best, and God did the rest.
I don’t belong on this earth. I always feel out of place – like a visitor.I am loathe to get married again. I’ve been married enough; I just prefer to forget it.What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.Hattie McDaniel
Sources: http://en.wikipedia.org/wiki/Hattie_McDaniel; http://www.imdb.com/name/nm0567408/bio; http://www.popmatters.com/tv/reviews/b/beyond-tara.html; http://www.mahoganycafe.com/hattiemcdaniel.html; http://voices.washingtonpost.com/postpartisan/2010/01/harry_reid_could_use_a_lesson.html
Last night I watched the Academy Awards show–all of it. I paid for that this morning when I had to drag myself out of bed, my eyes still heavy with sleep. There were many oscar moments–Halle Berry’s tribute to Lena Horne, Melissa Leo’s win and her dropping of the “F” bomb, Kirk Douglas keeping the Best Supporting Actress nominees in suspense, Natalie Portman thanking everyone, including the makeup people and cameramen. However, the highlight for me was when Tom Hooper made gave his acceptance speech after he won for Best Director.
Hooper thanked his mother who was in the audience for attending a reading of an unproduced play in 2007. “She cme home, she rang me up, and said, ‘I think I found your next film.’ … The moral of the story is: Listen to your mother.”
Thanks to his mother’s advice, the movie also earned a best actor oscar for Colin Firth, Best Picture and Best Original Screenplay for 73 year old David Seidler.
And the best advice oscar goes to–Mrs. Hooper.
In light of the Academy Awards which are happening this Sunday, I thought I should salute two women who made Oscar history. The first is Halle Berry. Her gutwrenching portrayal in Monster’s Ball of a hard-working waitress struggling to raise an obese son while her husband sat on death row earned her the Best Actress Oscar, making her the first African American woman to accomplish this.
The emotional scenes in the movie were raw. In the nude scene with Billy Bob Thornton, Halle seemed to be comfortable with baring it all. In an interview, she was asked about this. “But with Monster’s Ball, without this scene, I think it would be a very different movie. I think it’s a pivotal moment and from that moment on, you understand why these two people get together.” What helped Halle to really let herself go was, the fact that “Billy [Bob Thornton] went to the same place I went to. He was as naked, as nude, as exposed, as I was. You saw everything on him as you did me. Men don’t have breasts so we didn’t get that thrill. But he was just as vulnerable.(http://www.beatboxbetty.com/celebetty/halleberry/halleberry/halleberry.htm).
In another interview, she admitted that “it was tough, but like I said, not tougher than when I had to abuse my overweight son. No tougher than that. That was probably tougher than the love scene.”
Halle was not director Marc Foster’s choice for the role of Leticia but Halle pushed until she won him over. She explains how she managed to convince that she was right for the part and why she was so determined to get it. “I just know that I was relentless in my approach. I just wanted a chance to sit in the room and tell him who I thought she was. My take on the movie. How I thought I could breathe life into her. I wanted a chance to tell him all these things that were brewing inside of me and I finally got that chance. And then I met with him a couple of times, and then the producer, and then Billy Bob, until they just gave in.
“It’s a wonderful character for a woman to play and we don’t see them that often. I think they are becoming more available but not that often. I think I related to her right away when I read the movie screenplay. I was riveted. I wanted to know what would happen to her. Things kept happening, the unthinkable, twists and turns and I started to care about these people (http://www.iofilm.co.uk/feats/interviews/h/halle_berry.shtml).
Her persistence paid off. On 24 March 2002, Halle Berry made oscar history. “I am so honoured, I’m so honoured, and I thank the Academy for choosing me to be the vessel for which this blessing might flow. (http://www.cinema.com/news/item/5850/halle-berry-makes-history-with-oscar-win.phtml).
Eight years later another woman makes oscar history. Kathryn Bigelow became the first woman to win the Academy Award for Best Director for Best Picture winner, The Hurt Locker.
“This really is… There’s no other way to describe it, it’s the moment of a lifetime. First of all, this is so extraordinary to be in the company of such powerful, my fellow nominees, such powerful filmmakers who have inspired me and I have admired for, some of whom, for decades. And thank you to every member of the Academy. This is, again, the moment of a lifetime” (http://www.altfg.com/blog/awards/kathryn-bigelow-oscar-acceptance-speech-494/).
Bigelow was once married to fellow director James Cameron. Bothwere both nominated for Best Director at the 2010, 82nd Academy Awards.
In April 2010, Bigelow was named to the Time 100 list of most influential people of the year (http://en.wikipedia.org/wiki/Kathryn_Bigelow).
Kudos to these two remarkable women who used their talents to make waves in the movie business. They prove that anything is possible once you set your mind to it. Each of us can have our “moment of a lifetime”.